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DTSTART;TZID=Asia/Shanghai:20231013T210000
DTEND;TZID=Asia/Shanghai:20231013T223000
DTSTAMP:20260524T030958
CREATED:20230809T065322Z
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SUMMARY:Mali Bucha: Dance Offering by Kornkarn Rungsawang (Thailand)
DESCRIPTION:Cross material and virtual worlds with up-and-coming choreographer Kornkarn Rungsawang in this ritual-inspired performance that combines dance\, augmented reality (AR) and virtual reality (VR). Rum Kea Bon is an ancient ritual performed at shrines and temples in Thailand where dance is used as a tool for negotiation by humans towards higher beings in a bid to make wishes come true. The charming dancer\, hired as a messenger to access higher beings\, enhances the likelihood of one’s wish fulfilment. \nInspired by this ritual\, Kornkarn created Mali Bucha: Dance Offering\, a hybrid constellation of augmented reality\, virtual reality and dance. This immersive and participatory iteration of Rum Kea Bon crosses between physical and immaterial worlds\, with a digital shrine accessible through AR and VR throughout the duration of the performance. Audience members will be able to view\, make wishes and offer flowers to the digital shrine\, with VR headsets present on site for audiences. \nKornkarn thus acts as an interface between the material plane (the real-time audience) and the digital realm (the virtual shrine)\, communicating individual wishes and thanksgiving to higher beings through dance. Flowing as a current throughout Mali Bucha is a belief system that concerns itself with duality—economics and ecology\, image and sound\, old and new\, the mundane and the transcendent. \nThis performance marks the full-length premiere of Mali Bucha: Dance Offering\, after being workshopped at various leading platforms in Asia and Europe\, such as Dance Nucleus in Singapore\, Kinosaki International Arts Centre in Japan\, and Tanz Kongress in Germany. As a dancer\, Kornkarn has spent years performing with the renowned Pichet Klunchun and training in both classical and contemporary dance forms. Now as a dancemaker to watch\, she continues to bridge the traditional and contemporary\, reflecting modern cultural impulses of this generation. \nMali Bucha: Dance Offering is commissioned by Esplanade – Theatres on the Bay. \nThis production is presented as part of da:ns focus – Connect Asia Now (CAN)\, a weekend that spotlights contemporary dance works by Asian artists focusing on distinct voices and creative impulses from the region.
URL:https://artsequator.com/event/mali-bucha-dance-offering-by-kornkarn-rungsawang-thailand/2023-10-13/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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DTSTART;TZID=Asia/Shanghai:20230904T080000
DTEND;TZID=Asia/Shanghai:20230904T170000
DTSTAMP:20260524T030958
CREATED:20230913T115210Z
LAST-MODIFIED:20230913T115210Z
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SUMMARY:Mali Bucha: Dance Offering by Kornkarn Rungsawang (Thailand)
DESCRIPTION:Cross material and virtual worlds with up-and-coming choreographer Kornkarn Rungsawang in this ritual-inspired performance that combines dance\, augmented reality (AR) and virtual reality (VR). Rum Kea Bon is an ancient ritual performed at shrines and temples in Thailand where dance is used as a tool for negotiation by humans towards higher beings in a bid to make wishes come true. The charming dancer\, hired as a messenger to access higher beings\, enhances the likelihood of one’s wish fulfilment. \nInspired by this ritual\, Kornkarn created Mali Bucha: Dance Offering\, a hybrid constellation of augmented reality\, virtual reality and dance. This immersive and participatory iteration of Rum Kea Bon crosses between physical and immaterial worlds\, with a digital shrine accessible through AR and VR throughout the duration of the performance. Audience members will be able to view\, make wishes and offer flowers to the digital shrine\, with VR headsets present on site for audiences. \nKornkarn thus acts as an interface between the material plane (the real-time audience) and the digital realm (the virtual shrine)\, communicating individual wishes and thanksgiving to higher beings through dance. Flowing as a current throughout Mali Bucha is a belief system that concerns itself with duality—economics and ecology\, image and sound\, old and new\, the mundane and the transcendent. \nThis performance marks the full-length premiere of Mali Bucha: Dance Offering\, after being workshopped at various leading platforms in Asia and Europe\, such as Dance Nucleus in Singapore\, Kinosaki International Arts Centre in Japan\, and Tanz Kongress in Germany. As a dancer\, Kornkarn has spent years performing with the renowned Pichet Klunchun and training in both classical and contemporary dance forms. Now as a dancemaker to watch\, she continues to bridge the traditional and contemporary\, reflecting modern cultural impulses of this generation. \nMali Bucha: Dance Offering is commissioned by Esplanade – Theatres on the Bay. \nThis production is presented as part of da:ns focus – Connect Asia Now (CAN)\, a weekend that spotlights contemporary dance works by Asian artists focusing on distinct voices and creative impulses from the region.
