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DTSTART;TZID=Asia/Shanghai:20241107T000000
DTEND;TZID=Asia/Shanghai:20241109T000000
DTSTAMP:20260524T013438
CREATED:20241009T055812Z
LAST-MODIFIED:20241009T055812Z
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SUMMARY:ITI Presents: Metamorphosis
DESCRIPTION:Intercultural Theatre Institute presents Steven Berkoff’s adaptation of Metamorphosis\, directed by Aarne Neeme and performed by the ITI graduating class of 2024. This gripping retelling of Franz Kafka’s iconic novella melds abstract physical theatre and psychological drama with elements of dark comedy. \nThe story follows Gregor Samsa\, a young man who wakes up one morning to find himself transformed into a giant insect. As he grapples with his new grotesque form\, Gregor’s once-supportive family begins to unravel\, revealing deep-seated fears and hidden resentments. Set in a claustrophobic atmosphere with minimalist staging\, the play explores themes of alienation\, identity\, and the crushing weight of societal expectations. \nThis adaptation of Metamorphosis remains faithful to Kafka’s original work while showcasing Berkoff’s unique approach to theatre. The result is a production that not only reflects on the fragility of identity and the human condition but also resonates with contemporary audiences facing the pressures of modern society.
URL:https://artsequator.com/event/iti-presents-metamorphosis/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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DTSTART;TZID=Asia/Shanghai:20241027T150000
DTEND;TZID=Asia/Shanghai:20241027T163000
DTSTAMP:20260524T013438
CREATED:20240909T105240Z
LAST-MODIFIED:20240909T105240Z
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SUMMARY:White\, All White
DESCRIPTION:THE NECESSARY STAGE  \nPRESENTS \nWHITE\, ALL WHITE \n  \nHow white all the walls are. Even after all these years. \n  \nWhite\, All White offers a glimpse into the quiet lives of a family of women across three generations. As they grapple with their individual struggles\, dreams and desires whilst living under the same leaky roof\, what unites them is the deep love and concern they have for one another. However\, an unexpected financial misadventure challenges the household. Can their relationships endure when tested by adversity\, especially when these women’s lives are intrinsically linked? \n  \nWritten and directed by The Necessary Stage’s Associate Artist Deonn Yang\, White\, All White explores the joys and tensions of family and individual desires—and the sacrifices we make for the ones we love. \n  \nFunny\, charming and poignant\, this life-affirming play hits all the right notes when it comes to family drama. \n————— \nPerformed in English and Mandarin. Open captions are available for all performances.  \n————— \nWritten & Directed by Deonn Yang \nPerformed by Coco Wang\, Goh Guat Kian\, Jodi Chan\, and Koh Wan Ching \nSet Designer: Wong Chee Wai \nSound Designer: Safuan Johari \nLighting Designer: Emanorwatty Saleh \n————— \n24 – 26 October 2024\, 8pm \n26 – 27 October 2024\, 3pm \nEsplanade Theatre Studio \nA post-show dialogue will take place after the 8pm performance on Friday 25 October 2024. \n—————  \nBook your tickets via sg.bookmyshow.com.  \nEsplanade&Me Specials (15 August – 15 September 2024. limited tickets)\nEsplanade&Me members enjoy a 20% discount off standard price tickets. Log in to your Esplanade&Me member account to access the promo code.
URL:https://artsequator.com/event/white-all-white/2024-10-27/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240929T200000
DTEND;TZID=Asia/Shanghai:20241001T210000
DTSTAMP:20260524T013438
CREATED:20240924T072942Z
LAST-MODIFIED:20240924T072942Z
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SUMMARY:Indian Performing Arts Convention (IPAC) 2024
DESCRIPTION:A showcase of Indian performing arts in dance\, music and theatre\, to develop interest and appreciation of Indian arts and culture throughout the year. \n \nDWITA\nDWITA\, is a mesmerising bharatanatyam performance by Rama Vaidyanathan and her daughter Dakshina Vaidyanathan that explores the harmonious coexistence of dualities. A mother-daughter duo reminds us of a duality that exists in every aspect of our lives. They complement and empower each other\, with one symbolising the present and the other the future. \nThere are always two sides to a coin\, two perceptions and two paths to a goal. The challenge\, however\, is to recognise both and for both to coexist. DWITA\, a Sanskrit term for duality\, delves into the balance between material wealth and spiritual knowledge\, invoking the blessings of goddesses Saraswati and Lakshmi. \nSAMVET\nIn SAMVET\, a captivating kathak showcase\, nature’s five elements unite to form a harmonious whole. This balanced convergence awakens our senses\, bringing a profound sense of perfect equilibrium. As these elements merge seamlessly\, they evoke an everlasting bliss that resonates through our heart\, mind\, body and soul. \nFLOWERS OF DEVOTION\nImmerse yourself in the divine beauty of Flowers of Devotion\, a captivating Manipuri dance performance that celebrates the sacred art form’s rich heritage. Rooted in the temple traditions of Manipur\, the performance intertwines the ancient devotional dances of Lai-Haraoba and Raas Lila. This classical dance form is imbued with the devotional themes of Madhura Raas\, portraying the love of Kirshna with goddess Radha and the cowherd damsels of Vrindavan. The dance is characterised by soft body movements along with peaceful facial expressions known as Bhakti Rasa\, the emotion of devotion. \nTICKETS & PRICES\nStandard – $35\nConcession – $28
URL:https://artsequator.com/event/indian-performing-arts-convention-ipac-2024/2024-09-29/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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DTSTART;TZID=Asia/Shanghai:20240321T200000
DTEND;TZID=Asia/Shanghai:20240331T163000
DTSTAMP:20260524T013438
CREATED:20240221T070309Z
LAST-MODIFIED:20240221T070309Z
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SUMMARY:Hi\, Can You Hear Me?
