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DTSTART;TZID=Asia/Shanghai:20230617T100000
DTEND;TZID=Asia/Shanghai:20230709T190000
DTSTAMP:20260412T124100
CREATED:20230608T073157Z
LAST-MODIFIED:20230608T073157Z
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SUMMARY:National Gallery Singapore Gallery Wellness Festival 2023: Art Connects
DESCRIPTION:The Gallery Wellness Festival is back from 17 June to 9 July 2023 with a new theme—”Art Connects”. This year join us for more than 20 unique art-inspired wellness experiences that engage our five senses and help us connect deeply with ourselves as well as the people around us. Visit the Gallery and take part in a range of activities where art meets wellness! \nTicketing and registration are required for select programmes. For more information\, visit nationalgallery.sg/gwf2023.
URL:https://artsequator.com/event/national-gallery-singapore-gallery-wellness-festival-2023-art-connects/
LOCATION:National Gallery Singapore\, City Hall Wing\, Level B1\, The Spine Hall\, National Gallery Singapore\, City Hall Wing\, Level B1\, The Spine Hall\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Children/Family (Events),Festival (Events),Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230611T143000
DTEND;TZID=Asia/Shanghai:20230611T163000
DTSTAMP:20260412T124100
CREATED:20230530T012918Z
LAST-MODIFIED:20230530T074306Z
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SUMMARY:Mandarin Reading Group | Liu Kuo-sung "On Abstract Paintings"
DESCRIPTION:Sunday 11 June 2023 | 2.30pm – 4.30pm |  National Gallery Singapore\, Supreme Court Wing\, Level 5\, Glass Room\n\n*This reading group will be conducted in Mandarin.\n*The English reading group will be held between September and October.\n\n“The occurrence of an abstract concept is not foreign but has a deep root in our aesthetics …… It is not that Chinese artists don’t have the urge to express their abstract thoughts\, but the urge was expressed in another artistic form – calligraphy\, which enables them to vent emotionally.”\n – From Liu Kuo-sung’s On Abstract Paintings (1960)\n\nJoin this reading group and delve into ink master Liu Kuo-sung’s written text On Abstract Paintings (1960) as he unpacks modern abstract art in relation to Chinese aesthetic thought. Together\, we will discuss and meditate on the visual sensation and perception of his abstract ink paintings.\n\nThis reading group is led by Curatorial Assistant Tan Teen Zhen.\nRecommended age: 16 years and above.\n\n—\n*本次读书会将以华语进行。\n*英文读书会将在九月和十月之间举办。\n\n“抽象观念的发生并非舶来，在我国艺术思想由来已早……中国画家并非没有表现抽象意念的冲动，只是把这种情感冲动借另一种特有的艺术形式——书法——表现出来，在感情的宣泄上寻到了出路。”\n– 摘自刘国松1960年撰写的《论抽象绘画》\n\n本次读书会将品读水墨大师刘国松1960年发表的文章《论抽象绘画》，探讨他如何从东方艺术思想下解读西方现代艺术中的抽象主义。通过细品刘大师的水墨实验作品，了解其创作中的视觉感受和感知。\n\n本次读书会由策展研究助理陈庭真导读。\n推荐参与年龄：16岁以上
URL:https://artsequator.com/event/mandarin-reading-group-liu-kuo-sung-on-abstract-paintings-2/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Workshop & Talks (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230611T143000
DTEND;TZID=Asia/Shanghai:20230611T163000
DTSTAMP:20260412T124100
CREATED:20230517T075202Z
LAST-MODIFIED:20230517T075202Z
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SUMMARY:Mandarin Reading Group | Liu Kuo-sung "On Abstract Paintings"
DESCRIPTION:Join this reading group and delve into Ink Master Liu Kuo-sung’s written text “On Abstract Paintings” (1960) as he unpacks modern abstract art in relation to Chinese aesthetic thought. Together\, we will discuss and meditate on the visual sensation and perception of his abstract ink paintings. This reading group is led by Curatorial Assistant Tan Teen Zhen.\n\nRecommended age: 16 years and above.\n*This reading group will be conducted in Mandarin.\n*The English reading group will be held between September and October.\nSun 11 June 2023 | 2.30pm – 4.30pm | Supreme Court Wing\, Level 5\, Glass Room |\nFree\, registration required: https://bit.ly/LKS_MandarinRG
URL:https://artsequator.com/event/mandarin-reading-group-liu-kuo-sung-on-abstract-paintings/
LOCATION:National Gallery Singapore\, Supreme Court Wing\, Level 5\, Glass Room\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Workshop & Talks (Events)
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DTSTART;TZID=Asia/Shanghai:20230610T130000
DTEND;TZID=Asia/Shanghai:20230610T140000
DTSTAMP:20260412T124100
CREATED:20230530T013538Z
LAST-MODIFIED:20230530T015047Z
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SUMMARY:Curator Tour | See Me\, See You: Early Video Installation in Southeast Asia
DESCRIPTION:Sat 10 Jun | 1pm – 2pm | Meeting Point: The Ngee Ann Kongsi Concourse Gallery\, Level B1\, City Hall Wing\, National Gallery Singapore \n\nBy staging and recreating seminal works by ten artists\, “See Me\, See You: Early Video Installation of Southeast Asia” locates the moment when the form first emerged in the region in the 1980s and 1990s. Discover the behind-the-scenes stories of the exhibition and its curatorial narratives with exhibition curators Cheng Jia Yun and Clarissa Chikiamco.
