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DTSTART;TZID=Asia/Shanghai:20230104T200000
DTEND;TZID=Asia/Shanghai:20230104T213000
DTSTAMP:20260423T154020
CREATED:20221124T045608Z
LAST-MODIFIED:20221124T045635Z
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SUMMARY:Never the Bride by The Necessary Stage
DESCRIPTION:In English\, with some Mandarin\, Malay and Tamil\nAccessibility features: open captions in English\n90 minutes with no intermission\nRating to be advised\nFringe Commission \nThree queer Singaporean men cast a little gay spell\, don their bridal veils\, and embark on a whirlwind journey towards matrimony. They dream through the past\, the present and an imagined future to discover what a big\, fat\, fabulously gay wedding would look like for them! \nIn a country where the legal right to marriage is denied to the queer community\, these individuals navigate the political\, social\, cultural\, and personal reality of their lives\, along with saying “yes” to whimsical wedding fantasies. “Always the bridesmaid\, never the bride.” Is that the ultimate ultimatum\, or is there a possible way to find marital bliss amidst the chaos? \nDevised and performed by Ryan Ang\, Fadhil Daud and Rajkumar Thiagaras\, Never the Bride was first created and presented at the Devising with Actors and Playwrights programme as part of The Necessary Stage’s Devising Platform in 2021.
URL:https://artsequator.com/event/never-the-bride-by-the-necessary-stage/
LOCATION:Esplanade Annexe Studio\, 1 Esplanade Drive\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
GEO:1.289857;103.8552799
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Esplanade Annexe Studio 1 Esplanade Drive 038981 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Esplanade Drive:geo:103.8552799,1.289857
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DTSTART;TZID=Asia/Shanghai:20230104T200000
DTEND;TZID=Asia/Shanghai:20230104T210000
DTSTAMP:20260423T154020
CREATED:20221124T045859Z
LAST-MODIFIED:20221124T045859Z
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SUMMARY:Mother of Compost by Noémie Huttner-Koros
DESCRIPTION:“Whimsical yet powerful\, Mother of Compost is a show with ecological advice that’s worth hearing and heeding”\n—Seesaw \n“Mother of Compost tackles climate change and social responsibility through the lens of young artists as they contemplate nature and regeneration\, what legacy we will leave on our children\, and whether it is\, indeed a good idea to birth at all.”\n—The Fourth Wall \nDearest compost\, I am your mother and I am your child. \nWe live in an ecologically precarious time. Some of us don’t want to bring children into this world\, others are worried their children won’t have a world to grow old into… but we’ve still got a whole lot of love to give. Rethink what it means to give birth and be birthed\, and dance along with us in this gooey\, camp and interactive subversion of family portraits\, birthing classes\, and evolutionary biology. \nOver the course of the performance\, the audience transforms from strangers to the beginnings of a family. Mother of Compost is a queer and unruly family gathering and a communal grieving for what is being lost and everything left to fight for. \nFrom the minds of queer performance-makers Noémie Huttner-Koros and director Andrew Sutherland\, Mother of Compost asks you to roll up your sleeves this Fringe Festival… Change only comes from getting your hands dirty. \nWith the support of the Department of Local Government\, Sport and Cultural Industries\, Government of Western Australia.
URL:https://artsequator.com/event/mother-of-compost-by-noemie-huttner-koros/2023-01-04/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
GEO:1.289857;103.8552799
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230104
DTEND;VALUE=DATE:20230105
DTSTAMP:20260423T154020
CREATED:20221124T045655Z
LAST-MODIFIED:20221124T045731Z
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SUMMARY:Tree Confessions by This is Not a Theatre Company
DESCRIPTION:Accessibility features: Accessible to wheelchair users\, audience with visual impairment\, and as a relaxed performance experience\n35 minutes with no intermission\nAsian Premiere \n“Moving and powerful”\n—Ramsay Adams\, Executive Director of Catskill Mountainkeepers \n“Mesmerizing. Fascinating\, moving\, mystical\, informative; I could list a dictionary’s worth of adjectives and still not fully describe how special Tree Confessions is… an audio-only piece that is so fully realized you can see it. Please take half an hour and listen to Tree Confessions and be changed for the better.”\n—Rachel More\, View \nPresenting the world’s first play told entirely from the point of view of a tree\, performed by award-winning Broadway\, theatre and TV actress Kathleen Chalfant. \nTrees talk! In a landmark study\, a scientist learned everything about how trees communicate—or did she? One tree tells the story of what really happened\, reminding us that human beings and plants live in one interconnected ecosystem. \nTo experience this site-specific audio play\, find a tree near you\, sit under it (or nearby)\, press play\, and listen to the tree’s confessions.
URL:https://artsequator.com/event/tree-confessions-by-this-is-not-a-theatre-company/2023-01-04/
LOCATION:Online
CATEGORIES:Festival (Events),Theatre (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230104
DTEND;VALUE=DATE:20230116
DTSTAMP:20260423T154020
CREATED:20221124T045642Z
LAST-MODIFIED:20221124T045642Z
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SUMMARY:Django in Pain by Por Piedad Teatro & The Play Company
DESCRIPTION:Digital table-top puppet theatre via video on demand\nContent advisories: This story is about a character who is dealing with depression and contains strong images and language associated with suicidal thoughts and actions. There are non-photographic depictions of injured animals in distress. \nAccessibility features: Closed captions in English. A version with audio description is also available.\n60 minutes with no intermission\nNC16 (Some Mature Content)\nAsian premiere \n“In a world that seems to give us lots of reasons to give up\, Django in Painis a cry of hope”\n—Juan Carlos Araujo\, Entretenia.com (translated from Spanish) \n“A day will come when you might need to kill a wolf; a mad wolf out there\, or a wolf inside of you… ” \nA playwright wants to write a happy play\, but he can’t because his main character is so depressed that he wants to end his life. Hopefully the playwright will find a way to give \nDjango’s journey a happy ending. Or is it the other way around? \nDjango in Pain is an astonishing\, exquisitely detailed and healing piece about depression\, creativity\, and love. Made and staged within the isolation of the early days of the pandemic in New York City\, it used only hand-made puppets and scrap materials found around their\nhome and was filmed on a cellphone. This feature-length table-top puppet show chronicles the often-humorous with razor edges of grief misfortunes and adventures of Django—a puppet loosely inspired by Django Reinhardt\, and a stray dog that keeps getting in his way.\nIt is both a deeply personal yet universal\, multi-layered tale of despair\, loyalty and hope. \nDjango in Pain premiered in New York City in October 2021 to rave reviews. The Spanish version\, Django con la Soga al Cuello has been presented in Mexico and Argentina\, where it received more than 6000 views in just three days.
URL:https://artsequator.com/event/django-in-pain-by-por-piedad-teatro-the-play-company/2023-01-04/
LOCATION:Online
CATEGORIES:Festival (Events),Theatre (Events)
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ORGANIZER;CN="M1%20Singapore%20Fringe%20Festival":MAILTO:info@singaporefringe.com
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