DESCRIPTION:The Necessary Stage presents \nHi\, Can You Hear Me? \n—————————— \nUtama\, a mysterious Tiger\, runs a bar in limbo that seems to attract an odd mix of patrons. \nGuan Yin’s life keeps ending prematurely and she seems eternally subscribed to this tragic loop of death and rebirth. \nShimizu’s memory is failing him as he grapples with the loss of his wife and tries to keep up with his AI (Artificial Intelligence) caretaker. \nSindhu is struggling to regain a semblance of a “boring” life since experiencing an earthquake over video conference that resurfaces past trauma. \nJohn tries to find some control in his otherwise uncontrollable life as a broadcast journalist but is stuck in a hotel room. \nWritten by A Yagnya and co-directed with Alvin Tan\, Hi\, Can You Hear Me? follows various characters whose normalcies have been fractured due to events and experiences beyond their control. \nHow and why do their paths cross? \nWhen everything that was going smoothly gets disrupted\, what is there left to cling to? \n—————————— \nWritten by A Yagnya \nCo-Directed by A Yagnya and Alvin Tan \nPerformed by Doppo Narita\, Rodney Oliveiro\, Sharda Harrison\, Sukania Venugopal\, and Zelda Tatiana Ng \n—————————— \nDramaturg: Sindhura Kalidas \nSet Designer: M. Nurfadhli Jasni \nMultimedia Artist: Brian Gothong Tan \nLighting Designer: Yo Shao Ann \nSound Designer: Jevon Chandra \n—————————— \nPost-show dialogues with the artists will be conducted after the 8pm performances on Friday 22 March and Saturday 30 March.
URL:https://artsequator.com/event/hi-can-you-hear-me/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
GEO:1.289857;103.8552799
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240125T200000
DTEND;TZID=Asia/Shanghai:20240128T163000
DTSTAMP:20260524T013438
CREATED:20231121T072803Z
LAST-MODIFIED:20231121T072845Z
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SUMMARY:M1 Singapore Fringe Festival presents Oo-Woo by The Necessary Stage (Singapore)
DESCRIPTION:In English and Bahasa Melayu \nAccessibility features: open captions in English for all shows \n  \nThrough tender storytelling\, Oo-woo unravels the intricate web of caring for an elderly family member with dementia. As the story unfolds\, deep secrets and hidden desires come to light\, casting doubt on the strength of familial bonds. When their cherished family bird mysteriously disappears\, a journey of unsettling discoveries begins\, challenging the characters’ understanding of duty and love. \n  \nWritten by Raimi Safari\, directed by Mohd Fared Jainal\, and starring Dalifah Shahril\, Farah Lola\, Isabella Chiam and Yazid Jalil\, Oo-woo delves into the haunting realm of dementia\, blurring the lines between reality and illusion. A single bird brings into question the sacrifices and choices we make when faced with the unknown. \n  \nOo-Woo was developed at The Necessary Stage’s Playwrights’ Cove 2022 under the mentorship of Resident Playwright Haresh Sharma. \n  \nPost-show dialogue on 25 January 2024\, with speech to text interpretation available upon request. Please email your request to info@singaporefringe.com before 15 December 2023.