URL:https://artsequator.com/event/curator-tour-see-me-see-you-early-video-installation-in-southeast-asia/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Workshop & Talks (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230610T110000
DTEND;TZID=Asia/Shanghai:20230610T120000
DTSTAMP:20260412T124100
CREATED:20230530T013305Z
LAST-MODIFIED:20230530T015348Z
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SUMMARY:Curator Tour | Living Pictures: Photography in Southeast Asia
DESCRIPTION:Sat 10 Jun | 11am – 12pm | Meeting Point: Singtel Special Exhibition Gallery\, Level 3\, City Hall Wing \n\nUnpack the curatorial narratives of “Living Pictures: Photography in Southeast Asia” and listen to behind-the-scenes stories with the exhibition’s curators. Uncover the medium’s history in the region\, and how it contributed to the development of Southeast Asian visual culture through selected highlights from the exhibition.\n\nKindly note that this programme will take place in the exhibition space. Participants are reminded to book their Gallery Passes in advance.
URL:https://artsequator.com/event/curator-tour-living-pictures-photography-in-southeast-asia/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Workshop & Talks (Events)
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DTSTART;TZID=Asia/Shanghai:20230528T143000
DTEND;TZID=Asia/Shanghai:20230528T153000
DTSTAMP:20260412T124100
CREATED:20230517T080838Z
LAST-MODIFIED:20230517T081024Z
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SUMMARY:Gallery Keynote | Kaywin Feldman on Building a National Collection in a Changing Nation
DESCRIPTION:Gallery Keynote is a series that invites the world’s visionaries\, thinkers and industry and opinion leaders to consider issues fundamentally relating to the future of museums and their role in culture and society.\n\nKaywin Feldman (Director\, The National Gallery of Art in Washington\, D.C.) leads an institution of intriguing paradox: The National Gallery of Art in Washington\, D.C. was founded in 1941 by millionaire Andrew Mellon to educate a monolithic populace and to bestow contemporary ideas of good taste. Mellon’s offering was in fact a grand populist gesture\, a true gift that continues to benefit his nation to this day. Yet as societies shift and change\, what is the unique but ever-evolving role of a national art museum as it navigates the challenges and opportunities of a dynamic and expanding global audience? What does it mean to be and to become a nation’s art museum during a time of immense global volatility and complexity? Kaywin Feldman shares her insights in a lecture\, which is followed by a conversation with Eugene Tan (Director\, National Gallery Singapore and Singapore Art Museum).\n\n\nThis programme is supported by The Culture Academy. \n\nSun 28 May | 2.30pm | The Ngee Ann Kongsi Auditorium\, City Hall Wing\, Level B1\, National Gallery Singapore |\nFree\, registration required: https://bit.ly/GalleryKeynote_2023
URL:https://artsequator.com/event/gallery-keynote-kaywin-feldman-on-building-a-national-collection-in-a-changing-nation/
LOCATION:The Ngee Ann Kongsi Auditorium\, City Hall Wing\, Level B1\, National Gallery Singapore\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Visual Arts (Events)
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DTSTART;TZID=Asia/Shanghai:20230521T140000
DTEND;TZID=Asia/Shanghai:20230521T153000
DTSTAMP:20260412T124100
CREATED:20230510T031421Z
LAST-MODIFIED:20230510T031421Z
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SUMMARY:Images on the Run | Through the Lens of Wawi Navarroza & Miti Ruangkritya
