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DTSTART;VALUE=DATE:20230802
DTEND;VALUE=DATE:20260801
DTSTAMP:20260503T195110
CREATED:20230803T093827Z
LAST-MODIFIED:20230803T093827Z
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SUMMARY:Benchmarks
DESCRIPTION:Experience the Civic District afresh this August 2023 onwards\, with Benchmarks\, a new public art trail commissioned by the Civic District Alliance (CDA). Designed by six Singapore-based artists\, Lua Boon Kai\, Joyce Beetuan Koh\, Immanuel Koh\, Yang Jie\, Jeffrey Tan and Jason Wee\, the public art initiative features a series of six unconventional artwork benches inspired by punctuation marks dotted around the arts and culture precinct. Each art bench draws from the rich heritage of the district\, inviting visitors to have meaningful exchanges with themselves\, other visitors\, or even the surroundings while appreciating the beauty of the Civic District and its colourful stories. These art benches for Benchmarks are located at key areas of the Civic District\, such as the Asian Civilisations Museum\, The Arts House\, The Esplanade – Theatres on the Bay and along the Singapore River. \nFollow #CVDBenchmarks on:\nWebsite: https://artshouselimited.sg/civic-district\nFacebook: https://www.facebook.com/theartshouse\nInstagram: https://www.instagram.com/theartshouse
URL:https://artsequator.com/event/benchmarks/
LOCATION:The Arts House\, 1 Old Parliament Lane\, Singapore\, Singapore
CATEGORIES:Artist Opportunities,Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241006
DTEND;VALUE=DATE:20260101
DTSTAMP:20260503T195110
CREATED:20241009T061919Z
LAST-MODIFIED:20241009T061919Z
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SUMMARY:Rattan Eco Sprawl: Manifesting the Forest by Zen Teh
DESCRIPTION:Singapore Art Museum (SAM) presents Rattan Eco Sprawl: Manifesting the Forest\, a newly commissioned artwork by Singaporean artist Zen Teh. This installation is part of Port/raits of Tanjong Pagar\, a public art trail by The Everyday Museum that brings artistic perspectives into everyday spaces in the Tanjong Pagar neighbourhood. It joins other works on the trail by five other artists Aki Hassan\, Divaagar\, Space Objekt\, Grace Tan and Isabella Teng. \nNestled in a tranquil\, lush corner of Spottiswoode Park\, Rattan Eco Sprawl is crafted primarily from rattan\, with forms inspired by natural elements such as mountains and mounds where insects dwell — the same formations that have also influenced sacred structures like Cambodia’s Angkor Wat. Live plants encroach on the structure’s exterior\, while the interior of the work\, with its lowered ceilings and narrowed passageways resembles a space where the natural world can be contemplated and nurtured.  \nSet against the backdrop of Singapore’s rapidly changing urban landscape\, Rattan Eco Sprawl reflects on the entanglement of nature and urban development. Through collaborating with rattan and wood artisans\, an ecologist\, and study of the local environments\, Rattan Eco Sprawl highlights our fragile\, intertwined relationship with nature. \nIn conjunction with the launch of the work on 6 October 2024\, a special artist talk will take place on the same day at SAM at Tanjong Pagar Distripark. The programme features a short film screening on the making of the work and a talk by artist Zen Teh who will discuss her interdisciplinary approach. Also present are the key collaborators of the work — the rattan artisans from Cambodia. Participants will have a chance to learn from the artisans\, weaving techniques used to create the installation. Registration is free.  \nRattan Eco Sprawl: Manifesting the Forest is commissioned by The Everyday Museum\, a public art initiative by Singapore Art Museum.