URL:https://artsequator.com/event/m1-singapore-fringe-festival-presents-oo-woo-by-the-necessary-stage-singapore/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
GEO:1.289857;103.8552799
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240120T200000
DTEND;TZID=Asia/Shanghai:20240121T160000
DTSTAMP:20260524T013438
CREATED:20231121T073832Z
LAST-MODIFIED:20231121T073832Z
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SUMMARY:M1 Singapore Fringe Festival presents SAME SAME by Dame de Pic/Cie Karine Ponties & Temporary Collective (Belgium & Czech Republic)
DESCRIPTION:Accessibility features: open captions in English for all shows \n  \nIn a world where reason is a nice façade\, the bursting in of non-sense makes us face our relationship with normalcy and allows us to open up to unexplored paths. Somewhere between burn out and brown out\, two women\, exposed to each other like a palindrome in a distorting mirror\, lose their direction and rekindle with their inner wild animals. \n  \nBelgian choreographer Karine Ponties\, leading Czech creative dancer Tereza Ondrová and theatre director Petra Tejnorová explore the boundaries of subtle humour\, irony and absurdity in this award-winning dance-theatre performance. Inspired by silent film actor Buster Keaton whose trademark physical comedy was heightened by his deadpan expressions\, SAME SAME moves us with their depth and sincerity despite the hilarity of the form. \n  \nSAME SAME was awarded Best Dancer of the Year and Special Mention by the Jury at the 2019 Czech Dance Platform. \n  \nPost-show dialogue on 20 January 2024\, with speech to text interpretation available upon request. Please email your request to info@singaporefringe.com before 15 December 2023.
URL:https://artsequator.com/event/m1-singapore-fringe-festival-presents-same-same-by-dame-de-pic-cie-karine-ponties-temporary-collective-belgium-czech-republic/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events),Festival (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
GEO:1.289857;103.8552799
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240117T200000
DTEND;TZID=Asia/Shanghai:20240118T210000
DTSTAMP:20260524T013438
CREATED:20231121T074943Z
LAST-MODIFIED:20231121T074943Z
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SUMMARY:M1 Singapore Fringe Festival presents aMoratorium by J’Sun Howard
DESCRIPTION:Accessibility features: open captions in English for all shows \n  \n“… resists essentialist notions of Black masculinity by imagining a world where Black pain… is met with Black tenderness\, care\, and community.” \n—Frenzied H(e)avens: African American Post Exilic Realities \nin J’Sun Howard’s “aMoratorium” by Brianna Alexis Heath \n  \naMoratorium was initially commissioned by the Art Institute of Chicago to respond to its retrospective of Charles Wilbert White\, a visual artist who powerfully interpreted African American history\, culture\, and lives over the course of his four-decade career. \n  \naMoratorium explores Black male identity\, visibility\, temporality\, and its absence\, and further examines death as it relates to the Black church and Black spiritual traditions. It is an intimate performance that expresses generous\, compassionate\,​and loving play between Black and Brown men in our current socio-political climate. \n  \nChoreographer J’Sun Howard and his collaborators performers Dedrick “D. Banks” Gray and Timothy “Solomon” Bowser\, and DJ Jared Brown\, have created a frank and courageous dance-theatre performance. Standing at the intersection between art\, activism\, education\, and social engagement\, aMoratorium challenges racial supremacy\, police brutality\, global anti-Blackness\, homophobia\, and xenophobia. \n  \nPost-show dialogue on 18 January 2024\, with speech to text interpretation available upon request. Please email your request to info@singaporefringe.com before 15 December 2023.
URL:https://artsequator.com/event/m1-singapore-fringe-festival-presents-amoratorium-by-jsun-howard/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events),Festival (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240105T200000
DTEND;TZID=Asia/Shanghai:20240106T210000
DTSTAMP:20260524T013438
CREATED:20231121T080057Z
LAST-MODIFIED:20231121T080057Z
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SUMMARY:The 11th Hour
DESCRIPTION:‘The 11th Hour’ is a dark dance comedy that dives into the topic of death and ageless speculation of what comes after\, in a satirical manner. In the Chinese culture\, we accumulate good karma in this life\, preparing for a reincarnation that would send us towards a better life. In the Jewish faith\, there is no afterlife\, just an end. \nIn many ways\, this work is about endings and our inability to accept them. Instead\, we make up stories of good places\, bad places\, vampires\, ghouls\, ghosts and zombies to fictionalise the idea that\, after death we may still exist in some capacity. It’s a dark subject and one that bonds humanity and sometimes the only way to deal with the dark\, is with the light.\nThe thematic double bill will feature the works of Decadance Co’s Resident Choreographer\, Rachel Lum\, and world renowned British Choreographer\, Sam Coren\, together with an impressive ensemble of dancers.