DESCRIPTION:The early history of photography in Southeast Asia is largely defined by an ethnographic approach that attempted to “fix” the colonised body. In these images\, the subject often remained rooted in space and in (developmental) time\, while the photographer was highly itinerant. But what happens when the itinerant photographer is also the subject\, or when the photographer turns their attention towards a subject matter that is in a highly agitated state of flux? This panel considers the works of artists Wawi Navarroza and Miti Ruangkritya against how photos are created\, manipulated and circulated today via social media.\n\nThis panel discussion is moderated by Kenneth Tay (Assistant Curator\, Singapore Art Museum)\, and organised in conjunction with the Gallery’s special exhibition “Living Pictures: Photography in Southeast Asian Art”.\n\n—\nAbout the Speakers\n\nMITI RUANGKRITYA is a visual artist whose photography practice incorporates video\, text\, and publishing in examining the notion of the City. Encompassing topics ranging political upheaval\, ecological change\, dislocation\, and economic inequalities\, his oeuvre chronicles personal responses to his everyday observations while communicating the urban urgencies of contemporary living. His utilisation of media beyond traditional digital and film photography elucidates the nature of image generation\, presentation\, and consumption in a world increasingly defined by the visual experience. He is the recipient of numerous awards and commendations\, and his art practice and publications are represented in public and private collections and libraries worldwide. He lives and works in Bangkok\, Thailand.\n\nWAWI NAVARROZA is a Filipina contemporary artist with an international art practice known for her works in photography. Her works navigate self and surrounding as seen in her self-portraits\, landscapes and installations. She is informed by tropicality within the dynamics of post-colonial dialogue\, globalization\, and the artist as a transnational agent. As a female artist\, Southeast Asian and Filipino\, her works transmute lived experience to the symbolic using material and studio techniques; creating images that explore the hybridity of identity\, photography and place. Her works are surveyed in books “Photography Today” (Phaidon)\, “Contemporary Photography in Asia” (Prestel) and is currently nominated for the Leica Oskar Barnack Award 2023. Navarroza is also a speaker on art and visual culture\, most recent at UNESCO Dhaka and at the Atatürk Kültür Merkezi\, Istanbul. Navarroza was born and raised in Manila\, has lived in Spain and is currently based between Manila and Istanbul.\n\nKENNETH TAY is Assistant Curator at Singapore Art Museum. He writes on media histories\, global infrastructures and logistics\, and is the author of The Sea is All Highway (Temporary Press\, 2019). His curatorial project\, FLAT.SPACES (2018)\, examines the infrastructural critique in the work of Singaporean net-art collective tsunamii.net (2001‒2005). Presently\, he is working on a curatorial project that looks into postwar Singapore’s relationship to oil and its global networks. He holds a MA in Media Studies from The New School.\n\n—\nAbout “Living Pictures: Photography in Southeast Asian Art”\n\nPhotographs surround us every day and everywhere. They shape the way we see the world and the way we see ourselves. Explore the changing roles of photography in Southeast Asia—from its beginnings as a tool of European exploration to the “performance” of studio portraits; from the incomplete realities of war to the rise of fine art; and finally to the memes and selfies that saturate social media today.\n\nClick here to find out more about the exhibition and its upcoming programmes: https://www.nationalgallery.sg/livingpictures
URL:https://artsequator.com/event/images-on-the-run-through-the-lens-of-wawi-navarroza-miti-ruangkritya/
LOCATION:National Gallery Singapore\, City Hall Wing\, Level 2\, Singapore Courtyard\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230507T140000
DTEND;TZID=Asia/Shanghai:20230507T153000
DTSTAMP:20260412T124100
CREATED:20230427T025834Z
LAST-MODIFIED:20230510T030345Z
UID:89947-1683468000-1683473400@artsequator.com
SUMMARY:I See You | Artists and Curators in Conversation