URL:https://artsequator.com/event/rattan-eco-sprawl-manifesting-the-forest-by-zen-teh/
LOCATION:Spottiswoode Park (access path opposite Spottiswoode Residences)\, Spottiswoode Park (access path opposite Spottiswoode Residences)\, Singapore\, Singapore
CATEGORIES:Visual Arts (Events)
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ORGANIZER;CN="Singapore%20Art%20Museum":MAILTO:enquiries@singaporeartmuseum.sg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20241011T100000
DTEND;TZID=Asia/Shanghai:20250831T190000
DTSTAMP:20260503T195110
CREATED:20241009T055540Z
LAST-MODIFIED:20241009T055540Z
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SUMMARY:Batik Nyonyas: Three Generations of Art and Entrepreneurship
DESCRIPTION:11 October 2024 to 31 August 2025 \nDaily\, 10am–7pm | Fridays\, 10am–9pm \nPeranakan Museum \n$6 for Singaporeans and Permanent Residents; $18 for Foreigners \nFamily\, art\, and entrepreneurship converge in the story of three visionary Peranakan women from Indonesia – Nyonya Oeij Soen King\, her daughter-in-law Nyonya Oeij Kok Sing\, and her granddaughter Jane Hendromartono. From the 1890s to 1980s\, they produced impressive batiks in the renowned batik centre of Pekalongan on Java’s north coast. \nFeaturing about 200 batik textiles and accompanying objects\, Batik Nyonyas: Three Generations of Art and Entrepreneurship examines the lives and careers of these Peranakan women through their works. With batik as a portrait of society\, the exhibition reveals the influence of the Oeij family women as they became batik masters in their own right\, as they ingeniously responded to the rapid political\, cultural and economic changes of their time to run a business that produced great art. Visitors are invited to draw links to the development and evolution of Indonesian batik through a Peranakan perspective\, and to participate in hands-on workshops\, performances and tours. The exhibition will also feature a contemporary art commission by Aiko Tezuka\, an artist specialised in producing art based on the unravelling of woven fabric.
URL:https://artsequator.com/event/batik-nyonyas-three-generations-of-art-and-entrepreneurship/
LOCATION:Asian Civilisations Museum\, 1 Empress Pl\,\, Singapore\, 179555\, Singapore
CATEGORIES:Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250105
DTEND;VALUE=DATE:20251209
DTSTAMP:20260503T195110
CREATED:20250207T143225Z
LAST-MODIFIED:20250207T143225Z
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SUMMARY:Workshop: From Forum Theatre to Devising Theatre
DESCRIPTION:Are you a theatre maker who enjoys creating collaborative\, socio-politically charged works? Join us at an exciting new theatre workshop at The Necessary Stage (TNS) that will spark your creativity and sharpen your critical thinking skills via forum and devising theatre techniques!\n\nLed by TNS’ Artistic Director Alvin Tan\, and assisted by Associate Artist A Yagnya\, From Forum Theatre to Devising Theatre will see up to 20 emerging theatre-makers undergo an intensive training programme that journeys from the creative techniques of forum theatre to TNS’ unique devising methodology \nThis intensive program will also connect you with a range of theatre professionals—directors\, playwrights\, dramaturgs\, and designers—through enlightening guest lectures and hands-on clinics. Through this eight-month process\, you will collaborate with fellow participants to apply your newfound insights and devise new works that will be presented as public showcases of your works-in-progress at the Drama Centre Black Box. \n\nDon’t miss this chance to elevate your craft and make an impact through theatre!\n\nApply at: bit.ly/FTD-APPLY \nApplication deadline: Fri 14 Feb 2025
URL:https://artsequator.com/event/workshop-from-forum-theatre-to-devising-theatre/
LOCATION:The Necessary Stage\, 180 Paya Lebar Road\, #10-06 Yi Guang Building\, Singapore\, Singapore\, 409032\, Singapore
CATEGORIES:Workshop & Talks (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250509T000000
DTEND;TZID=Asia/Shanghai:20251130T233000
DTSTAMP:20260503T195110
CREATED:20250617T061143Z
LAST-MODIFIED:20250617T061143Z
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SUMMARY:Fernando Zóbel: Order is Essential
DESCRIPTION:Step into the world of transcontinental artist Fernando Zóbel in Fernando Zóbel: Order is Essential\, National Gallery Singapore’s first-ever solo exhibition dedicated to the cosmopolitan artist\, patron\, collector\, and scholar.  \n  \nBorn in the Philippines to a prominent Spanish family\, discover the remarkable journey of his artistic practice spanning across the Philippines\, United States and Spain. Marvel at his iconic works including the Saeta series which features his signature method of using a syringe to control thin lines of paint. \n  \nThe exhibition features over 200 pieces — including paintings\, drawings\, prints\, photography and archival materials. It also introduces key international artists Zóbel engaged with throughout his career\, such as Mark Rothko\, Antoni Tàpies and Liu Kuo-sung\, whose original works will also be displayed alongside Zóbel’s. \n  \nFernando Zóbel: Order is Essential builds on Zóbel: The Future of the Past\, which opened at Museo Nacional del Prado (2022) in Spain and was later restaged at the Ayala Museum (2024) in the Philippines. Expanding on key narratives\, the Gallery’s distinct and fresh iteration introduces exclusive works and offers fresh insights into Zóbel’s artistic evolution and his profound influence on modernist movements worldwide. \nFor more information\, please visit: nationalgallery.sg/OrderIsEssential.