URL:https://artsequator.com/event/the-11th-hour/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events),Event of the Day
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ORGANIZER;CN="Decadance%20Co":MAILTO:projects@decadanceco.org
GEO:1.289857;103.8552799
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20231109T193000
DTEND;TZID=Asia/Shanghai:20231111T221500
DTSTAMP:20260524T013438
CREATED:20231005T114533Z
LAST-MODIFIED:20231005T114533Z
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SUMMARY:Fall & The Music Lovers — A Double Bill
DESCRIPTION:Fall & The Music Lovers — A Double Bill\nPresented by Intercultural Theatre Institute\nIn collaboration with Esplanade – Theatres on the Bay \nFall by James Saunders\n—\nHelen\, Kate\, and Ann\, each with a different outlook on life\, meet at their mother’s home in anticipation of their father’s passing\, gradually unveiling the intricacies that shape their individual journeys. Step into the world of the three siblings as they navigate life’s complexities amidst a backdrop of family\, love\, and self-discovery. \nThe Music Lovers by Georges Feydeau\, adapted by Reggie Oliver\n—\nMistaken identities and witty banter abound in this fast-paced play\, where Lucille’s anticipation for her music teacher turns into a comical whirlwind when Edouard\, convinced he’s meeting his mistress\, steps in. Hilarious misunderstandings and clever twists ensue. \nAdvisory (Some mature content and coarse language. Parental guidance is advised.)
URL:https://artsequator.com/event/fall-the-music-lovers-a-double-bill/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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ORGANIZER;CN="Intercultural%20Theatre%20Institute":MAILTO:admin@iti.edu.sg
GEO:1.289857;103.8552799
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Esplanade Theatre Studio 1 Esplanade Dr Singapore 038981 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Esplanade Dr:geo:103.8552799,1.289857
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20231109T193000
DTEND;TZID=Asia/Shanghai:20231111T223000
DTSTAMP:20260524T013438
CREATED:20231010T112016Z
LAST-MODIFIED:20231010T112016Z
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SUMMARY:Fall & The Music Lovers — A Double Bill
DESCRIPTION:𝑭𝒂𝒍𝒍 & 𝑻𝒉𝒆 𝑴𝒖𝒔𝒊𝒄 𝑳𝒐𝒗𝒆𝒓𝒔 — 𝐀 𝐃𝐨𝐮𝐛𝐥𝐞 𝐁𝐢𝐥𝐥 \nPresented by Intercultural Theatre Institute\nIn collaboration with Esplanade – Theatres on the Bay \nDirected by Aarne Neeme\nPerformed by ITI’s 2023 Graduating Cohort \n𝐒𝐲𝐧𝐨𝐩𝐬𝐢𝐬 \n𝑭𝒂𝒍𝒍 𝐛𝐲 𝐉𝐚𝐦𝐞𝐬 𝐒𝐚𝐮𝐧𝐝𝐞𝐫𝐬 \nHelen\, Kate\, and Ann\, each with a different outlook on life\, meet at their mother’s home in anticipation of their father’s passing\, gradually unveiling the intricacies that shape their individual journeys. Step into the world of the three siblings as they navigate life’s complexities amidst a backdrop of family\, love\, and self-discovery. \n𝑻𝒉𝒆 𝑴𝒖𝒔𝒊𝒄 𝑳𝒐𝒗𝒆𝒓𝒔 𝐛𝐲 𝐆𝐞𝐨𝐫𝐠𝐞𝐬 𝐅𝐞𝐲𝐝𝐞𝐚𝐮\, 𝐚𝐝𝐚𝐩𝐭𝐞𝐝 𝐛𝐲 𝐑𝐞𝐠𝐠𝐢𝐞 𝐎𝐥𝐢𝐯𝐞𝐫 \nMistaken identities and witty banter abound in this fast-paced play\, where Lucille’s anticipation for her music teacher turns into a comical whirlwind when Edouard\, convinced he’s meeting his mistress\, steps in. Hilarious misunderstandings and clever twists ensue. \n🗓9 – 11 Nov 7.30pm / 11 Nov 2.30pm\n📍Esplanade Theatre Studio\n🎟$27 (Standard)\n👉🏼Tickets available at Link in Bio. \nRating: Advisory (Contains some mature content and coarse language for which parental guidance is advised)
URL:https://artsequator.com/event/fall-the-music-lovers-a-double-bill-2/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
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ORGANIZER;CN="Intercultural%20Theatre%20Institute":MAILTO:admin@iti.edu.sg
GEO:1.289857;103.8552799
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Esplanade Theatre Studio 1 Esplanade Dr Singapore 038981 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Esplanade Dr:geo:103.8552799,1.289857
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20231013T210000
DTEND;TZID=Asia/Shanghai:20231013T223000
DTSTAMP:20260524T013438
CREATED:20230809T065322Z
LAST-MODIFIED:20230809T065322Z
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SUMMARY:Mali Bucha: Dance Offering by Kornkarn Rungsawang (Thailand)