DESCRIPTION:The exhibition “See Me\, See You: Early Video Installation of Southeast Asia” explores the emergence of video installation art in the region during the 1980s and 1990s through the restaging and reproduction of significant works by ten artists.\n\nJoin us for a discussion between artists Dr Baharudin Mohd Arus and Jean Marie Syjuco\, and exhibition curators Clarissa Chikiamco and Cheng Jia Yun\, where they will delve into curatorial narratives and the dynamic process of collaboration between the artists and curators in the exhibition.\n\n—\nAbout the Speakers\n\nBAHARUDIN MOHD ARUS is one of Malaysia’s pioneering media artists. Interested in motors from a young age\, Baharudin has been making robotic sculptures and kinetic artworks since 1989. He participated in the Balai Seni Visual Negara’s Young Contemporary Art Exhibition in 1969\, 1971\, 1975 and 1981. Baharudin is a professor at Universiti Malaysia Sabah and has also written several papers on fine art\, art education\, the indigenous art of Malaysia\, the art of Brunei and Islamic art history. He received his BFA and PhD from Universiti Sains Malaysia (USM)\, Malaysia and his MA from the University of Tulsa\, USA. He is currently a lecturer in the Art and Design faculty at City University Malaysia.\n\nJEAN MARIE SYJUCO is a visual artist whose practice spans painting\, performance\, sculpture\, installation and video. She is well known for performance art and the collaborative nature of her works. She won the gold medal for Sculpture in the 1980 Art Association of the Philippines Annual Art Competition for her minimal nylon string installation titled Traps: A Spatial Approach to Mass and Insinuation. She is also a recipient of the 1990 Cultural Center of the Philippines (CCP) Thirteen Artists Award. She is the co-founder and chief curator of ART LAB: Atelier Cesare and Jean Marie Syjuco\, a developmental art facility in Manila focused on multi-media art experimentation.\n\nCLARISSA CHIKIAMCO is a curator at National Gallery Singapore\, researching on Philippine art\, artists’ moving image practice and post-war art of Southeast Asia. Exhibitions at the Gallery she has worked on include “A Fact Has No Appearance: Art Beyond the Object”\, “Chua Mia Tee: Directing the Real” and “Nam June Paik: The Future is Now”. She is a PhD candidate in Film Studies at King’s College London.\n\nCHENG JIA YUN is a curator at National Gallery Singapore\, where she researches post-war art of Southeast Asia. Her projects include “Awakenings: Art in Society in Asia 1960s–1990s”\, “Suddenly Turning Visible: Art and Architecture in Southeast Asia 1969–1989” and “Chng Seok Tin: Drawn Through a Press”.\n\n—\nAbout “See Me\, See You: Early Video Installation of Southeast Asia”\nJoin us on a journey back in time to find out and explore the history of video installation art. This two-part series offers a fascinating look at the pivotal moments when video installation first emerged in the 1980s and 1990s\, staged and recreated at the latest “See Me\, See You: Early Video Installation of Southeast Asia” exhibition.\n\nThrough experimentation\, these ten Southeast Asian Artists combined installation\, performance\, audience participation together with video\, leading to a new form of art as a result of their interdisciplinary approach.\n\nFor more details and upcoming programmes\, please visit nationalgallery.sg/SeeMeSeeYou.
URL:https://artsequator.com/event/i-see-you-artists-and-curators-in-conversation/
LOCATION:National Gallery Singapore\, City Hall Wing\, Level B1\, The Ngee Ann Kongsi Auditorium\, 1 St Andrew’s Road\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Visual Arts (Events)
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DTSTART;TZID=Asia/Shanghai:20230506T130000
DTEND;TZID=Asia/Shanghai:20230506T163000
DTSTAMP:20260412T124100
CREATED:20230427T030539Z
LAST-MODIFIED:20230510T030832Z
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SUMMARY:The Modern In Southeast Asian Art: A Reader | Publication Launch & Symposium
