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DTSTART;TZID=Asia/Shanghai:20240921T143000
DTEND;TZID=Asia/Shanghai:20240921T153000
DTSTAMP:20260504T151528
CREATED:20240909T105635Z
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SUMMARY:TENUNAN : Curator's Tour and Artist Talk
DESCRIPTION:Join Bruneian curator Osman Mohammad as he delves into the curatorial narratives and exhibits of TENUNAN: A View on Tapestry of Historical Processes. TENUNAN is a visual arts exhibition that explores Kain Tenunan\, or Songket\, as a metaphor to explore the intricacies of historical developments. Known for its intricate craftsmanship and cultural significance\, Songket mirrors the complexity of weaving historical narratives. This exhibition draws parallels between the art of Songket weaving and the fabric of history. Each thread in Songket represents different societal elements—social movements\, economic changes\, and cultural shifts—interwoven to create a comprehensive tapestry of human experience. Just as weavers design patterns in Songket\, historical events form patterns that reflect societal dynamics\, trends\, and transformations. \nThe 3 featured artists will discuss their creative processes and the cultural themes in their works & provide a deeper understanding of the exhibition’s themes and the interconnectedness of history\, culture\, and identity: \nYasmin Jaidin’s “Titih”: Five fabric sculptures of padi plants made from tulle\, exploring one’s identity within generational gaps. \nFaizal Hamdan’s works: “Colonial Sofa\,” “Human Eggshells Specimen\,” and “Langkayu\,” explore colonial influence\, historical ambiguity\, and the purpose of life. \nArmacester Arsad’s paintings: Focus on layers\, translucency\, and cultural elements\, created through a process of experimentation. \nTENUNAN is part of The Idea of North – a 4-day festival commemorating the 40th anniversary of bilateral relations between Brunei and Singapore. \n**TENUNAN: A View on Tapestry of Historical Processes is open for public viewing from 18 September – 16 October 2024 at the Gallery\, 10 Square Orchard Central. Admission is free. \nOpening Hours : Monday – Saturday (1030 – 1730) \n——– \n\n\n\n\nCurator: Osman Mohammad \nOsman Mohammad has produced a body of works that spans over thirty years with a variety of medium ranging from oil paintings\, watercolour\, acrylic\, and 3-Dimensional works. He also has a career of over thirty years’ experience in the field of media and creative arts\, and design. He has participated in exhibitions\, art camps\, art festivals\, biennale and exhibited his artworks in Malaysia\, Singapore\, Indonesia\, India\, Bangladesh\, England\, Japan\, South Korea and China. While working on his art he is also actively working on his project promoting young emerging artists in Brunei under his studio – Creative Space. He lectures art and design at the Faculty of Arts and Social Science in Universiti Brunei Darussalam as Adjunct Senior Assistant Professor since 2013. He is appointed by Sovereign Art Foundation as Nominator for Sovereign Asia Art Prize since 2019 for Brunei Artists. \nOsman Mohammad is an artist and a designer. 1984\, he graduated with B.A. (Hons) in Three-Dimensional design from Central School of Art and Design\, London\, England and later added to his resume\, a degree in Master of Business Administration. Collections of his art pieces can be found in Brunei and abroad. Brunei Museums\, Brunei Shell Petroleum\, Brunei LNG\, Brunei Tankers\, Brunei Shell Marketing\, Istana Nurul Iman\, Istana Nurul Izzah\, Brunei Investment Agency\, Fort Canning (sculpture) – Singapore\, ICCRC- India are among institutions that collected his artworks. Examples of his national design works include among many – the Universiti Brunei Darussalam official and graduates Robes and National Anti-Drug Campaign’s posters in 1980s. \nArtist: Yasmin Jaidin \nYasmin Jaidin is a Bruneian contemporary artist currently practicing in Brunei. Her practice revolves around materiality by working with media that can be found in the everyday like sugar\, flour\, grass and soil. She experiments with its physical state and is concerned with its ecology when it is displaced from one environment to another. She holds degrees at Goldsmiths and the University of Arts London\, and has exhibited internationally at such venues as The National Art Center in Tokyo\, UP Vargas Museum in Manila\, the Manila Metropolitan Museum\, and the Kaohsiung Museum of Fine Arts\, Taiwan. Her work exhibits a fidelity to the chosen material\, combining minimalism and process into an object oriented practice. \nArtist: Faizal Hamdan \nFaizal Hamdan (b. 1975\, Tutong\, Brunei) earned a BA in Art from Curtin University of Technology\, Australia in 2003. He is an art and design lecturer at a sixth form centre in Bandar Seri Begawan\, Brunei\, and works in painting\, sculpture and installation art. He has exhibited in Australia\, Brunei\, Malaysia\, Japan\, China and South Korea\, and is interested in notions of identity\, time and space. Most of Faizal’s artworks evolve from his personal experience\, and can be serious yet playful at the same time. \nArtist: Armacester Arsad \nArmacester Arsad has been a full-time Art Tutor at Maktab Duli Pengiran Muda Al-Muhtadee Billah since 2003. She graduated with a degree in Fine Art from the University of Huddersfield in the UK and began her art education at Maktab Sains Paduka Seri Begawan Sultan. Armacester received a Government Scholarship for her studies and later completed a Master’s in Fine Art at the Winchester School of Art in the UK in 2009 through Government In-service training. Balancing her teaching responsibilities with her art practice\, she actively participates in art exhibitions both within Brunei and internationally whenever possible.