URL:https://artsequator.com/event/fernando-zobel-order-is-essential/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250510T110000
DTEND;TZID=Europe/Paris:20251123T210000
DTSTAMP:20260503T195110
CREATED:20250227T041046Z
LAST-MODIFIED:20250227T041046Z
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SUMMARY:Taiwan Collateral Event of Biennale Architettura 2025 “NON-Belief: Taiwan Intelligens of Precarity”
DESCRIPTION:The Taiwan Collateral Event of the 19th International Architecture Exhibition – La Biennale di Venezia is organized by the National Taiwan Museum of Fine Arts (NTMoFA)\, and NON-Belief: Taiwan Intelligens of Precarity\, a curatorial project by National Cheng Kung University (NCKU)\, will represent Taiwan at the Biennale held from May 10 to November 23\, 2025\, at Palazzo delle Prigioni in Venice\, Italy. A 1:1 assembly press conference took place at NCKU on 21 January\, revealing the content of the exhibition to the public for the first time. NTMoFA Director Kuang-Yi Chen (陳貺怡)\, jury members Chia-Chi Jason Wang (王嘉驥)\, Kwang-Tyng Wu (吳光庭)\, June-Hao Hou (侯君昊)\, Ming-Song Shyu (徐明松)\, Chi-Yi Chang (張基義)\, and Jr-Gang Chi (漆志剛)\, as well as NCKU Associate Vice President Ping-Sheng Wu (吳秉聲)\, curator Cheng-Luen Hsueh (薛丞倫)\, and co-curators Sung-Chang Leo Chiang (江松長) and Meng-Tsun Su (蘇孟宗)\, were all in attendance. \n  \nThe title of this year’s Biennale is “Intelligens. Natural. Artificial. Collective.” Curator Carlo Ratti uses the term “Intelligens\,” highlighting the last syllable\, “gens\,” which means “people” in Latin\, to discuss three types of intelligence—natural\, artificial\, and collective—and their role in architectural design amidst contemporary environmental and climate challenges. Inspired by the theme of the Biennale and Robert Smithson’s theory of ‘non-sites’\, “NON-Belief: Taiwan Intelligens of Precarity” examines Taiwan’s ‘non’-beliefs on TSMC chips\, high-speed\, and the relentless pursuit of efficiency and control—forces that are reshaping the world’s operations in a geopolitically precarious\, globalized landscape. Taiwan offers a model of embodied intelligens in its architecture\, showcasing how life adapts and transforms to create a resilient\, self-sustaining island republic in our collectively uncertain and fragile future. \n  \nTaiwan’s historical role as a contact zone is not only a region of political instability or ecological vulnerability created between two massive tectonic plates\, but also the geographical\, ecological\, and cultural spaces deeply reflect a state of tension between openness and closure. It is also a contact zone between various diasporic inhabitants\, nations\, and corporations\, generating layered and juxtaposed practices and intelligens. Featuring projects by teams of researchers\, architects\, designers\, and a documentary director\, the exhibition presents Taiwan’s built environment as comprising localized assemblages of digitally connected\, democratically paradoxical contact zones. “Taiwan Intelligens of Precarity” positions these assembled worlds as a frontline in planetary resistance against authoritarian autocracy and as an adaptive response to climate change at the Venice Biennale. \n  \n  \nBinary Dialectics on Three Main Topics: Efficiency\, Technology\, Control \nTaiwan’s spatial governance and development strategy are heavily influenced by belief and [non]- belief. Taiwanese people can turn anything into a belief\, yet we can also believe in nothing at all. The belief built upon fictional realities has enabled our societies to organize and collaborate throughout historical evolution. Under Taiwan’s rapid technological and urban development\, TSMC chips symbolize the contemporary “beliefs” upheld by Taiwan’s collective dedication\, prompting deep reflection on the environmental\, water resource\, and energy costs embedded within these beliefs. \n  \nThe exhibition seeks to identify and construct a gray area within the binary dialectic of “belief” and “non-belief” unique to Taiwan\, uncovering various expressions of “Intelligens” and its impact on spatial governance. The exploration will focus on three aspects: \n  \n\nEfficiency: NON-Belief in High-Speed explores the global trend of pursuing efficiency and high-speed development. Using Taiwan High Speed Rail as the case study\, the exhibition proposes a reflection on the urban ecology within the metropolitan areas constructed by the high-speed railway and amidst Taiwan’s rural-urban gap.