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DTSTART;TZID=Asia/Shanghai:20230223T193000
DTEND;TZID=Asia/Shanghai:20230223T213000
DTSTAMP:20260405T050917
CREATED:20230208T064227Z
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SUMMARY:Residency Sharing: Playwrights and their F*ck You Plays
DESCRIPTION:Join our resident playwrights in a sharing from their exploration of plays that say “F*CK YOU” to systems\, conventions and injustice.\n \nThe four residents of Centre 42’s Playwright’s Professional Development Residency have spent the past six months reading and discussing plays that turn back the gaze\, plays that dream about systems unraveling\, plays that ask hard and pungent questions\, plays that stare fear and proscription in the face. In short\, they’ve been reading plays that say “F*CK YOU” in some form or another and turning these provocations and insights on their own practices. \nThis evening will be an intimate sharing of their discoveries\, uncertainties\, and ambitions for the future. Come listen to what they’ve got to share and stay for a casual chat with the artists at the end.
URL:https://artsequator.com/event/residency-sharing-playwrights-and-their-fck-you-plays/
LOCATION:Black Box\, 42 Waterloo Street\, 42 Waterloo Street\, Singapore\, 187951\, Singapore
CATEGORIES:Other (Events),Theatre (Events),Workshop & Talks (Events)
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ORGANIZER;CN="Centre%2042":MAILTO:info@centre42.sg
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DTSTART;TZID=Asia/Shanghai:20221105T140000
DTEND;TZID=Asia/Shanghai:20221105T170000
DTSTAMP:20260405T050917
CREATED:20221027T080139Z
LAST-MODIFIED:20221027T080139Z
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SUMMARY:Writing from a (safe) distance Workshop
DESCRIPTION:Admission: By Donation via Eventbrite \nJoin Centre 42’s Writer-In-Residence Michelle Tan in an exploratory text-based workshop about the necessity of finding distance in artmaking. \nHow do we separate ourselves from the art we make? When it comes to writing or creating from a personal place\, how might we lay bare the self while simultaneously protecting it? How might a writer/artist use vulnerability in a way that is illuminating rather than indulgent? \nThis is an exploratory text-based workshop about the necessity of finding distance in artmaking\, where participants are encouraged to also share their own ways of achieving this in their individual practice\, or bring any questions/thoughts they might have about the function of distance in art.
URL:https://artsequator.com/event/writing-from-a-safe-distance-workshop/
LOCATION:Rehearsal Studio\, 42 Waterloo Street\, 42 Waterloo Street\, Singapore\, 187951\, Singapore
CATEGORIES:Event of the Day,Theatre (Events),Workshop & Talks (Events)
ORGANIZER;CN="Centre%2042":MAILTO:info@centre42.sg
GEO:1.2984662;103.8507241
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20221105T103000
DTEND;TZID=Asia/Shanghai:20221126T123000
DTSTAMP:20260405T050917
CREATED:20221020T032035Z
LAST-MODIFIED:20221020T032035Z
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SUMMARY:An Introduction to the Dramaturg's Work 2022
DESCRIPTION:An Introduction to the Dramaturg’s Work is a 4-session foundational course that will provide an introduction and grounding for performing arts practitioners who are curious about or want an insight into the dramaturg’s work. \nConducted by Dr Robin Loon\, this course aims to equip participants with an understanding of and familiarisation with: \n\nthe brief history and evolution of the dramaturg\nthe nature and scope of the dramaturg’s work\ndifferent kinds of dramaturgs\nbasic duties and responsibilities of dramaturgs\nstandards and competencies surrounding a professional dramaturg\n\nParticipants can expect to engage in discussions based on prescribed readings and undertake individual/group assignment(s) in mock-dramaturgy case projects. At the end of the four sessions\, participants should be able to: \n\nunderstand the work of a dramaturg and identify dramaturgical interventions;\nclarify if they need to engage dramaturgs and how to engage them in the creative process;\ndiscover their area of interest should they choose to pursue a practice in dramaturgy.\n\n\n\n\n\nThis is the third run of the popular Introduction to the Dramaturg’s Work course. Apply by 16 Oct at: bit.ly/IDW22course.
URL:https://artsequator.com/event/an-introduction-to-the-dramaturgs-work-2022/2022-11-05/
LOCATION:Rehearsal Studio\, 42 Waterloo Street\, 42 Waterloo Street\, Singapore\, 187951\, Singapore
CATEGORIES:Other (Events),Theatre (Events),Workshop & Talks (Events)
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DTSTART;TZID=Asia/Shanghai:20220807T140000
DTEND;TZID=Asia/Shanghai:20220807T170000
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SUMMARY:Lecture: Contemporary Performance is Dramaturgical
DESCRIPTION:A Public Lecture and Discussion by Peter Eckersall (USA) on the role of dramaturgy in making contemporary performance. \n  \nIn this lecture Peter Eckersall will discuss the role of dramaturgy in making contemporary performance. He will explore dramaturgy as an ‘expanded field’ of practices that include creative research\, writing\, devising practices and social practices. \nA key question will be how dramaturgy helps to make performances that are creative and aesthetically innovative while using the medium of theatre itself to make visible our political conditions and debate the future. \nWhat can the performing arts do and what are its limitations? What can dramaturgy bring to questions for performance makers\, dramaturgs\, and cultural thinkers? How does contemporary performance engage us in the ethical\, aesthetic\, and political questions of our times? \nRegister at: bit.ly/adnlecture2022 \n—– \nThis lecture is part of a workshop & lecture series by Peter Eckersall in Singapore titled “Contemporary Dramaturgy and Performance Practice”\, taking place 3 – 7 August 2022. \nFind out more here: https://bit.ly/ADNworkshop2022 \n  \nABOUT THE SPEAKER \nPeter Eckersall teaches in the PhD Program in Theatre and Performance at the Graduate Centre\, City University of New York and is an Honorary Professorial Fellow\, University of Melbourne. He has a PhD in Japanese Studies\, and his research interests include Japanese performance\, new dramaturgy\, and ecocriticism in the performing arts. Recent publications include\, Okada Toshiki and Japanese Theatre\, (ed. with Barbara Geilhorn\, Andreas Regelsberger\, Cody Poulton\, 2021)\, Curating Dramaturgies (ed. with Bertie Ferdman\, 2021)\, The Routledge Companion to Performance and Politics (co-edited with Helena Grehan\, 2019).and Performativity and Event in 1960s Japan (2013). He is cofounder/dramaturg of Not Yet It’s Difficult. Recent dramaturgy includes\, Sheep #1 (Sachiyo Takahashi\, Japan Society)\, Phantom Sun/Northern Drift (Alexis Destoop\, Beursschouwburg\, Riga Biennial). \n  \nABOUT ASIAN DRAMATURGS’ NETWORK \nThe Asian Dramaturgs’ Network (ADN) is formed with the intent of mapping and networking the region’s dramaturgical experience and knowledge. ADN is collaboratively conceptualised with Centre 42 and held its inaugural ADN Symposium in Singapore in 2016. Since then\, various gatherings of dramaturgs\, performance makers and arts educators from around the Asia-Pacific region have taken place in Japan and Australia. ADN has most recently published ADN Re/View\, a series of three E-zines which offer snapshots of the work of ADN\, the ideas\, thinking and practices of contributors to the network since 2016. Download them for free here: http://www.asiandramaturgs.com/resources/publications/review. \n 
URL:https://artsequator.com/event/lecture-contemporary-performance-is-dramaturgical/
LOCATION:Black Box @ The Theatre Practice\, 54 Waterloo Street\, Singapore\, 187953\, Singapore
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