‘Hope (Harap)’: No Hope in Contemporary Hell
By Kathy Rowland (728 words, 8 minute read) Teater Ekamatra’s Harap opens with its five characters frozen in the shadows, standing on low plinths. Taking centre-stage is a series of monochromatic, indeterminate images, projected on the backdrop and over their bodies. When the characters break free, the stage crackles with the easy energy of Hadi […]
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