DESCRIPTION:Cross material and virtual worlds with up-and-coming choreographer Kornkarn Rungsawang in this ritual-inspired performance that combines dance\, augmented reality (AR) and virtual reality (VR). Rum Kea Bon is an ancient ritual performed at shrines and temples in Thailand where dance is used as a tool for negotiation by humans towards higher beings in a bid to make wishes come true. The charming dancer\, hired as a messenger to access higher beings\, enhances the likelihood of one’s wish fulfilment. \nInspired by this ritual\, Kornkarn created Mali Bucha: Dance Offering\, a hybrid constellation of augmented reality\, virtual reality and dance. This immersive and participatory iteration of Rum Kea Bon crosses between physical and immaterial worlds\, with a digital shrine accessible through AR and VR throughout the duration of the performance. Audience members will be able to view\, make wishes and offer flowers to the digital shrine\, with VR headsets present on site for audiences. \nKornkarn thus acts as an interface between the material plane (the real-time audience) and the digital realm (the virtual shrine)\, communicating individual wishes and thanksgiving to higher beings through dance. Flowing as a current throughout Mali Bucha is a belief system that concerns itself with duality—economics and ecology\, image and sound\, old and new\, the mundane and the transcendent. \nThis performance marks the full-length premiere of Mali Bucha: Dance Offering\, after being workshopped at various leading platforms in Asia and Europe\, such as Dance Nucleus in Singapore\, Kinosaki International Arts Centre in Japan\, and Tanz Kongress in Germany. As a dancer\, Kornkarn has spent years performing with the renowned Pichet Klunchun and training in both classical and contemporary dance forms. Now as a dancemaker to watch\, she continues to bridge the traditional and contemporary\, reflecting modern cultural impulses of this generation. \nMali Bucha: Dance Offering is commissioned by Esplanade – Theatres on the Bay. \nThis production is presented as part of da:ns focus – Connect Asia Now (CAN)\, a weekend that spotlights contemporary dance works by Asian artists focusing on distinct voices and creative impulses from the region.
URL:https://artsequator.com/event/mali-bucha-dance-offering-by-kornkarn-rungsawang-thailand/2023-10-13/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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DTSTART;TZID=Asia/Shanghai:20230904T080000
DTEND;TZID=Asia/Shanghai:20230904T170000
DTSTAMP:20260524T013438
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SUMMARY:Mali Bucha: Dance Offering by Kornkarn Rungsawang (Thailand)
DESCRIPTION:Cross material and virtual worlds with up-and-coming choreographer Kornkarn Rungsawang in this ritual-inspired performance that combines dance\, augmented reality (AR) and virtual reality (VR). Rum Kea Bon is an ancient ritual performed at shrines and temples in Thailand where dance is used as a tool for negotiation by humans towards higher beings in a bid to make wishes come true. The charming dancer\, hired as a messenger to access higher beings\, enhances the likelihood of one’s wish fulfilment. \nInspired by this ritual\, Kornkarn created Mali Bucha: Dance Offering\, a hybrid constellation of augmented reality\, virtual reality and dance. This immersive and participatory iteration of Rum Kea Bon crosses between physical and immaterial worlds\, with a digital shrine accessible through AR and VR throughout the duration of the performance. Audience members will be able to view\, make wishes and offer flowers to the digital shrine\, with VR headsets present on site for audiences. \nKornkarn thus acts as an interface between the material plane (the real-time audience) and the digital realm (the virtual shrine)\, communicating individual wishes and thanksgiving to higher beings through dance. Flowing as a current throughout Mali Bucha is a belief system that concerns itself with duality—economics and ecology\, image and sound\, old and new\, the mundane and the transcendent. \nThis performance marks the full-length premiere of Mali Bucha: Dance Offering\, after being workshopped at various leading platforms in Asia and Europe\, such as Dance Nucleus in Singapore\, Kinosaki International Arts Centre in Japan\, and Tanz Kongress in Germany. As a dancer\, Kornkarn has spent years performing with the renowned Pichet Klunchun and training in both classical and contemporary dance forms. Now as a dancemaker to watch\, she continues to bridge the traditional and contemporary\, reflecting modern cultural impulses of this generation. \nMali Bucha: Dance Offering is commissioned by Esplanade – Theatres on the Bay. \nThis production is presented as part of da:ns focus – Connect Asia Now (CAN)\, a weekend that spotlights contemporary dance works by Asian artists focusing on distinct voices and creative impulses from the region.
