Contributors




Adriana Nordin Manan juggles eight professional roles: writer, translator, playwright, researcher, curator, dramaturg, educator and entrepreneur. Born, raised and based in Kuala Lumpur, she is fascinated by the expanse of stories as mirrors to society and monuments to the human condition. In 2019, her translation of “Pengap” by Lokman Hakim was the first ever Malay submission shortlisted for the Commonwealth Short Story Prize. In 2021, the script of her first full-length play was a semi-finalist in the International Scratchpad Series by The Playwrights Realm. She is currently setting up a company that offers services in writing and translation, with an affiliated ideas lab and incubation space in storytelling and cultural exchange through language. Adriana speaks Malay, English and Spanish.



SG_Harith&Jit_ontheroad
Jit Murad and Harith Iskander.ZSA Productions

“Spilt Gravy Ke Mana Tumpahnya Kuah” Makes Us Consider Time, History and the Prickly Question of Family

After years of waiting, Spilt Gravy Ke Mana Tumpahnya Kuah hits the screens in Malaysia on 9th June. We speak to Datuk Zahim Albakri (director/co-screenwriter) and June Tan (co-screenwriter) on what it took for the film, adapted from a play, to reach this moment. One privilege of being an artist is the experience of creating […]

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Kornkarn Rungsawang

Performance Making during a Pandemic: Of Innovation, Form and Embeddedness

By Adriana Nordin Manan (1,000 words, 3-minute read)  If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less about open-ended contemplation of how the performing arts can retain vitality amidst the prohibitive circumstances, and more

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Cultivating Arts Writing Ecosystems: Criticality and Creativity amidst Necessity

By Adriana Nordin Manan (995 words, 3-minute read)  Personal narratives on professional pathways to becoming arts writers in four Asian countries were the departure point for the rich discussion at “Critical Writing Training: Models, Methods and Pitfalls,” a panel session held on 15th September in conjunction with the Asian Art Media Roundtable (AAMR). This was

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Master Conversations: Multimedia Design with Shimpei Yamada and Bilqis Hijjas

Japanese video designer Shimpei Yamada shares about his practice in multimedia and video design and installation, for both theatre and dance, alongside KL-based critic-facilitator Bilqis Hijjas. This session took place on 8 June 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses on production and technical

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