URL:https://artsequator.com/event/tenunan-curators-tour-and-artist-talk/
LOCATION:10 Square\, 181\, Orchard Road\, #10-01\, Orchard Central\, Singapore\, Singapore\, 238896\, Singapore
CATEGORIES:Visual Arts (Events)
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DTSTART;TZID=Asia/Shanghai:20240921T100000
DTEND;TZID=Asia/Shanghai:20240921T120000
DTSTAMP:20260504T151528
CREATED:20240909T110510Z
LAST-MODIFIED:20240909T110510Z
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SUMMARY:Bridging Traditional Music And Jazz - A Music Workshop by ETX
DESCRIPTION:Join The Elisha Tiga Eksperiment (ETX)\, led by Bruneian music producer Elisha Tiga\, in a workshop exploring the fusion of traditional Bruneian music and jazz. As pioneers in reimagining jazz in Brunei\, ETX blends diverse influences such as hip-hop\, RnB\, traditional indigenous music\, post-rock\, and electronic music. Their innovative approach creates a unique soundscape\, merging past and present musical elements. \nIn this 2-hour session\, participants will gain insights into the rich heritage of Bruneian traditional music and how ETX reinterprets these sounds with contemporary harmonies and rhythms. Inspired by the 20s\, 70s fusion\, and modern experimental jazz\, ETX demonstrates how traditional instruments can be revitalized through modern techniques. The workshop offers a unique experience of “new traditional music” that blends tradition and modernity. \nThis music workshop is part of The Idea of North – a 4-day festival commemorating the 40th anniversary of bilateral relations between Brunei and Singapore. \nELISHA TIGA EKSPERIMENT \nThe Elisha Tiga Eksperiment (ETX)\, led by Bruneian music producer Elisha Tiga\, is the first collective in Brunei to reimagine jazz as both a genre and a culture. ETX aims to redefine jazz in Brunei by incorporating diverse influences\, including hip-hop\, RnB\, traditional indigenous music\, underground post-rock\, and electronic music. This blend creates a unique soundscape\, positioning ETX as a melting pot of ideas and sonic colours. \nTheir performances draw from the roaring 20s\, 70s fusion\, and modern experimental jazz\, while also reimagining traditional Bruneian music with contemporary harmonies and rhythms. ETX has been recognized as a future representative of Bruneian music\, earning acclaim for their innovative approach to traditional instruments and sounds. Their ultimate goal is to bridge different cultures\, generations\, and backgrounds through their music.
