Text and photos by Joelle Cecilia Quek The Substation’s 2021 SeptFest made a full comeback in March after 6 years, marking the 30th anniversary of Singapore’s first independent home of the arts. Titled In The Margins, the month-long festival focuses on stories of the marginalised, displaced, and forgotten – communities who often go unseen and […]
The Substation’s SeptFest 2021: Endnote Read More »
By Nabilah Said Against the backdrop of a battle of words, an impossibility is happening. SeptFest, one of The Substation’s most enduring annual programmes, is taking place this month, in March, six months too late. This, of course, is because of COVID restrictions last year, but it also feels strangely early, unseasonal – like when
The Substation’s SeptFest 2021: The last chapter Read More »
By Aditi Shivaramakrishnan Adapting its title from Lessons for Women <<女诫>>, a text by the first known female Chinese historian, Ban Zhao, Alternative Lessons for Women is a double-bill of two solo works: Hymen Instinct created and performed by Sonia Kwek and What? That’s It? created and performed by Tan Weiying. Hymen Instinct subverts the
Alternative Lessons for Women: Sonia Kwek and Tan Weiying on sex, desire and the erotic Read More »
Brown Is Haram: Reconstructing The Brown Narrative is a performance-lecture exploring different aspects of the experience of being brown in Singapore, exploring issues such as social mobility and masculinity. This show is based on the work and ongoing collaborative project of writer and activist Kristian-Marc James Paul and writer-researcher Mysara Aljaru, and is directed by
Brown Is Haram: Kristian-Marc James Paul and Mysara Aljaru reclaim their space Read More »
By Ke Weiliang, with assistance from Nabilah Said Last updated: 12 Nov 2021 ArtsEquator has compiled a timeline of events that details recent developments surrounding the future of The Substation. The timeline – displayed in chronological order – begins from late 2017 when the National Arts Council (NAC) first informed The Substation of its decision
The future of The Substation: A timeline of events (Updated) Read More »
By Nabilah Said, with additional reporting by Ke Weiliang On Saturday, 6 March 2021, almost 300 members of the arts community came together in a Zoom Townhall to discuss the fate of independent arts centre The Substation. The Townhall had been called by the board of directors of The Substation after a month-long back-and-forth involving
The Substation: An unstoppable force and an immovable object Read More »
Translation by Eka Wahyuni In one corner of West Java, Indonesia, in the Majalengka Regency, a group of volunteers work hand in hand to distribute Personal Protective Equipment (PPE), groceries, food, and medical equipment to people who have to work outside the home during the Covid-19 pandemic. These volunteers were the Relawan Jabar Baik (West
Jatiwangi Art Factory: Cultural work that breaks the mould Read More »
As told to Akanksha Raja In the latest instalment in our series covering independent art spaces in Southeast Asia, ArtsEquator.com spoke with artist Seelan Palay to learn about his practice, his inspirations, and his journey setting up the independent alternative art space Coda Culture, at 803 King George’s Avenue in Singapore. Here’s what he shared
Coda Culture: A Space for Freedom Read More »
Despite being nearly 14,000 kilometres from her hometown in America, Myanm/art gallery director Nathalie Johnston has managed to create a home for herself – and Myanmar’s growing contemporary art scene – in the bustling city of Yangon. Johnston’s first encounter with Myanmar took place over two decades ago, in 1997, when her family visited a
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By Ben Valentine (1,600 words, 10 minute read) Meta Moeng was the first person I met from Cambodia’s arts scene. This was in 2014, and I was eager to learn more about the country’s arts ecology. She was then the community projects manager at SA SA BASSAC (SSB) arts gallery in Phnom Penh, and I
Meta Moeng: a bridge-builder in Cambodia’s art world Read More »
Penangites of a certain age still have fond memories of the Blue Bus that ran up and down the island until the 1980s. The company’s garage, built in 1947, sported a sleek Art Deco façade, still visible today. But years of neglect took their toll and even the purchase of the property by a group
All Aboard: Artists and Locals Come Together at Penang’s Hin Bus Depot Read More »