URL:https://artsequator.com/event/mali-bucha-dance-offering-by-kornkarn-rungsawang-thailand-2/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230609T200000
DTEND;TZID=Asia/Shanghai:20230610T210000
DTSTAMP:20260524T013438
CREATED:20230426T070303Z
LAST-MODIFIED:20230426T070303Z
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SUMMARY:NUNO
DESCRIPTION:NUNO (布) is a contemporary and aerial dance production that exploits the convergent possibilities and divergent tensions between contemporary and aerial dance. Five dancers move between the ground and the air\, exploring the dynamics between body to body\, body to silk and body to space. Between the tensile pull of muscle and silk\, NUNO seeks to ask – what new movement possibilities can occur?
URL:https://artsequator.com/event/nuno/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events),Event of the Day
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ORGANIZER;CN="Decadance%20Co":MAILTO:projects@decadanceco.org
GEO:1.289857;103.8552799
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230512T200000
DTEND;TZID=Asia/Shanghai:20230512T213000
DTSTAMP:20260524T013438
CREATED:20230418T130818Z
LAST-MODIFIED:20230418T130818Z
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SUMMARY:Raga 2023: ABHIPSAA – A Seeking
DESCRIPTION:Photo credit to Arun Kumar \n“A performer of exquisite grace and technique.” – The New Yorker \n“[Satpathy] may be five-foot-two\, but she dances like a giant.” Marina Harss\, Dance Magazine \nMesmerising and immersive\, ABHIPSAA – A Seeking charts a personal journey of discovery in physical\, emotional\, and spiritual realms. In four choreographic works\, revered dance doyen Bijayini Satpathy expands the parameters of the formal and representational norms of the odissi tradition through both narrative and non-narrative dances\, reimagining classical odissi forms through her own interpretation. \n  \nThis work was first premiered in Dec 2021 across two sold-out two evenings at Duke Performances. This critical success\, a dramatic exploration and reshaping of an ancient tradition\, catapulted Satpathy to the forefront of the field. After decades of performance and study\, Satpathy calls upon deep kinetic and emotional insights to evolve a revered cultural art form into an entirely modern expression. \nThis work was made possible with additional funding from the New England Foundation for the Arts’ National Dance Project\, with lead funding from the Doris Duke Foundation and the Andrew W. Mellon Foundation. This presentation at Esplanade – Theatres on the Bay marks its Asian debut. \n  \nConsidered one of the foremost masters of odissi in the world\, Bijayini Satpathy has enjoyed a vast career as principal dancer\, master teacher\, and respected scholar.  Renowned the world over for her grace\, Satpathy embodies the spirit and profound storytelling of classical Indian dance in a way few others have achieved. \nSatpathy has been hailed by the likes of New Yorker\, Dance Magazine and international press around the world for her unparalleled artistic expression. Her passion for odissi was instilled at age seven with teachers at Orissa Dance Academy. She is one of the most recognisable names in Indian dance today in large part due to her 25-year career with the famed Nrityagram Dance Ensemble.  She studied and perfected odissi with Nrityagram as performer and principal dancer from 1993 to 2018. \n  \nIn 2021\, she was commissioned by Duke University and the Baryshnikov Arts Center for her solo presentation\, ABHIPSAA – a seeking\, which premiered in New York across two sold out evenings at the Baryshnikov Arts Center\, and is currently being toured around the world. She was the Artist-in-Residence with the Metropolitan Museum of Art for the 2021-22 season. \nWebsite: https://www.bijayinisatpathy.com/\nInstagram: https://www.instagram.com/bijayinisatpathy/\nFacebook: https://www.facebook.com/profile.php?id=100063693040832
URL:https://artsequator.com/event/raga-2023-abhipsaa-a-seeking/2023-05-12/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events),Event of the Day,Other (Events)
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230401T200000
DTEND;TZID=Asia/Shanghai:20230401T213000
DTSTAMP:20260524T013438
CREATED:20230301T040407Z
LAST-MODIFIED:20230301T040407Z
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SUMMARY:TRIP 2023: No Particular Order
DESCRIPTION:A despot has come to power. The population is anxious\, submissive and scared. \n  \nBut beneath every violation of civil liberty\, there are real human beings; behind every act of resistance\, there is an individual willing to risk everything. And these people aren’t heroic or remarkable – they’re just like us. \n  \nThrough a series of vignettes involving the lives of bureaucrats\, soldiers\, artists and tour guides\, No Particular Order charts the fate of a society in turmoil to ask at every step of the way: is it empathy\, or power\, that endures? \n  \nJoel Tan’s No Particular Order  first debuted in May 2022 at London’s Theatre503. Described as “startling and apocalyptic”\, the play was shortlisted for the Theatre503 International Playwriting Award as well as the 2022 George Devine Award. This performance marks its Singapore premiere. \n  \nA programme of TRIP—a platform to showcase work by early-career directors. \n  \nDirector: Sim Yan Ying “YY” \nPlaywright: Joel Tan \nPerformers: Arielle Jasmine Van Zuijlen\, Karen Tan\, Pavan J Singh and Shrey Bhargava \nLighting Designer: James Tan \nSound Designer: Lee Yew Jin (Ctrl Fre@k) \nSet Designer: Hella Chan \nProduction Manager: Evelyn Chia (The Backstage Affair) \nStage Manager: Carolene Ruth Liew (The Backstage Affair) \nAssistant Stage Manager: Irish Alcantara (The Backstage Affair)
URL:https://artsequator.com/event/trip-2023-no-particular-order/2023-04-01/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Other (Events),Theatre (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230322T193000
DTEND;TZID=Asia/Shanghai:20230326T160000
DTSTAMP:20260524T013438
CREATED:20221216T065108Z
LAST-MODIFIED:20230112T063239Z
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SUMMARY:Burying Children
DESCRIPTION:Who mandates the life of a child? Set in a world with a zero child policy as an answer to overpopulation and conflicts over resources\, Burying Children follows the lives of a nomadic community of women who leave the City in protest\, and seek refuge back in mother nature. Examining processes of burying children within ourselves or abandoning the very idea of bearing children in a world without hope for the future\, this ensemble dance theatre work follows several stories in search of freedom\, reprieve\, or revenge.
