In Cambodia, most cases of arts censorship are linked to the notion of protecting and preserving culture. Kai Brennert examines how different generations of civil servants and policymakers are shaped by their lived experiences, which in turn influence their view of โcultural preservationโ.
Artists from the region created a virtual time capsule to capture the objects and memories of the past two years.
Jean Baptise Phouโs work My Motherโs Tongue began as a way for the artist to examine his relationship with his Teochew-speaking mother. Through collocations with other artists and audiences, the work has undergone different manifestations, but remains an โan exploration of the barriers to connection that transcend languageโ writes Deborah Augustine.
In a country with a range of national and international laws to protect artistic rights, Reaksmey Yean questions the reality of freedom of expression for artists in Cambodia.
แแ แแแแแแแถ แแแแถแแขแ แขแ แขแถแแแแถแแแแแแแปแแถโแแถแแ แถแแแแแแฝแโแขแแแแ แแแแแแแแแแแแแแแแแแแธแแแผแ แแบ แแถ แแปแแแแ แแทแโแกแปแ แแปแแแแถแแแถ แแถแแแแแแ แแนแแแถแแแแแแ แแแแแแแ แแ แแแแปแโแแแ แแแแแ แแธแแแแแโ แแแแแแฝแแแโ แแแโแ แแโแแถแแแธแแแแแแถ แแแแถแแขแ แขแ แ แแแ แแแแแแแแโแแถแแแถแแแแถแแฑแแแแถแแแถแแแแแแแถแแ แผแแแแแแถแโ แข,แขแแถแแแพแโ แขแแกแปแแแแโแฅแแโแแแแแถแแแแธแแถแแ แแแแแแถแแ แแแแธแแแแแ แแแโแแแแปแแฑแแแแปแแแแแแแแแแถแแแกแถแโแแแแแโแแแแแถแแแแนแโแแถแแแถแแแแแแแ โแขแแแพแแปแแแแฝแ แแแแแแแ แแแแแแฟแแแแแแนแ แ แพแแแแ แทแแแแแปแแแถแแโแแพแแแแ แถแแนแแแธแ แแ แแแแปแโแแแ แแแแแแแแ แแปแแแแแแแแแแถแ ยซแแแแปแแ แถแแแแแแพแแแพแแแ แแพแแธแแแแแแ แแถแแแแแแผแแขแแแแถแแแแนแโ แแแแแถแแแแถแแฝแแแนแแแแแแแแ แแแแแแแแแแแแแ แแแแแแแขแแแแแถแแแแแแแ แแฝแแแถแแทแแถแแแแกแแ แฑแแแแแฎแแถแแแแ แแแแปแแขแแแแแแแแถแแแแแแ แแพแแธแแแแถแแถแ แแถแแแถแแแแแแแแแแแถแ แถแแแทแแแถแแแแแแถแ แแแแแแถแแแนแ แแแแถแแแธ แแแแถแแแถแแแ แแพแแแแแแถแแทแแแแแปแแถ แแแแพแแแ แแแแพแขแถแแถแแยป แแถแแแแแแ แแแแแแแแปแแแแโ แแบแแแแแแโแแ แแแแแแแแแแ แแแแถ แแถแแทแแทแแ แแถแแทแแแแแแแแแแแทแแแแแแแผแแแแโแแแแแนแแแแแขแแแแแแแถแแแแถ แ ยซแแพแแแพแขแแแแธแแแแถแแขแแแธแแ แแแแแ… แแถแแแแแฝแแ แแแฝแแแแแปแแแแแแแถแแแถแ แแแแแแแแถแแแแถแแแแแธแแแแนแแแแแแแแแแถแ…ยป แแพแแแแแธแแถแแแ แแแแแแแถแแแแผแแแทแแแพแแแแแถแแแ ยซแแแแแถแยป แแแแแแแถแแแแแแ แปแ แแแแแแ แถแแนแแแธแแแแแถแแแแแแ แแ แแแแปแโแ แแแแแแแฝแแแ แแแโแแแแพโแฑแแแขแแแแแแแถแแโแแแแแถแโแแถโ แแถแแถแแแแแ แแ แแโแแแแ แถโแแแแแแแโแแแแแแพแแแฝแโโแแถแแฝแแแนแโแแแแแแโแแแแแถแ โโโ แแ แแนแแแถแแ แแแแแแแถแแแแถแแผแแแถแแแถแแแแแ แพแแแถ …
By Elaine Chiew (1,135 words, six-minute read) Spectral and iconic, Dinh Q. Lรชโs first major solo exhibition in Singapore premieres his Monuments and Memorials series of works, created as artist-in-residence at STPI โ Creative Workshop and Gallery. Born in 1968 in Ha Tien, on the border of Cambodia and Vietnam, Lรช fled the Khmer Rouge …
Dinh Q. Lรชโs “Monuments and Memorials”: A Double Haunting Read More ยป
By Chloe Chotrani (1400 words, 12-minute read) Dance was practiced as a devotional union between the ancestral and earthly realms through ritualistic performances in architectural spaces, with its genesis in India, extending into Southeast Asia. This essay examines the bronze figures of deities and temple traditions in Angkor, Cambodia in relation to ancient Hindu traditions …
Dance as Devotion in South India and Southeast Asia Read More ยป