URL:https://artsequator.com/event/bridging-traditional-music-and-jazz-a-music-workshop-by-etx/
LOCATION:10 Square\, 181\, Orchard Road\, #10-01\, Orchard Central\, Singapore\, Singapore\, 238896\, Singapore
CATEGORIES:Music (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240920T200000
DTEND;TZID=Asia/Shanghai:20240920T210000
DTSTAMP:20260504T151528
CREATED:20240909T105709Z
LAST-MODIFIED:20240909T105709Z
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SUMMARY:FUTURE PROOF : Cultural Leadership in the Creative Industries
DESCRIPTION:FUTURE PROOF utilises the concept of designing something to withstand future obsolescence as an entry point into thinking about the future of cultural leadership in the creative industries. At the same time\, it plays with the double meaning of “proof” in the context of obtaining a higher education qualification. \nThis distinguished panel featuring leading academic voices in arts and cultural leadership\, will explore the evolving landscape of arts education and leadership within Southeast Asia\, with a focus on the cultural specificity of the creative industries in Brunei\, Singapore\, and the broader region. Key topics include the role of higher education in nurturing future cultural leaders\, innovative approaches to arts and cultural entrepreneurship\, and value creation in the arts. Attendees will gain insights into how these institutions are shaping the next generation of cultural leaders and the strategies they employ to foster a vibrant\, sustainable arts ecosystem. \nFUTURE PROOF is part of The Idea of North – a 4-day festival commemorating the 40th anniversary of bilateral relations between Brunei and Singapore. \n\n\n\n\nSpeakers: \nDr. Kathrina Mohd Daud \nKathrina Mohd Daud is an Assistant Professor in the Faculty of Arts and Social Sciences\, Universiti Brunei Darussalam. Her research focuses on the intersections of popular fiction\, Bruneian fiction\, and representations of religion in literature. She co-edited The Southeast Asian Woman Writes Back: Gender\, Identity and Nation in the Literatures of Brunei Darussalam\, Malaysia\, Indonesia and the Philippines (Springer\, 2017) with Grace V.S. Chin\, and her work has appeared in several edited volumes published by Routledge and Springer\, as well as in the Journal of Commonwealth Literature and World Englishes. She was the inaugural Festival Director for the Bruneian Tiny Lit Fest in 2019 and 2020\, and her first novel\, The Fisherman King\, was shortlisted for the Epigram Books Fiction Prize in 2020. \nAudrey Wong \nAudrey Wong is Programme Leader of the MA Arts and Cultural Leadership course at LASALLE College of the Arts\, University of the Arts Singapore. She was Singapore’s first ‘arts’ Nominated Member of Parliament (2009 – 2011) where she raised awareness about the precarity of freelance arts and creative workers. Before she joined LASALLE in 2010\, she was Artistic Co-director of independent arts space The Substation. Her expertise in arts management crosses disciplinary boundaries. She served on the boards of the Singapore Art Museum and Nine Years Theatre and was a Council member of the National Arts Council. She writes on arts management and cultural policy issues and has contributed a chapter to The Routledge Companion to Arts Management and co-authored a report for UNESCO Bangkok\, Backstage: Managing Creativity and the Arts in Southeast Asia (2021). \nDr. Rimi Parvin Khan \nDr Rimi Khan is a Senior Lecturer and Deputy Graduate Director in the Department of Communications and New Media at National University of Singapore. She is the Convenor of the Master of Arts (Arts and Cultural Entrepreneurship) and has published extensively on diversity and sustainability politics in the creative industries. Her book\, ‘Art in community: the provisional citizen’ (2016\, Palgrave)\, explores the institutional and aesthetic agendas that produce ideas of ‘community’. Her most recent work focuses on sustainable fashion and she has a book forthcoming with Manchester University Press titled\, ‘Fashion for other worlds’. \nModerated by Nicholas Tee \nNicholas Tee is a performance artist & creative producer based in Singapore who collages action\, image\, sound and material through body-based performance\, pain and endurance; their performance work is often politically charged\, angry and messy. \nNicholas’ work has been presented internationally\, notably at Haus der Kunst (DE)\, Kettle’s Yard (UK)\, Manchester Art Gallery (UK)\, ICA London (UK) and Point Centre for Contemporary Art (CY). In 2019\, their work was featured in the British Art Studies journal published by the Paul Mellon Centre. \nAs a creative producer\, Nicholas has worked multi-disciplinarily on festivals\, concerts\, shows and exhibitions in Singapore and abroad. Nicholas curated Diaspora Disco – a club night that platformed East and Southeast Asian artists in London – from 2019-2020. Nicholas is currently the Head of Artistic Development at Global Cultural Alliance\, a Singapore-based arts organisation.