URL:https://artsequator.com/event/burying-children/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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ORGANIZER;CN="Bold%20Moment%20Theatre":MAILTO:contact@boldmomenttheatre.com
GEO:1.289857;103.8552799
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230112T200000
DTEND;TZID=Asia/Shanghai:20230112T210000
DTSTAMP:20260524T013438
CREATED:20221124T045751Z
LAST-MODIFIED:20221124T045751Z
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SUMMARY:Kafka's Ape by Phala O Phala & Tony Bonani Miyambo
DESCRIPTION:Accessibility features: open captions in English\n50 minutes with no intermission\nRating: General\nAsian Premiere \n“The fact that it’s actually more relevant today than when it was written 100 years ago suggests that the world we currently live in has some serious problems.”\n—Heather Taylor Johnson\, InDaily \n“The audience is left both dumbfounded and in awe at the end of this hour of theatre. It has been a mighty trip into a hideous hypothetical. It has been a display of masterful acting\, it has been a graphic lesson in humanity and an unforgettable experience.”\n—Samela Harris\, The Barefoot Review \nAn adaptation of Franz Kafka’s A Report to an Academy\, Kafka’s Ape is a solo performance about a primate’s struggle to overcome the confines of captivity. The hard-hitting play presents a metaphorical view on South African society\, highlighting the complexities of identity in post-apartheid South Africa as well as in the human race. \nAn ape named Red Peter is captured. In his quest to break out of his confinement\, he learns to imitate humanity and contests identity based on outward appearance. Through his journey\, Kafka’s Ape questions the understanding of otherness. \nMiyambo has received multiple accolades for this powerful performance\, including Winner of Outstanding Performance award at Prague Fringe Festival 2019\, Best Satire Award at New York’s United Solo Festival 2019\, and the Graham F. Smith Peace Foundation Award at the Adelaide Fringe Festival 2021\, among others.
URL:https://artsequator.com/event/kafkas-ape-by-phala-o-phala-tony-bonani-miyambo/2023-01-12/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230104T200000
DTEND;TZID=Asia/Shanghai:20230104T210000
DTSTAMP:20260524T013438
CREATED:20221124T045859Z
LAST-MODIFIED:20221124T045859Z
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SUMMARY:Mother of Compost by Noémie Huttner-Koros
DESCRIPTION:“Whimsical yet powerful\, Mother of Compost is a show with ecological advice that’s worth hearing and heeding”\n—Seesaw \n“Mother of Compost tackles climate change and social responsibility through the lens of young artists as they contemplate nature and regeneration\, what legacy we will leave on our children\, and whether it is\, indeed a good idea to birth at all.”\n—The Fourth Wall \nDearest compost\, I am your mother and I am your child. \nWe live in an ecologically precarious time. Some of us don’t want to bring children into this world\, others are worried their children won’t have a world to grow old into… but we’ve still got a whole lot of love to give. Rethink what it means to give birth and be birthed\, and dance along with us in this gooey\, camp and interactive subversion of family portraits\, birthing classes\, and evolutionary biology. \nOver the course of the performance\, the audience transforms from strangers to the beginnings of a family. Mother of Compost is a queer and unruly family gathering and a communal grieving for what is being lost and everything left to fight for. \nFrom the minds of queer performance-makers Noémie Huttner-Koros and director Andrew Sutherland\, Mother of Compost asks you to roll up your sleeves this Fringe Festival… Change only comes from getting your hands dirty. \nWith the support of the Department of Local Government\, Sport and Cultural Industries\, Government of Western Australia.
