TEXTURES, A Weekend with Words

ArtsEquator’s Picks: TEXTURES, A Weekend with Words

By Akanksha Raja Presented by The Arts House and co-commissioned by #BuySingLit, Textures – A Weekend With Words is an inaugural literary festival taking place from 9 – 11 March, chockablock with performances, workshops, book-themed exhibitions, and over 30 panel discussions, all in honour of homegrown literature, and the energetic, growing community that has contributed and […]

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1 Udaya Soundari (Kokilavani) and V Mohan (Annasamy)
Courtesy of Ravindran Drama Group

“Adukku Veetu Annasamy 3”: a rip-roaring trilogy comes to a close

By Rebekah Sangeetha Dorai (1,150 words, 8-minute read) The final instalment in Ravindran Drama Group’s trilogy, Adukku Veetu Annasamy 3, picks up right after the lovers Rajendran (Annasamy and Kokilavani’s son) and Prema (Panchatcharam and Gunasundari’s daughter) have parted ways. Their incessantly nosy neighbour, Sathiavathy, is cajoling the family into finding Prema a groom in India. The

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Of Moral Panic and 30 Hours of Non-Stop Rock: The Malaysian Woodstock of July 1972 (via The Wknd)

1969’s Woodstock is probably one of the most iconic and influential music festivals to ever take place, with its 32 acts and 400,000 attendees making it not just the zenith of the whole counterculture movement that was such a big part of 1960s America, but also one of the most iconic events in the history of popular music.

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ArtsEquator Photography Competition Winners: Capture a Moment of Art in the Making

To celebrate ArtsEquator’s first anniversary, we organised a photography competition in honour of the practice of artmaking. We called for snapshots of artists at work, or even caught in a moment of contemplation, reflection, anxiety as they make a work, regardless of genre or medium. All photographs were to be accompanied by a 100-150 word caption

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the future of theatre tech

The Future is Here – Interview with Mathias Woo (via ArtsRepublic)

In the next few years, we will be witnessing the completion of some new theatre facilities, such as Wild Rice’s own theatre space in the redeveloped Funan Mall, and Esplanade’s new medium-size theatre. How are these new theatre facilities designed? What will theatres look like in future? How would lighting, projection, sound and other technologies

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Displaced Ground Cover Theatre

“Displaced” by Ground Cover Theatre at the Singapore Fringe: A Roundtable

The following roundtable discussion was held as part of the Lyn Gardner Theatre Reviewing Training Programme. Particpants Teo Dawn, Ezekiel Oliveira, Isaac Lim, Patricia Tobin, and Richard Chung discussed Displaced by Ground Cover Theatre, staged at the M1 Singapore Fringe Festival 2018. The play examined the migrant experience through the lives of three women from different backgrounds,

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Platform – Generasia
Madkings Productions

“Platform Series: Journeys”: Of Skin and Sole

By Naeem Kapadia (885 words, 5-minute read) It’s an exciting time for the emerging playwright in Singapore. Workshops, residencies and other artistic opportunities abound to develop and showcase fresh work, often in collaboration with theatre companies. These include platforms such as The Wright Stuff by Toy Factory, The Orange Production by The Necessary Stage and

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Sokunthary Svay

A Child of Cambodian Refugees Finds her Past through Poetry (via Electric Literature)

Cambodian-American poet Sokunthary Svay is tired of hearing about the Khmer Rouge. After concluding a yearlong review of Cambodian literature available in English, Svay found that nearly every accessible text about the country of her birth concerned either Angkor Wat, the ancient Angkorian Kingdom, the Khmer Rouge, or memoirs written by Cambodians who survived the

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Gary Ross Pastrana

In Conversation with Contemporary Art’s Street Miner (via The Artling)

‘Street Mining: Contemporary Art from the Philippines’ features the works of Poklong Anading, Louie Cordero, Victor Balanon, Nona Garcia, Kawayan de Guia, Mm Yu, and the collective ‘Broke’. The show runs at Sundaram Tagore Gallery from 20 January to 2 March 2018 and has been guest-curated by ‘Broke’ co-founder Gary Ross Pastrana. I am meeting

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5 - 11 February 2018

5 – 11 February 2018: Singapore

Cross-Border Series: Malaya by Raksasa Collective and Pennylane Events, The Substation, 10 Feb, 5pm The first of many showcases, as part of the Cross-Border series between nations around Singapore, celebrates the ties that have been left unsaid in current times. This showcase present musicians from both Malaysia and Singapore as part of the Malayan Exchange to

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5 – 11 February 2018: Indonesia

Top Picks of Indonesia art events in Jakarta, Surabaya and Bali from 5 – 11 February 2018   JAKARTA Setelah Residensi Trimatra, 11 February – 11 March 2018, Galeri Salihara. Opening: 10 February 2018, 7 PM. This exhibition presents the works of 3 young contemporary artists who won Salihara Trimatra competition in 2016. The 3

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Southeast Asia Fiction Film Lab

Southeast Asia Fiction Film Lab unveils second round of projects (via Screen International)

Southeast Asia Fiction Film Lab (SEAFIC) has finalised the selection for its second edition, focusing on first-time filmmakers from Laos, Indonesia, Singapore and Thailand. Established producers such as Fran Borgia (A Yellow Bird) and Anthony Chen (Pop Aye) are attached to some of the projects, which cover topics including family strife, sociopolitical bureaucracy, cross-cultural humour

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Singapore Art Scene

Singapore art scene losing ground to Hong Kong and Southeast Asia (via South China Morning Post)

Lorenzo Rudolf seems to be taking the adage “all publicity is good publicity” a bit too far. Speaking on the opening day of Art Stage Singapore, the president and founder of the annual contemporary art fair gave such a downbeat description of the city state’s art market that seemed like a peculiar ploy to get

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Philip Jablon

One Man, Stand Alone: On the trail of the old movie theaters (via Asiola)

“After nearly 10 years of documenting the vanishing stand-alone movie theaters in Southeast Asia, I’d like to invite the public into my world, to experience exactly what it is that I experience when doing this work.” Philip Jablon is a cultural researcher and photographer based in Chiang Mai, Thailand. He has been documenting the stand-alone movie

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