DESCRIPTION:This symposium will consider the writing of art in Southeast Asia within and across national boundaries in the region. Speakers will respond to the development of the landmark publication “The Modern in Southeast Asian Art: A Reader”\, touching on issues of modernism and modernity\, regionality\, vernacular expression and post-coloniality.\n\nThey will discuss the locus and languages of the modern in the region and consider how these writings have been circulated\, translated\, distilled\, interpreted and re-presented. The symposium will also highlight the close collaboration between Southeast Asian institutions\, agencies and individuals which has resulted in this research publication.\n\n*Note: Please note that the location of the event has changed to the Supreme Court Terrace.\n\n—\nThe symposium includes two panel discussions:\n\n“Debates and Polemics in Southeast Asian art writing”\nOne of the key dynamics to emerge from the Reader is the lively back-and-forth of textual polemics on art. Focusing on the idea of polemics\, the speakers will pull out key instances from the Reader concerned with opposition and debate within Southeast Asian art writing\, as well as its meaning and purpose.\n\n“Language and Translation in Southeast Asian art writing”\nWhat were the languages in which the discourse of Southeast Asian modern art was written? What does this linguistic make-up reveal about the field\, and how is it reflected in the kind of terminology and vocabulary that has emerged? Issues of translation within the Reader will also be discussed in this panel.\n\n—\nAbout “The Modern in Southeast Asian Art: A Reader”\n\nEdited by: T.K. Sabapathy and Patrick Flores\nAssociate Editors: Phoebe Scott and Julie Ewington\nContributing Editors: Antarika\, Gridthiya Gaweewong\, Horikawa Lisa\, Yin Ker\, Manuporn Leungaram\, Roger Nelson\, Roberto Paulino\, Seng Yu Jin\, Aminudin T.H. Siregar and Simon Soon\n\nWho spoke of the modern in Southeast Asia? When and where was the modern written? How was it written? How was it received? This collection brings together nearly 300 texts that were originally published between the late 19th to late 20th centuries\, selected by a group of scholars as responses to questions such as these. The texts were produced chiefly in various locations in the region\, by artists\, critics\, historians and curators in 11 languages\, many of which had never before been translated into the English language. Years in the making\, this publication is the first to present such breadth and depth of art writing in the region of Southeast Asia\, and will be a valuable resource to students\, teachers and scholars of Southeast Asian studies and art history.\n\nCo-published by National Gallery Singapore and NTU Centre for Contemporary Art Singapore\nTwo volumes\, approx. 1300 pages\, paperback\nISBN: 978-981-14-0664-5\nS$120 (before GST)\, 25% discount on the event day
URL:https://artsequator.com/event/the-modern-in-southeast-asian-art-a-reader-publication-launch-symposium/
LOCATION:National Gallery Singapore\, Supreme Court Wing\, Level 4M\, Supreme Court Terrace\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Literary Events/Talks (Events)
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DTSTART;TZID=Asia/Shanghai:20230505T100000
DTEND;TZID=Asia/Shanghai:20230917T190000
DTSTAMP:20260412T124100
CREATED:20230510T042009Z
LAST-MODIFIED:20230510T042009Z
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SUMMARY:See Me\, See You: Early Video Installation of Southeast Asia
DESCRIPTION:Join us on a journey back in time to find out and explore the history of video installation art. This two-part series offers a fascinating look at the pivotal moments when video installation first emerged in the 1980s and 1990s\, staged and recreated at the latest See Me\, See You: Early Video Installation of Southeast Asia exhibition. \nThrough experimentation\, these ten Southeast Asian Artists combined installation\, performance\, audience participation together with video\, leading to a new form of art as a result of their interdisciplinary approach. \nIn its first installment\, featuring works by Apinan Poshyananda (Thailand)\, Baharudin Mohd Arus (Malaysia)\, Chng Nai Wee (Singapore)\, Johnny Manahan (Philippines) and Jean Marie Syjuco (Philippines). \nThe second part\, opening in October\, will showcase works by Heri Dono (Indonesia)\, Hasnul Saidon (Malaysia)\, Ray Langenbach (Malaysia)\, Vincent Leow (Singapore) and Krisna Murti (Indonesia).
