Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss Wild Rice’s bold adaptation of Tartuffe: The Imposter by Molière in the latest ArtsEquator Theatre Podcast. In this latest ArtsEquator Theatre Podcast, Matthew Lyon, Nabilah Said and Naeem Kapadia discuss the recent production, Tartuffe: The Imposter, written by Molière and presented by Wild Rice. The cast […]
Podcast 104: Tartuffe: The Imposter Read More »
Classic play The Glass Menagerie by Tennessee Williams gets the Pangdemonium treatment. Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss more in the latest ArtsEquator Theatre Podcast. In this latest ArtsEquator Theatre Podcast, Matthew Lyon, Nabilah Said and Naeem Kapadia discuss the recent production The Glass Menagerie, written by Tennessee Williams and presented by
Podcast 103: The Glass Menagerie Read More »
In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss two productions: The Mother by Pangdemonium, and ________ Can Change by The Necessary Stage. Stream Podcast 99: ArtsEquator · Podcast 99: The Mother and ________ Can Change Also available on Spotify. Podcast Transcript Nabilah Said (NS): Hello and
Podcast 99: The Mother and ________ Can Change Read More »
In the episode of the ArtsEquator theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Girls & Boys by Pangdemonium, which ran from 25 Feb to 14 Mar 2021. Stream Podcast 93: ArtsEquator · Podcast 92: Girls & Boys by Pangdemonium Also available on Spotify. Podcast Transcript Naeem Kapadia (NK): Hello everyone, and
Podcast 93: Girls & Boys by Pangdemonium Read More »
By Eugene Tan (1,503 words, 5-minute read) As has become customary for every review of a Singapore International Festival of the Arts (SIFA) 2021 show (or as the festival programme now calls them, “content”), we should applaud the fact that these shows are happening at all. After all, COVID-19 restrictions are wildly challenging for artmaking
The Commission: Why do these three meet again? Read More »
Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Waiting For The Host by Pangdemonium. The play is written by Marc Palmieri and directed by Tracie Pang. Waiting For The Host ran from 15 Oct to 1 Nov on SISTIC Live. Stream Podcast 83: ArtsEquator · Podcast 83: Waiting For The Host Download Podcast 83 here.
Podcast 83: Waiting For The Host by Pangdemonium Read More »
By Naeem Kapadia (914 words, 4 minute read) Everyone tells us that a person battling mental health issues should seek professional help. But how exactly does one find the means to get the help they need? When confronted with a loved one who experiences such issues, how does a family unit react and figure out
Dancing with the Demons: “The Son” by Pangdemonium Read More »
Theatre reviewers Matt Lyon and Naeem Kapadia are joined by ArtsEquator editor Nabilah Said in this newly rebooted theatre podcast discussing recent productions Urinetown: The Musical by Pangdemonium, and Lim Boon Keng – The Musical by Musical Theatre Ltd. This local edition of Urinetown, directed by Tracie Pang, sets the satirical piece against the backdrop
Podcast 67: Urinetown and Lim Boon Keng – The Musical Read More »
By Nabilah Said (1,887 words, 7-minute read) Trigger/Content Warning: Discussions of sexual assault I watched two shows in the span of two weeks recently. Besides the fact that they were Singapore plays, they did not, from the outset, seem that much alike. One was This Is What Happens To Pretty Girls by Pangdemonium. The
Pretty Displaced: Staging Sexual Assault in the Age of #MeToo Read More »
By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT, an exuberant and expensive production intent on ending their year with a bang. In Peter and the Starcatcher, Pangdemonium presents an enchanting narrative with twists of self-reflexivity, fully
“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Read More »
By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended
Growing up Everywhere and Nowhere in “Peter and the Starcatcher” Read More »
By Akanksha Raja (780 words, five-minute read) Pangdemonium’s first play of 2018, The Father, revolves around the 70-year-old titular character, André (Lim Kay Siu), and the harrowing effects of his increasingly uncontrollable symptoms of dementia on daughter Anne (Tan Kheng Hua), her partner Pierre (Emil Marwa), and Laura (Frances Lee), one of a series of
Pangdemonium’s “The Father”: Dementia Becomes Us Read More »
By Patricia Tobin (534 words, 5-minute read) Pangdemonium’s Fun Home is a musical based on the same-titled graphic novel by cartoonist Alison Bechdel. Set in Pennsylvania, Fun Home zigzags between forty-something lesbian cartoonist Alison, “young Alison” as a child, and “medium Alison” as a college student. Her father is an English teacher and director of
Pangdemonium’s “Fun Home”: Safety in Numbers Read More »
By Isaac Lim (514 words, 5-minute read) A large red-orange hued, tile-patterned cloth dramatically falls in a Kabuki drop, then rain falls on stage. The year is 2022, Brexit is complete and Trump has won a second term. The stage is set for a showdown between ‘the locals’ and ‘the foreigners’. Dragonflies, written by Pangdemonium’s
“Dragonflies”: The Foreseeable Truth Hurts Read More »
By: Patricia Tobin (500 words, 5-minute read) We are no different from dragonflies. With their tiny transparent wings flapping at 30 beats per second, these creatures travel thousands of kilometers to reproduce, to find a new home, to fight for their survival. This is what Pangdemonium’s Dragonflies alludes to: like dragonflies, our existence is dependent
“Dragonflies”: A Migrant Dreams For Home Read More »
By Kathy Rowland (900 words, 5-minute read) Kenneth (Koh Boon Pin) and Liam (Emil Marwa) are a gay couple, fathers to their young son, Jayden (Dylan Jenkins). Kenneth’s ailing father, a fancy job and the chance for Jayden to connect with Kenneth’s home country bring them back to Singapore after many years in the UK.
Pangdemonium’s “Tango”: Of Specks and Logs Read More »
By Matthew Lyon (513 words, 5-minute read) I first saw Martin McDonagh’s The Pillowman – in which writer Katurian is questioned by police-state detectives about a series of child-killings that mimic the plots of his stories – in Singapore Repertory Theatre’s 2007 production. Back then, I found the play too full of ideas that didn’t
Overstuffed: Martin McDonagh’s “The Pillowman” by Pangdemonium Read More »
Duration: 28 minutes Reviewer Karin Lai joins Matt Lyon in conversation about Pangdemonium’s October 2016 production of Rent, the Tony-award-winning Broadway musical by Jonathan Larson about a group of New York City bohemians in the mid-1980’s grappling with love, art, impoverishment, and the HIV/AIDS epidemic. The discussion touches on the theatre company’s trend of staging
Podcast 5: Rent; Musicals Read More »
