‘We are all but moving shadows and all our busy rushing ends up in nothing’ In this episode, Natalie Hennedige and Siti Khalijah Zainal unpack a scene from Cake‘s Nothing and talk about the process and the inspiration behind the creation of the play, from the characters to multimedia design and more. Nothing was staged […]
(Episode 2) What’s in a Scene – Nothing by Cake Read More »
By Eugene Koh (970 words, 10-minute read) The stage is bare, somewhat bare, with the lighting set-up visible from the wings and a simple structure fixed upstage that prominently features a wide screen for multimedia projection. At one definitive moment in the play, the multimedia projection zooms in to focus on a young Haresh Sharma
“Being Haresh Sharma”: Parading a Lifetime of Achievements Read More »
Duration: 45 minutes Theatre practitioner, manager, educator Noorlinah Mohamed joins podcast co-hosts Kathy Rowland and Matthew Lyon in a discussion about their favourite shows of 2016. Listen in to find out which productions and performances caught their attention and why. Stream Podcast 9: Download Podcast 9 here. (right-click and select ‘Save Link As’ on Windows;
Podcast 9: 2016 in Theatre Read More »
By Matthew Lyon (504 words, 6-minute read) Over the years, my reactions to Natalie Hennedige’s work for Cake Theatrical Productions have ranged from adulation (Nothing, 2007) to anger (Versus, 2015), with her recent productions tending towards the latter. How wonderful, then, to see such an abrupt reversal of this trend in a rough-hewn, sharp-edged version
Freaks and Greeks: Electra by Cake Theatrical Productions Read More »