URL:https://artsequator.com/event/mali-bucha-dance-offering-by-kornkarn-rungsawang-thailand-2/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230609T200000
DTEND;TZID=Asia/Shanghai:20230610T210000
DTSTAMP:20260524T030958
CREATED:20230426T070303Z
LAST-MODIFIED:20230426T070303Z
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SUMMARY:NUNO
DESCRIPTION:NUNO (布) is a contemporary and aerial dance production that exploits the convergent possibilities and divergent tensions between contemporary and aerial dance. Five dancers move between the ground and the air\, exploring the dynamics between body to body\, body to silk and body to space. Between the tensile pull of muscle and silk\, NUNO seeks to ask – what new movement possibilities can occur?
URL:https://artsequator.com/event/nuno/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events),Event of the Day
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ORGANIZER;CN="Decadance%20Co":MAILTO:projects@decadanceco.org
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230512T200000
DTEND;TZID=Asia/Shanghai:20230512T213000
DTSTAMP:20260524T030958
CREATED:20230418T130818Z
LAST-MODIFIED:20230418T130818Z
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SUMMARY:Raga 2023: ABHIPSAA – A Seeking
DESCRIPTION:Photo credit to Arun Kumar \n“A performer of exquisite grace and technique.” – The New Yorker \n“[Satpathy] may be five-foot-two\, but she dances like a giant.” Marina Harss\, Dance Magazine \nMesmerising and immersive\, ABHIPSAA – A Seeking charts a personal journey of discovery in physical\, emotional\, and spiritual realms. In four choreographic works\, revered dance doyen Bijayini Satpathy expands the parameters of the formal and representational norms of the odissi tradition through both narrative and non-narrative dances\, reimagining classical odissi forms through her own interpretation. \n  \nThis work was first premiered in Dec 2021 across two sold-out two evenings at Duke Performances. This critical success\, a dramatic exploration and reshaping of an ancient tradition\, catapulted Satpathy to the forefront of the field. After decades of performance and study\, Satpathy calls upon deep kinetic and emotional insights to evolve a revered cultural art form into an entirely modern expression. \nThis work was made possible with additional funding from the New England Foundation for the Arts’ National Dance Project\, with lead funding from the Doris Duke Foundation and the Andrew W. Mellon Foundation. This presentation at Esplanade – Theatres on the Bay marks its Asian debut. \n  \nConsidered one of the foremost masters of odissi in the world\, Bijayini Satpathy has enjoyed a vast career as principal dancer\, master teacher\, and respected scholar.  Renowned the world over for her grace\, Satpathy embodies the spirit and profound storytelling of classical Indian dance in a way few others have achieved. \nSatpathy has been hailed by the likes of New Yorker\, Dance Magazine and international press around the world for her unparalleled artistic expression. Her passion for odissi was instilled at age seven with teachers at Orissa Dance Academy. She is one of the most recognisable names in Indian dance today in large part due to her 25-year career with the famed Nrityagram Dance Ensemble.  She studied and perfected odissi with Nrityagram as performer and principal dancer from 1993 to 2018. \n  \nIn 2021\, she was commissioned by Duke University and the Baryshnikov Arts Center for her solo presentation\, ABHIPSAA – a seeking\, which premiered in New York across two sold out evenings at the Baryshnikov Arts Center\, and is currently being toured around the world. She was the Artist-in-Residence with the Metropolitan Museum of Art for the 2021-22 season. \nWebsite: https://www.bijayinisatpathy.com/\nInstagram: https://www.instagram.com/bijayinisatpathy/\nFacebook: https://www.facebook.com/profile.php?id=100063693040832
URL:https://artsequator.com/event/raga-2023-abhipsaa-a-seeking/2023-05-12/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events),Event of the Day,Other (Events)
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230401T200000
DTEND;TZID=Asia/Shanghai:20230401T213000
DTSTAMP:20260524T030958
CREATED:20230301T040407Z
LAST-MODIFIED:20230301T040407Z
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SUMMARY:TRIP 2023: No Particular Order
DESCRIPTION:A despot has come to power. The population is anxious\, submissive and scared. \n  \nBut beneath every violation of civil liberty\, there are real human beings; behind every act of resistance\, there is an individual willing to risk everything. And these people aren’t heroic or remarkable – they’re just like us. \n  \nThrough a series of vignettes involving the lives of bureaucrats\, soldiers\, artists and tour guides\, No Particular Order charts the fate of a society in turmoil to ask at every step of the way: is it empathy\, or power\, that endures? \n  \nJoel Tan’s No Particular Order  first debuted in May 2022 at London’s Theatre503. Described as “startling and apocalyptic”\, the play was shortlisted for the Theatre503 International Playwriting Award as well as the 2022 George Devine Award. This performance marks its Singapore premiere. \n  \nA programme of TRIP—a platform to showcase work by early-career directors. \n  \nDirector: Sim Yan Ying “YY” \nPlaywright: Joel Tan \nPerformers: Arielle Jasmine Van Zuijlen\, Karen Tan\, Pavan J Singh and Shrey Bhargava \nLighting Designer: James Tan \nSound Designer: Lee Yew Jin (Ctrl Fre@k) \nSet Designer: Hella Chan \nProduction Manager: Evelyn Chia (The Backstage Affair) \nStage Manager: Carolene Ruth Liew (The Backstage Affair) \nAssistant Stage Manager: Irish Alcantara (The Backstage Affair)
