By Nabilah Said (1,119 words, 6-minute read) There is a Malay proverb: “sedangkan lidah lagi tergigit”, that roughly translates as “even the tongue can get bitten”. It applies to groups of people, such as a husband and wife, or siblings, who, despite their close relationship, can fight or have a misunderstanding. Perhaps that is the […]
Love me tender: “Eat Duck” by Checkpoint Theatre Read More »
By Nabilah Said (1,887 words, 7-minute read) Trigger/Content Warning: Discussions of sexual assault I watched two shows in the span of two weeks recently. Besides the fact that they were Singapore plays, they did not, from the outset, seem that much alike. One was This Is What Happens To Pretty Girls by Pangdemonium. The
Pretty Displaced: Staging Sexual Assault in the Age of #MeToo Read More »
In today’s world of Instagram, blogs, vlogs and reality TV where we gaze at other people’s lives, autobiographical theatre is unique for the intimacy created between the actors and the audience as they watch the life being lived, re-lived and rediscovered. As Grace Sherrill rightly states “In the live theatre of AutoBiography, truth claims the
“Still Life” by Checkpoint Theatre: Art Recreates A Life Read More »
By Akanksha Raja (920 words, 9-minute read) Normal opens with a dreary, dull morning assembly at Trinity Girls’ School, immersing the audience in a mise-en-scène that is all too familiar to anyone who has been through any part of public education in Singapore. This bleary-eyed 7AM routine, of forced uniformity and subservience, is broken by
Who’s Normal Anyway? Read More »