URL:https://artsequator.com/event/see-me-see-you-early-video-installation-of-southeast-asia-2/
LOCATION:National Gallery Singapore\, Ngee Ann Kongsi Concourse Gallery\, Concourse Level\, City Hall Wing\, 1 St Andrew’s Road\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Children/Family (Events),Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230225T150000
DTEND;TZID=Asia/Shanghai:20230225T163000
DTSTAMP:20260412T124100
CREATED:20230208T092709Z
LAST-MODIFIED:20230301T035419Z
UID:89301-1677337200-1677342600@artsequator.com
SUMMARY:Panel Discussion: Art as Historical Method in Southeast Asia
DESCRIPTION:Sat 25 Feb | 3 PM | Supreme Court Wing\, Level 4M\, Glass Room\n\nHow can contemporary art create new ways of understanding the past?\n\nThis panel explores the turn toward history in Southeast Asian contemporary art practice\, how it offers models for the ways in which we understand the past and the work that history can do in the world. Panellists will discuss works by Dinh Q. Lê\, Yee I-Lann and Ho Tzu Nyen\, whose practices draw upon historical photographs\, cultural artefacts\, collage\, video and performance to consider the roles of history and memory in the making of social experiences in colonial and postcolonial Southeast Asia.\n\nThe panel will feature Dương Mạnh Hùng\, Goh Sze Ying\, Issa Yi Xian Sng\, Mark Philip Bradley and Seng Yu Jin. The discussion will be moderated by Patrick Flores (Deputy Director of Curatorial & Research\, National Gallery Singapore).\n\nThis programme is part of “Art as Historical Method\,” a collaborative project between the National Gallery Singapore and The American Historical Review.\n\nRegister here at: https://bit.ly/ArtAsHistoricalMethod\n\n*There will be a short tour in the galleries after the panel\, with a chance to see some of the works that will be discussed. Participants who wish to join are kindly reminded that Gallery Passes are required and should be booked separately in advance.\n\n—\nAbout the Panellists\n\nDương Mạnh Hùng is an independent translator\, writer and curator. Their practice weaves together textual intricacy with visual subtlety to raise questions about art and society. Hùng’s interest in the dynamics of translation in art is informed by global and Southeast Asian socio-political and ecological histories.\n\nGoh Sze Ying is a Curator at National Gallery Singapore. She has worked on various exhibitions\, including “Something New Must Turn Up: Six Singaporean Artists After 1965” (2021)\, “Singapore Biennale 2019: Every Step in the Right Direction” (2019) and “Minimalism: Space. Light. Object.” (2018).\n\nIssa Yi Xian Sng is a Researcher at the National Heritage Board Singapore. Beyond her work in heritage preservation\, she pursues research\, writing\, and creative projects like the independent online publication of “Bagyi Aung Soe (1923–1990): Juggling Paradoxes in the Here & the Now\,” the curatorial essay for the 2021 exhibition “Bagyi Aung Soe (1923–1990)” at Centre Pompidou\, Paris.\n\nMark Philip Bradley is the Bernadotte E. Schmidt Distinguished Service Professor of History at the University of Chicago and Editor of the American Historical Review. He is the author of multiple publications including “Imagining Vietnam and America: The Making of Postcolonial Vietnam” (2000)\, which won the Harry J. Benda Prize from the Association for Asian Studies.\n\nSeng Yu Jin is Senior Curator at National Gallery Singapore. He currently lectures in the Minor in Art History at the National University of Singapore. His research interests cover regional art histories\, with a focus on exhibition histories and collectivism in Southeast Asia.\n\nPatrick Flores is Deputy Director of Curatorial & Research at National Gallery Singapore. Up till 2022\, he was Professor of Art History and Criticism at the Department of Art Studies\, University of the Philippines\, Quezon City\, which he chaired from 1997 to 2003. He was also concurrently the curator of the Jorge B. Vargas Museum.\n—\nImage Credit: Yee I-Lann. ‘Tabled’. 2013. Ceramic rimmed flat plates with digital decal prints and back-stamp (set of 50) and custom-made plate cabinets made from recycled colonial era solid teak wood\, 195 × 312 cm overall\, (ed. 2/5). Collection of Singapore Art Museum. Photo credit: “Living Pictures” Exhibition View\, National Gallery Singapore.\n\nSee less
URL:https://artsequator.com/event/panel-discussion-art-as-historical-method-in-southeast-asia/
LOCATION:National Gallery Singapore\, Supreme Court Wing\, Level 4M\, Glass Room\, 1 St Andrew's Rd\, #01 – 01\, 178957\, Singapore
CATEGORIES:Workshop & Talks (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20230127T190000
DTEND;TZID=Asia/Shanghai:20230127T210000
DTSTAMP:20260412T124100
CREATED:20230117T094747Z
LAST-MODIFIED:20230127T013516Z
UID:89140-1674846000-1674853200@artsequator.com
SUMMARY:Dinh Q. Lê in Conversation: Crossing the Farther Shore\, at National Gallery Singapore
DESCRIPTION:Displayed for the first time in Asia in the exhibition Living Pictures: Photography in Southeast Asia\, Vietnamese American artist Dinh Q. Lê’s installation Crossing the Farther Shore (2014) is a rare record of the everyday lives of Southern Vietnamese people in the pre-Vietnam war period\, reflected through abandoned images collected by the artist himself. \n\nIn this artist talk moderated by art historian Roger Nelson\, Dinh Q. Lê will delve into the processes and motivations behind the work\, its relation to his practice in photography\, his perspectives on his work in the context of the exhibition\, and his involvement in the independent art space Sàn Arts\, which he co-founded in 2007.