\nTechnology: NON-Belief in Chips explores the beliefs in the two polarized and contradictory mythologies of the ‘tech island’ and the ‘eco island’\, as well as the hidden costs of green energy under the shade of solar panels\, reflecting on research into climate justice and new energy-driven typologies.\nControl: NON-Belief in Sensory-Motor explores the various subtle relationships in our everyday lives\, reviewing the different kinds of ecological\, cultural\, and social conflicts within the extended context\, encompassing non-belief in hegemonic empires\, and flourishing through tactics of the in-between\, based on understanding the city as a human sensori-motor system.\n\n  \nRoaming in the “Lagoon – Island – Archipelago – Peninsula” Exhibition Space \nThe concept of ‘Island’ is adopted for the design of the exhibition space\, presenting the tensions between ‘Belief’ and ‘Non-Belief’ through the relationship between ‘lagoon – island – archipelago – peninsula\,’ and reexamining the complex relationship between technology\, environment\, and social space. “Island” installation is at the center supported by metal stands adopted from the traditional banquet table as piles on the uneven sunken flooring. \n  \nMultiple orthographic sectional slices illustrate a compressed cross-section of Taiwan’s precarious geological conditions\, with coastal conurbations nestled in the mountainous shadow of the west-tilting fault block. Taiwan lies along a north-south fault line between the Japanese and Philippine archipelagos. The high-speed rail (HSR) line\, became an embodied sensorimotor extension\, cutting through these strata as a spatial/ temporal measuring tool of island landscape. \n  \nDim light filtering through the paper slowly flows over the terrain\, which is encircled by the ‘Tech Island\,’ continuously flashing images of Taiwan’s landscapes on fragments of electronic paper collectively. The contrast between lightness and the heaviness of the ancient Venice Prison Palace underscores the impact of the semiconductor industry on Taiwan’s landscapes\, shifting of urban heat island and environmental justice\, water and energy distribution\, and the tension between technology and ecology. Accompanied by 17 research projects\, the installation aims to generate awareness and foster discourse on the architecture of the resilient and self-sustaining island. \n  \nThe Taiwan exhibition also showcases 12 research and operative models arranged in an encircling archipelago configuration around the rooms. The research reflects contemporary architectural challenges and ideas\, inviting visitors to engage with Taiwan’s transformation in a precarious world. Upon entering the exhibition space\, an exterior-facing window frames a view of a Renaissance church across the Grand Canal\, while positioned perpendicular to the interactive and spiritual installation at the other end of the hall\, a large installation composed of densely packed circuit boards replicates a common ‘Votive Lamp Wall’ found in local Taiwanese temples\, serving as a visual and spiritual spectacle that reflects Taiwan’s unique non-belief intelligens. \n  \nNON-Belief: Taiwan Intelligens of Precarity is curated by a team from the NCKU Department of Architecture\, led by curator and department chairman Cheng-Luen Hsueh\, with co-curators Ping-Sheng Wu\, Sung-Chang Leo Chiang\, and Meng-Tsun Su. The team includes consulting expert Professor Wei Tseng(曾瑋)\, and international advisory expert and joint researcher\, Professor Brian McGrath\, from Parsons School of Design in New York. The installations are created in collaboration with and sponsored by E Ink Corporation and HongSen Intelligent Technology. \nThrough exhibition\, installation\, workshop\, and forum\, the exhibition explores and defines the expressions of “Intelligens”. For more information on related exhibitions and activities\, please visit the NTMoFA official website and the official Facebook and Instagram accounts.
