Weekly Southeast Asia Radar: Will Hokkien die out?; Pineapple Lab shuts
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Imperial Creatures: Singapore beyond ‘great men’ history
Singapore’s bicentennial year in 2019 sparked great discussion and debate about the legacies of imperialism and colonialism, which continues till today, in step with larger conversations happening globally around decolonisation, indigeneity and civil rights. With the third edition of The…
Weekly Southeast Asia Radar: Hikayat Raja Babi; new media and freedom
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Orang Phebien: Telling the story of the Baweanese
Lesser known narratives involving migration in Singapore are in the spotlight with The Arts House’ latest edition of LumiNation. A new webisode series focusing on the Baweanese community in Singapore recently premiered with its first episode on August 1. The…
Burning Questions: Can Critics Criticise during a Pandemic?
As the work of artists evolve with the restrictions of COVID-19, do critics also need to reassess how they look at performance? Four critics, Loo Zihan, Teo Xiao Ting, Jocelyn Chng and Germaine Cheng discuss their responses as more and…
Burning Questions: Is There Still Hope for Integrity and Intimacy in Online Performance?
Artists today have to grapple with being true to their creative integrities while dealing with the limitations of tech platforms and live delivery methods. With social distancing and restrictions on travel worldwide, is there a way to keep the intimacy…
Vietnam’s visual arts and COVID-19
By Quyen Hoang (2,100 words, 8-minute read) On a rainy evening towards the end of May 2020, it seemed like Saigon’s most dapper guys and modish gals all flocked to Galerie Quynh. What was buzzing inside the gallery’s three-storey space…
Weekly Southeast Asia Radar: Eisner Winner Erica Eng; Pinoy rap and Duterte
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Burning Questions: Traditional Arts: The Forgotten COVID Casualty?
While the pandemic has resulted in losses of jobs in the arts, less has been said about the fate of craftsmen, artisans and masters of intangible heritage and traditional arts. Artists Khin Maung Htwe (Myanmar), Alena Murang (Malaysia) and Jacob…
Burning Questions: Tech in Performance: The Great Leveller or The Great Unequaliser?
Using technology in performance isn’t new, but COVID-19 has forced more artists to explore the digital medium, dealing with lag, latency and liveness while rethinking audience engagement and accessibility. Are we witnessing a new renaissance in the performing arts or…
Podcast 80: Murder at Mandai Camp And Fat Kids
As ArtsEquator’s theatre podcast returns since the start of the pandemic, Nabilah Said, Matthew Lyon and Naeem Kapadia appropriately discuss two recent Singapore productions created for digital platform Zoom – Murder at Mandai Camp by Sight Lines Entertainment and Fat…
Weekly Southeast Asia Radar: The Archipelago for the sidelined; Khmer puppet master returns
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Singapore Street Art: The Legal Rebels (Part 2)
Artist Sam Lo gained notoriety in 2012 after getting arrested for stencilling the phrase ‘My Grandfather Road’ on a public road. The incident was highly publicised, leading to debates about the line between vandalism and creative expression. Now, eight years later,…
Weekly Southeast Asia Radar: Thai artists talk politics; The horror animation artist
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Open Calls and Opportunities: July 2020 (Singapore/SEA)
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact…
Purⓔ《纯ⓔ》: How do we talk about Art Form X?
By Jocelyn Chng (1,800 words, 4-minute read) When I accepted the opportunity to write this piece on Purⓔ《纯ⓔ》, I did it feeling a bit like a shipwreck survivor re-approaching water for the first time. As someone who was already struggling…
![[Online Course] ArtsEquator Introduction to Reviewing Books](https://artsequator.com/wp-content/uploads/2020/07/webbooks-455x250.png)
[Online Course] ArtsEquator Introduction to Reviewing Books
INTRODUCTION TO REVIEWING BOOKS by Kathy Rowland Course Synopsis: This introductory course will teach you how to think critically and review a book, by drawing on both techniques of literary analysis and criticism writing. The course will examine the various…
![[Online Course] ArtsEquator Introduction to Reviewing Theatre](https://artsequator.com/wp-content/uploads/2020/07/webtheatre-455x250.png)
[Online Course] ArtsEquator Introduction to Reviewing Theatre
INTRODUCTION TO REVIEWING THEATRE by Nabilah Said Course Synopsis: This introductory course will teach you how to write and think critically about a show, from doing research, to watching, preparing to write and finally, writing and editing. By examining the various…
Weekly Southeast Asia Radar: Is Filipino gender neutral?; Cultural tours go online
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
The working processes of artists: Grace Lee-Khoo
Applied theatre practitioner Grace Lee-Khoo shares about the work of disability-led arts company Access Path Productions, which she founded in 2018. The company works towards creating a more participative arts scene with the involvement of Deaf and disabled artists in…
SOURCE X Audible Lands: Spotlight on Singapore’s migrant musicians
SOURCE X Audible Lands is a film and music programme done in collaboration by The Observatory and filmmaker Eric Lee. The name “SOURCE” comes from an existing programme organised by The Observatory. Commissioned for the Singapore International Festival of the…
![[Online Course] ArtsEquator Introduction to Reviewing Dance](https://artsequator.com/wp-content/uploads/2020/07/webdance-2-455x250.png)
[Online Course] ArtsEquator Introduction to Reviewing Dance
INTRODUCTION TO REVIEWING DANCE by Chan Sze-Wei, Jocelyn Chng and Bernice Lee Course Synopsis: This introductory course offers tools and practical exercises for writing for dance and about dance. We will expand our vocabularies for describing and analysing movement, communicating…
Weekly Southeast Asia Radar: Closure of Scala Theatre; Wayang Orang lives on
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Emotional asymptotes in Checkpoint Theatre’s The Heart Comes to Mind
By Ke Weiliang (2,500 words, 8-minute read) Sunday, 7 June 2020 circa 1230 hrs I press the ‘play’ button on The Heart Comes to Mind for the first time. As per director Claire Wong’s suggestion, I grab my favourite…
ArtsEquator’s Burning Questions
In a matter of just months, the making, distribution and audiences’ experience of arts has undergone rapid changes. From abrupt cancellations of major festivals, to shuttering of galleries and theatres, new online avenues emerged to make and share arts. At…
Weekly Southeast Asian Radar: Malaysia reopens theatres; playwright Alfian Sa’at dragged into politics
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Singapore Street Art: The Legal Rebels (Part 1)
Artist Sam Lo gained notoriety in 2012 after getting arrested for stencilling the phrase ‘My Grandfather Road’ on a public road. The incident was highly publicised, leading to debates about the line between vandalism and creative expression, and the monicker…
The working processes of artists: NADA
Artists Rizman Putra and Safuan Johari of the duo NADA talk about the evolution of their artistic practice, from being a fictional band at the Malay Heritage Centre to becoming an international art/music juggernaut. In this video, they share more…
Weekly Southeast Asia Radar: Artists non-essential?; Cultural festivals make a comeback
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Open Calls and Opportunities: June 2020 (Singapore/SEA)
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact…