By Eugene Koh (945 words, five minute read) Part of the NUS Arts Festival 2019, NUS Stage’s A Disappearing Number, directed by Edith Podesta, presents a world of imperfect humans aspiring to fully grasp the wonder of this world. Like the mathematicians in A Disappearing Number, NUS Stage embarks on an adventure to reach the […]
“A Disappearing Number” at NUS Arts Festival 2019: Approaching Infinity Read More »
By Akanksha Raja & Corrie Tan (2,300 words, 12-minute read) Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda and the Rage would feature the life and paintings of Artemisia Gentileschi, I felt a jolt of excitement – I’d seen her work at an exhibition at the National Gallery
The Glorious Anger of “Leda and the Rage” Read More »
If life is fleeting and death is certain, how do we make our days count? Over five productions, The Studios invites us to confront this question in our everyday. In this year’s series, Esplanade takes on the theme “Between Living and Dying” and presents a showcase of deep and thought-provoking works by five female creators: Edith Podesta, Faith Ng,
Esplanade Presents The Studios: Between Living and Dying Read More »
Duration: 30 min This year, Esplanade’s The Studios series runs from 29 March to 29 April at the Esplanade Theatre Studio, and features five deep and thought-provoking works by five female creators: Edith Podesta, Faith Ng, Kaylene Tan, Michelle Tan, and Zizi Azah. Corrie Tan speaks with Edith, Faith, Kaylene and Michelle about their inspirations, the
Podcast 35: Esplanade’s The Studios 2018 Interview Read More »
In the wake of sexual harassment scandals that dominated news headlines in the latter part of 2017, gender-based violence and discrimination have become a hot topic—and it doesn’t seem like it’s going to stop soon. Women (and some men) around the world are coming together to speak out against abuse (or lend support to those
#therageisreal: tackling gender inequality, one play at a time (via Esplanade Singapore) Read More »
By Alvin Lim (1235 words, 10-minute read) Becoming Graphic is both a meditative and mediated performance about living and dying. Commissioned by Singapore International Festival of Arts, graphic novelist Sonny Liew and theatre practitioner Edith Podesta come together to create a cross-disciplinary performance that breaks boundaries. The parallels, and thus the comparisons, between two forms—theatre
“Becoming Graphic”: Life in Graphic Form Read More »
Duration: 45 minutes Theatre practitioner, manager, educator Noorlinah Mohamed joins podcast co-hosts Kathy Rowland and Matthew Lyon in a discussion about their favourite shows of 2016. Listen in to find out which productions and performances caught their attention and why. Stream Podcast 9: Download Podcast 9 here. (right-click and select ‘Save Link As’ on Windows;
Podcast 9: 2016 in Theatre Read More »
By Matthew Lyon (504 words, 6-minute read) Over the years, my reactions to Natalie Hennedige’s work for Cake Theatrical Productions have ranged from adulation (Nothing, 2007) to anger (Versus, 2015), with her recent productions tending towards the latter. How wonderful, then, to see such an abrupt reversal of this trend in a rough-hewn, sharp-edged version
Freaks and Greeks: Electra by Cake Theatrical Productions Read More »