URL:https://artsequator.com/event/taiwan-collateral-event-of-biennale-architettura-2025-non-belief-taiwan-intelligens-of-precarity/
LOCATION:Palazzo delle Prigioni\, Venice\, Taiwan
CATEGORIES:Other (Events)
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ORGANIZER;CN="National%20Taiwan%20Museum%20of%20Fine%20Arts%20%28NTMoFA%29":MAILTO:artnet@art.ntmofa.gov.tw
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250517
DTEND;VALUE=DATE:20250818
DTSTAMP:20260503T195110
CREATED:20250407T043812Z
LAST-MODIFIED:20250407T043812Z
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SUMMARY:Heman Chong: This is a dynamic list and may never be able to satisfy particular standards for completeness
DESCRIPTION:Singapore Art Museum proudly presents Heman Chong: This is a dynamic list and may never be\nable to satisfy particular standards for completeness\, the first major survey exhibition by prolific\nmultifaceted artist Heman Chong. Appropriated from Wikipedia’s defining terms and conditions related\nto the ever-changing nature of its online lists\, the title announces its intentions from the get-go. The\nexhibition reflects and extends canonical works in his oeuvre to invite fresh perspectives on their\nmeaning and relevance today.\nBringing together over 50 artworks and new commissions from the early 2000s to the present\, the\nexhibition examines Chong’s (post)conceptual strategies and gestures\, expressed through works that\nmove through and between image\, text\, performance and situations. Across nine thematic rooms\,\nvisitors will experience how Chong employs everyday\, commonplace objects and scenarios\, from name\ncards\, to books\, newspapers\, and photographs of public-accessible spaces\, to confront contemporary\ngeopolitics and the infrastructural ironies of our data-driven and networked society — all with a dose of\nChong’s characteristic sharp wit. In a world of highly mediated landscapes where information is\nconstantly being rewritten\, the exhibition serves as a checkpoint for visitors to pause and consider how\nmeaning is made and remade.
URL:https://artsequator.com/event/heman-chong-this-is-a-dynamic-list-and-may-never-be-able-to-satisfy-particular-standards-for-completeness/
LOCATION:SAM at Tanjong Pagar Distripark\, 39 Keppel Rd\, 01-02\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Visual Arts (Events)
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ORGANIZER;CN="Singapore%20Art%20Museum":MAILTO:enquiries@singaporeartmuseum.sg
GEO:1.2719533;103.836752
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20260330
DTSTAMP:20260503T195110
CREATED:20250617T054219Z
LAST-MODIFIED:20250617T054219Z
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SUMMARY:Gallery Children’s Biennale 2025: Tomorrow\, We’ll Be…
DESCRIPTION:The family-favourite Gallery Children’s Biennale 2025 is back with multi-sensory and immersive installations where art meets play! As National Gallery Singapore celebrates its 10th anniversary\, the fifth edition of the Biennale invites the young and young at heart to dream big\, express their creativity\, and explore a hopeful and inclusive future shaped by the core values of Joy\, Kindness\, Love\, and Dream. \n  \nThrough interactive installations by artists from Singapore and Asia\, children across ages – even from as young as babies – can express themselves freely and be immersed as active participants!  \n  \nHighlights include Dance Dance Chromatics by Singaporean artist Wyn-Lyn where a seamless canvas of digital ‘paintings’ are activated via movement; and Japanese artist Hiromi Tango’s series of large-scale colourful flowers with petals carrying words of kindness engraved in Braille.  \n  \nFor more information\, please visit: nationalgallery.sg/GalleryChildrensBiennale2025