URL:https://artsequator.com/event/dinh-q-le-in-conversation-crossing-the-farther-shore-at-national-gallery-singapore/
LOCATION:National Gallery Singapore\, City Hall Wing\, Level B1\, The Ngee Ann Kongsi Auditorium\, 1 St Andrew’s Road\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Literary Events/Talks (Events)
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DTSTART;TZID=Asia/Shanghai:20230107T190000
DTEND;TZID=Asia/Shanghai:20230107T220000
DTSTAMP:20260412T124100
CREATED:20230106T043900Z
LAST-MODIFIED:20230106T045032Z
UID:88948-1673118000-1673128800@artsequator.com
SUMMARY:The Kolektif Takeover: Trivia Night!
DESCRIPTION:Spearheaded by Kolektif\, the experimental youth arm of the Gallery that aims to empower young people to bring their creativity and concerns to art museums\, this year’s The Kolektif Takeover at Light to Night Festival features a youth trivia night! Look forward to a superb range of general knowledge questions on topics ranging from pop culture fun facts to scientific references from your primary school textbooks to art and local culture! \nDate and Time: 7 January 2023 AND 14 January 2023 (Saturday)\, 7pm-10pm \nVenue:Supreme Court Terrace\, Level 4\, Supreme Court Wing\, National Gallery Singapore
URL:https://artsequator.com/event/the-kolektif-takeover-trivia-night/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Festival (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221028T170000
DTEND;TZID=Asia/Shanghai:20221028T220000
DTSTAMP:20260412T124100
CREATED:20221027T080129Z
LAST-MODIFIED:20221027T080129Z
UID:86572-1666976400-1666994400@artsequator.com
SUMMARY:Kolektif Chills
DESCRIPTION:Welcome to Kolektif Chills\, the Gallery’s first Halloween-themed Youth Social! The season often features the ghoulish and horrible\, but this October\, we want to talk about the dead and the haunted. Expect to explore the exhibitions with a stranger\, adorn yourself with art and engage in intimate chit chat about your deepest fears. Come decked out in your Halloween best and maybe you’ll discover what goes bump in the night. Who knows what we’ll find after the sun goes down?
URL:https://artsequator.com/event/kolektif-chills-2/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Festival (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221028T170000
DTEND;TZID=Asia/Shanghai:20221028T220000
DTSTAMP:20260412T124100
CREATED:20221020T031701Z
LAST-MODIFIED:20221020T031701Z
UID:86243-1666976400-1666994400@artsequator.com
SUMMARY:Kolektif Chills
DESCRIPTION:Welcome to Kolektif Chills\, the Gallery’s first Halloween-themed Youth Social! The season often features the ghoulish and horrible\, but this October\, we want to talk about the dead and the haunted. Expect to explore the exhibitions with a stranger\, adorn yourself with art and engage in intimate chit chat about your deepest fears. Come decked out in your Halloween best and maybe you’ll discover what goes bump in the night. Who knows what we’ll find after the sun goes down?
URL:https://artsequator.com/event/kolektif-chills/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Festival (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221007T180000
DTEND;TZID=Asia/Shanghai:20221016T200000
DTSTAMP:20260412T124100
CREATED:20221003T084011Z
LAST-MODIFIED:20221005T055937Z
UID:86041-1665165600-1665950400@artsequator.com
SUMMARY:October Gathering
DESCRIPTION:Take this opportunity to chart critical issues in the field of Southeast Asian art with artists\, cultural workers and thinkers this October Gathering! Between 7thand 16th Oct\, join us for 27 multi-formatted programmes\, from performance lectures\, tours\, live readings\, panel discussions and film screenings\, to a mini-exhibition and pop-up library. Delve into new strategies and innovative perspectives while dreaming up manifold possibilities of our collective futures. \nVisit https://www.nationalgallery.sg/october-gathering-2022 for the full programme line-up!
URL:https://artsequator.com/event/october-gathering/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Visual Arts (Events)
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