URL:https://artsequator.com/event/future-proof-cultural-leadership-in-the-creative-industries/
LOCATION:10 Square\, 181\, Orchard Road\, #10-01\, Orchard Central\, Singapore\, Singapore\, 238896\, Singapore
CATEGORIES:Workshop & Talks (Events)
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240920T183000
DTEND;TZID=Asia/Shanghai:20240920T193000
DTSTAMP:20260504T151528
CREATED:20240909T105749Z
LAST-MODIFIED:20240909T105749Z
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SUMMARY:RENTAK/S: Explorations of Traditional Soundscapes
DESCRIPTION:RENTAK/S: EXPLORATIONS OF TRADITIONAL SOUNDSCAPES explores the dynamic approaches to traditional sounds (rentak) across different genres\, disciplines\, geographical borders (rentas). The panel discussion celebrates the possibilities and (re)presentations of traditional sounds within the local and/or regional cultural landscape. \nJoin our esteemed panel of multi-instrumentalists Megat Muhammad Firdaus\, Safuan Johari; and Elisha Tiga and Yazid Damit of the Elisha Tiga Eksperiment\, as they share several best practices and innovative approaches in integrating traditional sounds with other genres; foster cross-border collaborations\, and envision the future possibilities for the music scene locally and regionally. \nRENTAK/S is part of The Idea of North – a 4-day festival commemorating the 40th anniversary of bilateral relations between Brunei and Singapore. \n\n\n\n\nSpeakers: \nElisha Tiga (Brunei Darussalam) \nElisha Tiga is the founder of The Elisha Tiga Eksperiment\, Brunei’s premiere jazz collective that aims to spread the interest of jazz through various reiterations of the genre; of which one of them is the modernisation of traditional music. \nElisha threw himself into the music industry while pursuing his studies in Malaysia. Basing himself in the heart of Kuala Lumpur\, the thirst for knowledge in all the hustle and bustle put him in the position of a producer\, composer\, arranger\, instrumentalist and an artist in his own right working with some of the most established artists in the region. \nThis over-stimulation also inspired him to build himself as an artist that looks into the past; diving into various ethnic roots to create a unique sonic palette in his compositions in the pursuit of bridging ideas from different generations\, genres and cultures. \nYazid Damit (Brunei Darussalam) \nYazid is a Bruneian musician that has years of experience being involved in Brunei’s music scene specifically in the fields of Brunei’s traditional music. He also has his hearts in the importance of education and research more specifically in the fields of traditional malay music and looking ways into integrating these traditional elements in a modern setting; conducting classes across Brunei to bring local heritages into the community. \nYazid is also a seasoned local music producer and song arranger working with local artists and projects in keeping local original music alive and well. As a musician musician he is a seasoned keyboard player\, being able to play a variety of genres and setting accompanying bruneian artists for live performances locally and internationally. \nMegat Muhammad Firdaus (Singapore) \nMegat Muhammad Firdaus\, also known as Megat\, is a multi-instrumentalist\, producer and music director with a strong passion in Malay traditional and multi-ethnic music. Graduated with a First Class Honors Bachelor’s degree from the University of West London in Sound and Music in 2022\, Megat has since continued to share and showcase his works in Singapore and internationally. \nAn active leader in the local music community\, Megat is currently the ambassador for Gemadah\, a Malay Traditional Music Festival event organised by Singapore Malay Traditional Musician Association in collaboration with Esplanade – Theatres on the Bay\, Language Ambassador for the Malay Language Council by National Heritage Board\, Conductor for the Impressions of Nanyang Arts Association (INYAA)\, Executive Director of yIN Harmony and Co-Founded Orkestra Sri Temasek (OrST)\, the first fully acoustic Malay Chamber Orchestra in 2011. \nMegat has always been fascinated and inspired by the beauty and meaning behind the different art forms in Asia and hopes to be part of the larger community of ASEAN musicians and practitioners in introducing Singapore’s unique blend of multicultural music with INYAA. \nSafuan Johari (Singapore) \nSafuan Johari is an artist who works primarily as a composer\, music producer and sound designer. Music-making is usually a world building exercise and the resulting microcosms often meander through traditional\, experimental and popular topographies of Nusantara (Maritime Southeast Asia) culture. Started out as a prominent figure in Singapore’s underground music scene\, he has expanded his practice into composing for theatre\, dance\, films and multimedia installations. Individually and as a collaborator\, Safuan has performed\, exhibited or presented works at Palais de Tokyo Paris\, Festival/Tokyo\, Perth Festival\, Worldwide Festival Sète\, Singapore International Festival of the Arts and Singapore Fringe Festival.
