(1,350 words, 5-minute read) My name is Ritirong Jiwakanon. And my nickname – all Thai people have nicknames – is Hong. I live in Bangkok. I teach in Chulalongkorn University, in the Faculty of Arts. Actually originally I’m from Yala Province at the border between Thailand and Malaysia. I moved to Bangkok when I went […]
Scene and Heard: Ritirong Jiwakanon, Theatre Designer Read More »
In the middle of the black box studio of the Bangkok Art and Culture Centre there is a white rectangle placed on the floor. Above it, a rectangular box is mounted, casting fluorescent light diffused through a white screen. At the periphery of the studio, there are rows of slender pillars attached with fluorescent tubes.
Rantau Reviews: “Co/exist” & “Private Conversation” in Bangkok Read More »
The Bangkok Theatre Festival takes place at the Bangkok Art and Culture Centre, a handsome 9-storey rotunda building right beside the Siam Square shopping district. Instantly recognisable by its white, curved exterior, it houses a library, malls and galleries (the upper floors consist of a spiral ramp a la the Guggenheim Museum). In terms of
Rantau Reviews: 3 Plays at the Bangkok Theatre Festival Read More »
Tokyo Notes, a 1994 play by Oriza Hirata, was inspired by the 1953 film Tokyo Story by Yasujiro Ozu. The shift from ‘story’ to ‘notes’ forms what could be described as the play’s conceptual frame. While Ozu’s film tracked the story of an elderly couple visiting their children in Tokyo, Hirata’s play, fragmented and elliptical,
Rantau Reviews: “Bangkok Notes” Read More »