URL:https://artsequator.com/event/gallery-childrens-biennale-2025-tomorrow-well-be/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Children/Family (Events),Visual Arts (Events)
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250607
DTEND;VALUE=DATE:20250811
DTSTAMP:20260503T195110
CREATED:20250610T012522Z
LAST-MODIFIED:20250610T012522Z
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SUMMARY:Stories of Hope – Help Someone Paint Their Story Today
DESCRIPTION:Auntie Julie’s mum was her best friend. She’d tell us how\, growing up\, her fondest memories were of the two of them devouring dumplings during their Mid-Autumn Festival celebrations. \nIt’s been over ten years since Auntie Julie’s mum passed. Before that\, she had been her caregiver for years and when her mum was gone\, the rhythm of Auntie Julie’s life went with her. \nThrough art therapy\, Auntie Julie’s life was turned around when she met a community of individuals who were navigating their own personal grief\, and found in them friends who lifted her\, and who she could help uplift. She began to reconnect with herself\, with others\, and with hope. She painted\, she laughed\, and years later on\, she still greets her newfound friends every morning in their WhatsApp group chat. \nThis SG60\, we tell the stories of strength and progress like Auntie Julie. She reminds us that growth doesn’t just happen in buildings or systems\, it happens in people—and we want more people like Auntie Julie to have that chance at hope. \nJoin us as we do our part to honour the stories that don’t always make the headlines\, but deserve to be told. \nLet’s paint more stories of hope — together.
URL:https://artsequator.com/event/stories-of-hope-help-someone-paint-their-story-today/
LOCATION:Online\, Singapore
CATEGORIES:Visual Arts (Events)
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ORGANIZER;CN="The%20Red%20Pencil%20%28Singapore%29":MAILTO:programme@redpencil.org
GEO:1.352083;103.819836
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250713
DTEND;VALUE=DATE:20250818
DTSTAMP:20260503T195110
CREATED:20250617T054533Z
LAST-MODIFIED:20250617T054533Z
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SUMMARY:Artist’s Proof: Singapore at 60
DESCRIPTION:Artist’s Proof: Singapore at 60 is a landmark exhibition and deeply personal tribute to Singapore’s founding leaders\, told not through speeches or textbooks\, but through art. Over the past decade\, private collector Mr Chong Huai Seng has gathered artworks capturing Singapore’s transformation\, from nostalgic street scenes to bold contemporary takes on identity and leadership. In celebration of Singapore’s 60th birthday\, this ambitious exhibition features over 90 works by more than 50 artists\, offering a fresh perspective of the Singapore story through the creative expressions of local artists from different generations. Featuring 11 new commissions by local artists and 1 brand new music piece\, the exhibition underscores Chong’s passion in supporting young artists\, seeking to inspire audiences to embrace local contemporary artists and invest in the growing potential of the future of Singapore’s arts through art collecting and patronage. \n  \nChong’s love letter to Singapore traces its journey from a struggling young nation to a global city. Scenes of Singapore’s evolving cityscape unfold through paintings and photographs\, while works inspired by Lee Kuan Yew and the founding fathers examine their legacy and impact on nation-building. The exhibition also looks inward\, questioning the relationship between artists\, the state\, and its people. \nPresented by The Culture Story and produced by Family Office For Art\, Artist’s Proof: Singapore at 60 invites audiences of all ages and backgrounds to experience Singapore through the eyes of artists.