URL:https://artsequator.com/event/trip-2023-no-particular-order/2023-04-01/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Other (Events),Theatre (Events)
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230322T193000
DTEND;TZID=Asia/Shanghai:20230326T160000
DTSTAMP:20260524T030958
CREATED:20221216T065108Z
LAST-MODIFIED:20230112T063239Z
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SUMMARY:Burying Children
DESCRIPTION:Who mandates the life of a child? Set in a world with a zero child policy as an answer to overpopulation and conflicts over resources\, Burying Children follows the lives of a nomadic community of women who leave the City in protest\, and seek refuge back in mother nature. Examining processes of burying children within ourselves or abandoning the very idea of bearing children in a world without hope for the future\, this ensemble dance theatre work follows several stories in search of freedom\, reprieve\, or revenge.
URL:https://artsequator.com/event/burying-children/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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ORGANIZER;CN="Bold%20Moment%20Theatre":MAILTO:contact@boldmomenttheatre.com
GEO:1.289857;103.8552799
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Esplanade Theatre Studio 1 Esplanade Dr Singapore 038981 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Esplanade Dr:geo:103.8552799,1.289857
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230112T200000
DTEND;TZID=Asia/Shanghai:20230112T210000
DTSTAMP:20260524T030958
CREATED:20221124T045751Z
LAST-MODIFIED:20221124T045751Z
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SUMMARY:Kafka's Ape by Phala O Phala & Tony Bonani Miyambo
DESCRIPTION:Accessibility features: open captions in English\n50 minutes with no intermission\nRating: General\nAsian Premiere \n“The fact that it’s actually more relevant today than when it was written 100 years ago suggests that the world we currently live in has some serious problems.”\n—Heather Taylor Johnson\, InDaily \n“The audience is left both dumbfounded and in awe at the end of this hour of theatre. It has been a mighty trip into a hideous hypothetical. It has been a display of masterful acting\, it has been a graphic lesson in humanity and an unforgettable experience.”\n—Samela Harris\, The Barefoot Review \nAn adaptation of Franz Kafka’s A Report to an Academy\, Kafka’s Ape is a solo performance about a primate’s struggle to overcome the confines of captivity. The hard-hitting play presents a metaphorical view on South African society\, highlighting the complexities of identity in post-apartheid South Africa as well as in the human race. \nAn ape named Red Peter is captured. In his quest to break out of his confinement\, he learns to imitate humanity and contests identity based on outward appearance. Through his journey\, Kafka’s Ape questions the understanding of otherness. \nMiyambo has received multiple accolades for this powerful performance\, including Winner of Outstanding Performance award at Prague Fringe Festival 2019\, Best Satire Award at New York’s United Solo Festival 2019\, and the Graham F. Smith Peace Foundation Award at the Adelaide Fringe Festival 2021\, among others.
URL:https://artsequator.com/event/kafkas-ape-by-phala-o-phala-tony-bonani-miyambo/2023-01-12/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230104T200000
DTEND;TZID=Asia/Shanghai:20230104T210000
DTSTAMP:20260524T030958
CREATED:20221124T045859Z
LAST-MODIFIED:20221124T045859Z
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SUMMARY:Mother of Compost by Noémie Huttner-Koros
DESCRIPTION:“Whimsical yet powerful\, Mother of Compost is a show with ecological advice that’s worth hearing and heeding”\n—Seesaw \n“Mother of Compost tackles climate change and social responsibility through the lens of young artists as they contemplate nature and regeneration\, what legacy we will leave on our children\, and whether it is\, indeed a good idea to birth at all.”\n—The Fourth Wall \nDearest compost\, I am your mother and I am your child. \nWe live in an ecologically precarious time. Some of us don’t want to bring children into this world\, others are worried their children won’t have a world to grow old into… but we’ve still got a whole lot of love to give. Rethink what it means to give birth and be birthed\, and dance along with us in this gooey\, camp and interactive subversion of family portraits\, birthing classes\, and evolutionary biology. \nOver the course of the performance\, the audience transforms from strangers to the beginnings of a family. Mother of Compost is a queer and unruly family gathering and a communal grieving for what is being lost and everything left to fight for. \nFrom the minds of queer performance-makers Noémie Huttner-Koros and director Andrew Sutherland\, Mother of Compost asks you to roll up your sleeves this Fringe Festival… Change only comes from getting your hands dirty. \nWith the support of the Department of Local Government\, Sport and Cultural Industries\, Government of Western Australia.