URL:https://artsequator.com/event/rentak-s-explorations-of-traditional-soundscapes/
LOCATION:10 Square\, 181\, Orchard Road\, #10-01\, Orchard Central\, Singapore\, Singapore\, 238896\, Singapore
CATEGORIES:Workshop & Talks (Events)
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ORGANIZER;CN="Global%20Cultural%20Alliance":MAILTO:candice_chee@gcaworld.sg
GEO:1.3008499;103.8396956
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240919T183000
DTEND;TZID=Asia/Shanghai:20240919T203000
DTSTAMP:20260504T151528
CREATED:20240909T110407Z
LAST-MODIFIED:20240909T110407Z
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SUMMARY:Festival Friends
DESCRIPTION:FESTIVAL FRIENDS is a panel discussion that takes the significance of friendships as a starting point for investigating modes of collaboration\, capacity building and festival making within the Southeast Asian region. With prolific practitioners Syazni Bakar and Amali Hj Rosli from National Theatre Festival Brunei\, and Sahirrah Safit and Masturah Oli of Asian Youth Theatre Festival (SG)\, the panel topics will include the challenges of building robust artistic networks across the region\, the nuances of working as a creative producer\, and the importance of creating platforms that amplify diverse artistic voices. \nFollowing the panel discussion will be a Producers Social networking session hosted by Producers SG\, where Bruneian artists and producers will have the opportunity to hang out and network with their new Singaporean friends. \nFESTIVAL FRIENDS is part of The Idea of North – a 4-day festival commemorating the 40th anniversary of bilateral relations between Brunei Darussalam and Singapore. \n\n\n\n\nSPEAKERS: \nSyazni Bakar\, National Theatre Festival Brunei \nSyazni is a theatre enthusiast and has been involved with theatrical performance since 2010. He’s been active in the creative scene as he has worked with multiple creative organisations that produced stage performances\, creative events\, and photo and video productions. He co-founded the theatre company 247 Studios in 2019\, with a hope to further develop the theatre community\, and offer opportunities for creatives in Brunei who would like to try theatre. In August 2021\, Syazni organised Brunei’s first National Theatre Festival. \nAmali Hj Roslin \nAmali Hj Roslin has been active in the Bruneian creative industry since 2013\, taking the rare opportunity to put his degree in Professional Communications and the Media into good use. He has delved into theatre\, music\, film and TV both audience-facing and back-end. His keen interest is mainly to empower and develop local talents\, whilst consequently strengthening and expanding the creative industry. Through 247 Studios\, as Co-Founder\, he has embraced the art of producing as a form to merge his passion for the arts both on and off the stage. Believing Brunei has much more to offer to the world\, he is constantly on the search for ways to level up its creative industry at both the individual and community level. \nSahirrah Safit \nA National Arts Council of Singapore Scholar\, Sahirrah has attained a BA (hons) in Theatre Arts- Acting Major from the University of Essex\, United Kingdom in 2012. Passionate about all things theatre\, she has performed\, directed\, produced and stage-managed numerous shows with various theatre companies and production houses both locally and internationally for over 10 years. A strong believer in theatre arts education\, she has taught in multiple schools and institutions\, as well as an adjunct lecturer at Singapore Polytechnic. Over the years\, Sahirrah has developed a strong passion for teaching and believes theatre has the potential to empower youths to create a better world for all. Sahirrah has worked behind the scenes for AYTF as a consultant\, facilitator and co-ordinator until 2023\, when she formally took on the role of Festival Director. \nSahirrah recently started her own company Fat Cat Theatrics and hopes to engage more youth in Singapore through Art invested projects. \nMasturah Oli \nMasturah Oli is an actor\, host and theatre-maker. She graduated with BA (Hons) in Theatre Arts from Nanyang Academy of Fine Arts\, validated by the University of Essex (East 15 Acting School). She was awarded Best Graduate and represented her cohort as Valedictorian. Masturah was also a recipient of the MENDAKI Special Achievement Award for Excellence\, MENDAKI Anugerah Award (2017) and the SINDA Excellence Award (2017). \nIn April 2024\, Masturah was cast as the lead role in Paula Vogel’s Pulitzer Prize winning play\, How I Learned To Drive\, as part of Esplanade’s TRIP programme for young Directors. Other Selected Theatre include: Mari Kita Main Wayang\, (The Esplanade\, 2023)\, Fair Play (Wild Rice\, 2019 & 2023)\, Opposition (The Necessary Stage & Drama Box\, 2022)\, Blank Can Change (The Necessary Stage\, 2021)\, Acting Mad (The Necessary Stage\, 2019 & 2022)\, Anak Melayu (Teater Kami\, 2019)\, Rubber Girl on the Loose (Cake Theatre\, 2019) \nMasturah is also a theatre educator\, she teaches Drama programmes at Yishun Innova Junior College\, Bedok View Secondary School\, Raffles Institution and Marymount Convent School. In 2023\, Masturah was appointed as Co-Artistic Director of Buds Theatre and looks forward to bringing her creative and artistic vision to life. \nModerator: Shaifulbahri Mohamad \nShaifulbahri Mohamad (Shai) is a creative producer and arts educator. He is the Artistic Director of Bahri & Co and an Organising Member of Producers SG. He graduated from the Royal Central School of Speech and Drama with an MA in Creative Producing (Distinction). \nHe enjoys working with artists who make art collaboratively across mediums\, with a view towards transnational collaborations that break borders and barriers in art-making. He has produced work in Singapore\, Malaysia\, Australia and the United Kingdom and is currently developing projects with South Korea and Canada. He recently returned to performance-making\, creating the theatrical walking experience\, Tampines Boy.
