COVID-19 and the arts: There is a light
To sum it up in a nutshell, what we need is a place with soul. – From Tan Tarn How’s The Lady of Soul and Her Ultimate ‘S’ Machine My back has been killing me, so I have resorted to…
More than sing sing dance dance: The realities of LASALLE Musical Theatre
(1,800 words, 7-minute read) [Note: At the time of publishing, due to the COVID-19 situation in Singapore, the production has been cancelled. We hope this article serves as an acknowledgement of the great work put in by the graduands.] Izzathy…
Creature comforts: “Creatures of Near Kingdoms”
By Kathy Rowland (650 words, 4-minute read) Zedeck Siew’s Creatures of Near Kingdoms is fashioned as a bestiary, detailing the appearance, characteristics, and habitats of 50 animals and 25 plants. Why “near”? Because like the auto-combusting Ash Swallowtail and the…
Weekly Southeast Asia Radar: The No-COVID(ish) Edition
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
World Theatre Day: Tribute to Singapore shows affected by COVID-19
By ArtsEquator From 26 March 2020, 2359 hrs, all theatres in Singapore will go dark in response to COVID-19 measures. We pay tribute to the shows that have been cancelled or postponed in Singapore, through photos – looking at the…
COVID-19 and the arts in Southeast Asia
by Nabilah Said As the world contends with the new normal of temperature checks, home quarantines and travel restrictions in the age of COVID-19, artists find themselves reckoning with a lack of paid jobs coupled with an existential question of…
Weekly Southeast Asia Radar: Malaysian theatre goes digital; Vietnam’s film industry
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Interview with Wang Chong for “Made In China 2.0”
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (1,000 words, 6-minute read) Experimental Chinese theatremaker Wang Chong presented a work-in-progress showing of his newest work, Made in China 2.0, at Asia TOPA…
World Poetry Day: Verse vs. Virus
by ArtsEquator (1,520 words, 5-minute read) It’s World Poetry Day on 21 March. Is there still a place for poetry in the unfamiliar world we find ourselves in? COVID-19 could remake the world in a few short weeks. There is…
The Space of/for Memory: ”Last Night I Saw You Smiling”
By Alfonse Chiu (2,078 words, 7-minute read) Every space tells a story: the empty prison cell speaks of redemptions, of wrongs that were righted, and to the cynical, more earthly, minds, of miscarriages of justice, and the irrevocability of tragedies…
Weekly Southeast Asia Radar: Art in the time of COVID-19 and more
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Open Calls and Opportunities: Mar 2020 (Singapore/SEA)
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact…
Podcast 79: Asia TOPA (Part 2)
The following review is made possible through a Critical Residency programme supported by In this latest podcast episode, Nabilah Said and Carolyn Oei discuss various productions that were recently presented at Melbourne’s Asia TOPA: Are You Ready To Take The…
Podcast 78: Asia TOPA (Part 1)
The following review is made possible through a Critical Residency programme supported by In this latest podcast episode, Nabilah Said and Carolyn Oei discuss various productions that were recently presented at Melbourne’s Asia TOPA: Black Ties | HuRu-hARa | Chinese Square Dancers…
Eko Supriyanto’s “IBUIBU BELU”: Uncomfortable Questions
By Sharmilla Ganesan (754 words, 4-minute read) As the five women onstage came silently together in a halt, spot lit and wrapped once more in the tenun textile they had first appeared in, there was an initial hush. Ironically, for…
Weekly Southeast Asia Radar: Why I sing in English; how Cambodian art can survive
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
“No. 60”: Klunchun unmasks the Khon
By Katrina Stuart Santiago (936 words, 6-minute read) The past as a point of reference for contemporary cultural work is not new, and neither is the need to rethink it, reconsider it, or respond to it. Anyone who works in…
Thanapol Virulhakul’s “The Retreat”: Dance, Uncontained
By Amitha Amranand (1,350 words, 5-minute read) Thai dancer-choreographer Thanapol Virulhakul is certainly not the first artist to wonder whether art could become more of a part of our daily life nor to attempt through his art to make it…
International Women’s Day: Inspiring Women
By ArtsEquator For International Women’s Day, ArtsEquator asked 11 women arts leaders in SEA to tell us about a woman who has inspired, supported or mentored them on their arts journey. Their stories recall mothers, bosses, Hollywood directors and an…
Weekly Southeast Asia Radar: Rashomon in KL; Burmese cartooning pioneers
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the…
Draconic Self-Portrait: An intimate conversation with Margaret Leng Tan on Dragon Ladies Don’t Weep
By Shahril Salleh (1,357 words, 4-minute read) Doyen. Icon. Self-professed Dragon Lady. These are some of the facets of Margaret Leng Tan, Singapore’s Cultural Medallion award recipient in 2015. Margaret is a treasured Singaporean musician and performance artist who is…
From the Macarena to Chicago: A LASALLE performer’s journey
By Ke Weiliang (1,719 words, 7-minute read) Monday, 20 January 2020. It is 8.45am and I am seated inside one of the dance studios at LASALLE College of the Arts. Over the course of the next 75 minutes, I watch…
À Ố Làng Phố: Less trick, more treat in Vietnamese bamboo circus
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (730 words, 6-minute read) You go into a circus performance with certain expectations. You want the big shebang, the SPECTACULAR SPECTACULAR. The physical feats…
Dragon Ladies Don’t Weep: Brilliance Is Margaret Leng Tan
The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 5-minute read) Note: This review may contain some minor spoilers for Dragon Ladies Don’t Weep by Margaret Leng Tan. ONE: “Music;…
Hades Fading: Modern-day Ancients
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (708 words, 5-minute read) In Hades Fading, Eurydice has a memory problem. She can’t remember where she comes from. The books all tell her…
Are You Ready To Take The Law Into Your Own Hands: Tongue Scrapes Against Cheek
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (670 words, 5-minute read) I watched Are You Ready To Take The Law Into Your Own Hands by Sipat Lawin and Friends on 26…
Metal: An Improbable Alchemy of Dance And Heavy Metal
The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (762 words, 5-minute read) I am not a fan of heavy metal music – or heavy metal anything – so I took my seat…
Podcast 77: Fika and Fishy by Patch and Punnet
In this latest podcast episode, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss the recent production of Fika and Fishy by Patch and Punnet, the collective’s first production for the year about the friendship between a dog and a fish….
Dancing with the Demons: “The Son” by Pangdemonium
By Naeem Kapadia (914 words, 4 minute read) Everyone tells us that a person battling mental health issues should seek professional help. But how exactly does one find the means to get the help they need? When confronted with a…
Torch the Place: Shedding the Dead Weight
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (800 words, 5-minute read) The first thing one sees upon entering the Fairfax Studio in Arts Centre Melbourne for Torch the Place is a…