URL:https://artsequator.com/event/mother-of-compost-by-noemie-huttner-koros/2023-01-04/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221209T200000
DTEND;TZID=Asia/Shanghai:20221210T213000
DTSTAMP:20260524T013438
CREATED:20221103T053137Z
LAST-MODIFIED:20221103T053137Z
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SUMMARY:Frontier Danceland presents MILIEU 2022
DESCRIPTION:MILIEU 2022 is a contemporary dance double bill featuring an international cross-cultural co-creation between two veteran choreographers\, Low Mei Yoke (Singapore) and Irene Kalbusch (Belgium) from Compagnie Irene K.\, as well as an original work by award-winning international choreographer\, Loke Soh Kim (Malaysia). \nDo not miss this stirring double bill that celebrates the diversity of cultures and influences!\n\n\nThere will be a post-performance dialogue after the 3pm matinee performance.
URL:https://artsequator.com/event/frontier-danceland-presents-milieu-2022/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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ORGANIZER;CN="Frontier%20Danceland":MAILTO:marketing@frontierdanceland.com
GEO:1.289857;103.8552799
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221202T200000
DTEND;TZID=Asia/Shanghai:20221204T163000
DTSTAMP:20260524T013438
CREATED:20221103T053159Z
LAST-MODIFIED:20221103T053159Z
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SUMMARY:Seeing ______ Through the Eyes of Impermanence II
DESCRIPTION:In our ever-changing world\, the desire to capture passing moments and transient experiences gives rise to questions about the nature of permanence itself. Are tangible objects and structures immune to forces of change? Could intangible forms\, beliefs and values remain lasting in their relevance? What residues are inevitably left behind in the wake of impermanence?\n\nThe Human Expression (T.H.E) Dance Company and T.H.E Second Company share the stage in Seeing ______ Through the Eyes of Impermanence II\, featuring a restaging of 2012’s Hey Man! by resident choreographer Kim Jae Duk\, and a reinterpretation of Kuik Swee Boon’s Helix (originally Helix\, in progress in 2016). In looking at the interactions of singular and collective selves\, this double bill reimagines ways of exchange\, encounter and existence\, reclaiming a contemporary resilience for the challenges of our times.
URL:https://artsequator.com/event/seeing-______-through-the-eyes-of-impermanence-ii/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Dance (Events)
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ORGANIZER;CN="T.H.E%20Dance%20Company":MAILTO:info@the-dancecompany.com 
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221103T193000
DTEND;TZID=Asia/Shanghai:20221105T224500
DTSTAMP:20260524T013438
CREATED:20221020T031553Z
LAST-MODIFIED:20221020T031553Z
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SUMMARY:A Midsummer Night’s Dream
DESCRIPTION:Presented by Intercultural Theatre Institute\nIn Collaboration with Esplanade – Theatres on the Bay \nThings are in chaos in the forest of Athens. Star-crossed lovers run off into the night\, fairies squabble and interfere\, and a troupe of amateurs rehearse a play — making for a moonlit mix of magic\, trickery and a whole lot of confusion. \nITI presents William Shakespeare’s ethereal and earthy romantic comedy\, A Midsummer Night’s Dream\, with a traditional Asian spin. Led by award-winning veteran director Aarne Neeme and featuring a cast of 12-actor students from seven countries. \nCome dream with us! \n—— \nDate: 3 – 5 Nov\nTime: 7:30 PM with an additional 2 PM matinee on Saturday\, 5 Nov\nVenue: Esplanade Theatre Studio \n—— \nWritten by William Shakespeare\nDirected by Aarne Neeme\nPerformed by ITI’s 2022 graduating cohort \nCast\nDaisy Zhao Xiaoqing\, Ismael Gallaza Pantao\, Jemima Dunn\, Kaleem Zafar\, Karlwinn\, Ng Yuan Ci\, Oliver S. K. Wu\, Peh Jun Kai\, Ruthi Lalrinawmi\, Wan Ahmad\, Will Wong Keng Ip\, Wong Jin Yi \nCreative team\nVocal Coach: Simon Stollery\nLighting\, Set and Props Designer: Dorothy Png\nSound Designer: Vick Low\nCostume and Headdress Designer: Eve Tan\nCostume Consultant: Lim Chin Huat
URL:https://artsequator.com/event/a-midsummer-nights-dream/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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ORGANIZER;CN="Intercultural%20Theatre%20Institute":MAILTO:admin@iti.edu.sg
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END:VEVENT
END:VCALENDAR