Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật. Read More »

When a film taps on emotions to distort historical facts, criticism that uses a rational, adversarial voice, above the work and the audiences who enjoy it may fail to dislodge the emotive power of the work’s narrative. Pristine De Leon looks for a path forward as a critic in this tricky landscape in her review of Maid in Malacañang', a fictionalised retelling of the last days of the first Marcos presidency. Read More »

Jean Baptise Phou’s work My Mother’s Tongue began as a way for the artist to examine his relationship with his Teochew-speaking mother. Through collocations with other artists and audiences, the work has undergone different manifestations, but remains an “an exploration of the barriers to connection that transcend language” writes Deborah Augustine. Read More »

The tale of a pioneering woman Indonesian filmmaker converges with the mission of a group of women film researchers, as Adrian Jonathan Pasaribu highlights how archives and historical records often render some stories invisible. Read More »

Azrin Fauzi mengulas "Two Lines in A Square", persembahan yang dilancar di Taipei dan Kuala Lumpur dari dua perspektif berbeza. Read More »

In this visual essay, puppet maker and designer Daniel Sim, begins with a set of rejected stage chairs, and ends up on a lyrical journey through Singapore's theatre history. Read More »

In the latest episode of our popular 10 Things You Should Know series, we share facts about the keris, a warfare weapon commonly used in maritime Southeast Asia. Read More »

"Make Hantus Great Again", Teatre Ekamatra's latest production, combines kooky supernatural characters with social commentary this Halloween. Read More »

SMU students Caitlin Leong and Joy Lo interview Isabella Chiam about her gardening workshop, 'The Last Gardener', gaining insights into the risks and challenges that artists face in the creative sector. Read More »

Corey Koh began with a simple question about the early days of opera in Singapore. Trawling through newspaper archives and scholarly articles, Corey, a young classical tenor who has performed widely in Singapore and abroad, uncovers a fascinating story of Singapore's place within a larger transcontinental touring circuit, and gives us a glimpse into early performance criticism in Singapore. Read More »