URL:https://artsequator.com/event/festival-friends/
LOCATION:10 Square\, 181\, Orchard Road\, #10-01\, Orchard Central\, Singapore\, Singapore\, 238896\, Singapore
CATEGORIES:Workshop & Talks (Events)
ATTACH;FMTTYPE=image/jpeg:https://artsequator.s3.ap-southeast-1.amazonaws.com/2024/08/Eventbrite-02.jpg
ORGANIZER;CN="Global%20Cultural%20Alliance":MAILTO:candice_chee@gcaworld.sg
GEO:1.3008499;103.8396956
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240918T190000
DTEND;TZID=Asia/Shanghai:20240921T210000
DTSTAMP:20260504T151528
CREATED:20240909T105307Z
LAST-MODIFIED:20240909T105307Z
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SUMMARY:The Idea of North 2024
DESCRIPTION:The Idea of North 2024 is a vibrant four-day festival in Singapore celebrating 40 years of bilateral ties between Brunei Darussalam and Singapore. Featuring emerging and established creatives and business professionals from both nations\, focusing on future collaborations\, revealing intriguing cultural connections\, and fostering artistic exchanges. \nOrganised by Global Cultural Alliance\, this biennial festival aims to enhance people-to-people connections through the arts. Don’t miss this opportunity to explore and celebrate the rich cultural ties between Singapore and Brunei Darussalam! Check out our website for the full programme offering!
URL:https://artsequator.com/event/the-idea-of-north-2024/
LOCATION:10 Square\, 181\, Orchard Road\, #10-01\, Orchard Central\, Singapore\, Singapore\, 238896\, Singapore
CATEGORIES:Artist Opportunities,Festival (Events),Film Screening (Events),Music (Events),Visual Arts (Events)
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ORGANIZER;CN="Global%20Cultural%20Alliance":MAILTO:candice_chee@gcaworld.sg
GEO:1.3008499;103.8396956
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20241017
DTSTAMP:20260504T151528
CREATED:20240909T110630Z
LAST-MODIFIED:20240909T110630Z
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SUMMARY:TENUNAN: A View on Tapestry of Historical Processes
DESCRIPTION:TENUNAN: A View on Tapestry of Historical Processes explores Kain Tenunan\, or Songket\, as a metaphor to explore the intricacies of historical developments. Known for its intricate craftsmanship and cultural significance\, Songket mirrors the complexity of weaving historical narratives. \nCurated by Bruneian veteran artist Osman Mohammad\, this exhibition draws parallels between the art of Songket weaving and the fabric of history. Each thread in Songket represents different societal elements—social movements\, economic changes\, and cultural shifts — interwoven to create a comprehensive tapestry of human experience. Just as weavers design patterns in Songket\, historical events form patterns that reflect societal dynamics\, trends\, and transformations. \nFeaturing works by Bruneian artists Yasmin Jaidin\, Faizal Hamdan\, and Armacester Arsad\, TENUNAN invites viewers to appreciate the interconnectedness of historical moments\, highlighting the skill and vision needed to navigate and shape pivotal events. It underscores the importance of preserving our collective legacy and understanding the complex interactions that shape our history. \nJoin us for a curator’s tour and artist talk on 21 Sept at 2:30pm – registration required. \nTENUNAN is part of The Idea of North — a 4-day festival commemorating the 40th anniversary of bilateral relations between Brunei and Singapore.
URL:https://artsequator.com/event/tenunan-a-view-on-tapestry-of-historical-processes/
LOCATION:10 Square\, 181\, Orchard Road\, #10-01\, Orchard Central\, Singapore\, Singapore\, 238896\, Singapore
CATEGORIES:Visual Arts (Events)
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ORGANIZER;CN="Global%20Cultural%20Alliance":MAILTO:candice_chee@gcaworld.sg
GEO:1.3008499;103.8396956
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END:VEVENT
END:VCALENDAR