URL:https://artsequator.com/event/mother-of-compost-by-noemie-huttner-koros/2023-01-04/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221209T200000
DTEND;TZID=Asia/Shanghai:20221210T213000
DTSTAMP:20260524T030958
CREATED:20221103T053137Z
LAST-MODIFIED:20221103T053137Z
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SUMMARY:Frontier Danceland presents MILIEU 2022
DESCRIPTION:MILIEU 2022 is a contemporary dance double bill featuring an international cross-cultural co-creation between two veteran choreographers\, Low Mei Yoke (Singapore) and Irene Kalbusch (Belgium) from Compagnie Irene K.\, as well as an original work by award-winning international choreographer\, Loke Soh Kim (Malaysia). \nDo not miss this stirring double bill that celebrates the diversity of cultures and influences!\n\n\nThere will be a post-performance dialogue after the 3pm matinee performance.
URL:https://artsequator.com/event/frontier-danceland-presents-milieu-2022/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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ORGANIZER;CN="Frontier%20Danceland":MAILTO:marketing@frontierdanceland.com
GEO:1.289857;103.8552799
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221202T200000
DTEND;TZID=Asia/Shanghai:20221204T163000
DTSTAMP:20260524T030958
CREATED:20221103T053159Z
LAST-MODIFIED:20221103T053159Z
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SUMMARY:Seeing ______ Through the Eyes of Impermanence II
DESCRIPTION:In our ever-changing world\, the desire to capture passing moments and transient experiences gives rise to questions about the nature of permanence itself. Are tangible objects and structures immune to forces of change? Could intangible forms\, beliefs and values remain lasting in their relevance? What residues are inevitably left behind in the wake of impermanence?\n\nThe Human Expression (T.H.E) Dance Company and T.H.E Second Company share the stage in Seeing ______ Through the Eyes of Impermanence II\, featuring a restaging of 2012’s Hey Man! by resident choreographer Kim Jae Duk\, and a reinterpretation of Kuik Swee Boon’s Helix (originally Helix\, in progress in 2016). In looking at the interactions of singular and collective selves\, this double bill reimagines ways of exchange\, encounter and existence\, reclaiming a contemporary resilience for the challenges of our times.
URL:https://artsequator.com/event/seeing-______-through-the-eyes-of-impermanence-ii/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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ORGANIZER;CN="T.H.E%20Dance%20Company":MAILTO:info@the-dancecompany.com 
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221103T193000
DTEND;TZID=Asia/Shanghai:20221105T224500
DTSTAMP:20260524T030958
CREATED:20221020T031553Z
LAST-MODIFIED:20221020T031553Z
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SUMMARY:A Midsummer Night’s Dream
DESCRIPTION:Presented by Intercultural Theatre Institute\nIn Collaboration with Esplanade – Theatres on the Bay \nThings are in chaos in the forest of Athens. Star-crossed lovers run off into the night\, fairies squabble and interfere\, and a troupe of amateurs rehearse a play — making for a moonlit mix of magic\, trickery and a whole lot of confusion. \nITI presents William Shakespeare’s ethereal and earthy romantic comedy\, A Midsummer Night’s Dream\, with a traditional Asian spin. Led by award-winning veteran director Aarne Neeme and featuring a cast of 12-actor students from seven countries. \nCome dream with us! \n—— \nDate: 3 – 5 Nov\nTime: 7:30 PM with an additional 2 PM matinee on Saturday\, 5 Nov\nVenue: Esplanade Theatre Studio \n—— \nWritten by William Shakespeare\nDirected by Aarne Neeme\nPerformed by ITI’s 2022 graduating cohort \nCast\nDaisy Zhao Xiaoqing\, Ismael Gallaza Pantao\, Jemima Dunn\, Kaleem Zafar\, Karlwinn\, Ng Yuan Ci\, Oliver S. K. Wu\, Peh Jun Kai\, Ruthi Lalrinawmi\, Wan Ahmad\, Will Wong Keng Ip\, Wong Jin Yi \nCreative team\nVocal Coach: Simon Stollery\nLighting\, Set and Props Designer: Dorothy Png\nSound Designer: Vick Low\nCostume and Headdress Designer: Eve Tan\nCostume Consultant: Lim Chin Huat
URL:https://artsequator.com/event/a-midsummer-nights-dream/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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ORGANIZER;CN="Intercultural%20Theatre%20Institute":MAILTO:admin@iti.edu.sg
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END:VEVENT
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