URL:https://artsequator.com/event/artists-proof-singapore-at-60/
LOCATION:ArtSpace @ HeluTrans\, 39 Keppel Road\, Singapore\, 089065
CATEGORIES:Visual Arts (Events)
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ORGANIZER;CN="The%20Culture%20Story":MAILTO:media@theculturestory.co
GEO:1.2719533;103.836752
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250718T080000
DTEND;TZID=Asia/Shanghai:20250728T170000
DTSTAMP:20260503T195110
CREATED:20250407T043741Z
LAST-MODIFIED:20250407T043741Z
UID:96699-1752825600-1753722000@artsequator.com
SUMMARY:Open Call: BARCELONA CONTEMPORARY 2025
DESCRIPTION:ITSLIQUID Group is pleased to announce the open call for the 5th edition of BARCELONA CONTEMPORARY 2025\, an international exhibition of photography\, painting\, video art\, installation/sculpture and performance art\, which will take place in Barcelona\, at ITSLIQUID Art Space – Barcelona (click here to learn more on this venue) from July 18 to July 28\, 2025. \nBARCELONA CONTEMPORARY 2025 provides artists and exhibitors with the unique opportunity to present their works to an international audience of professionals as curators\, gallerists\, collectors\, editors and publishers who seek to acquire\, publish and encourage the best contemporary art talents. \nBARCELONA CONTEMPORARY 2025 analyzes the relationship between body and space\, and the hybridization between identities and cultural/physical/social/urban settings in contemporary times\, through two main sections: MIXING IDENTITIES and FUTURE LANDSCAPES. \nMIXING IDENTITIES analyzes the hidden parts of our identities\, through an immersive experience inside the fascinating universe of the complex labyrinths of our consciousness. The human body is a changing system that connects us with other bodies and spaces to perceive the surrounding reality; a strong communication system with its language and infinite ways of expression. \nFUTURE LANDSCAPES are abstract\, infinite and conceptual\, associated with a sense of freedom and infinite extension. Primarily experienced with the mind\, spaces redefine their limits and borders\, transforming surfaces in an open flow of pure ideas. This section focuses on the concept of the borders and the structures between body\, mind and soul\, the human identity and the city\, the space and the ground.
URL:https://artsequator.com/event/open-call-barcelona-contemporary-2025/
LOCATION:Singapore
CATEGORIES:Artist Opportunities
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250801T200000
DTEND;TZID=Asia/Shanghai:20250801T211000
DTSTAMP:20260503T195110
CREATED:20250616T110520Z
LAST-MODIFIED:20250616T110520Z
UID:97180-1754078400-1754082600@artsequator.com
SUMMARY:The Studios: Haribo Kimchi
DESCRIPTION:★★★★\n“Haribo Kimchi is both a refined as well as a raw performance about life in a country that isn’t yours.”\n– De Standaard \n“A performance that inimitably blends Korean cooking with personal stories and reflections on comfort food\, identity and migration.”\n– pzazz \nThe surprising flavour of seaweed soup\, the sharp sound of a knife slicing cucumber\, the hiss and sizzle of mushrooms on a scorching fire. \nIn Haribo Kimchi\, we find ourselves in a pojangmacha\, one of the typical late-night snack bars found on the streets of South Korea. There\, we meet three characters—a snail\, a gummy bear\, and an eel—who take us on a culinary journey\, exploring food as shelter for those dislocated from their culture. In a series of intimate\, absurdist anecdotes\, they recount the evolution of kimchi culture\, the bitter pain of unadulterated racism\, the shame of trying to blend in\, and the deep umami taste of home. \nThis work comes from South Korean theatremaker and composer Jaha Koo\, whose practice oscillates between multimedia and performance\, encompassing his own music\, video\, text\, and robotic objects. He rose to international prominence with his Hamartia Trilogy (2015 – 2021)\, a series of critically-acclaimed works which delved into the far-reaching imperialism in East Asia. The first two works of this trilogy\, Lolling & Rolling and Cuckoo\, were presented to packed houses at Singapore International Festival of Arts 2023\, receiving rave reviews from audiences and critics alike. \nEmploying a hybrid style that combines music\, cutting-edge video\, and robotic performers\, the artist reflects on cultural assimilation with all its conflicts and paradoxes. In an exceptional performance that plays with all the senses\, he serves up personal stories marinated in sweet-and-sour melancholy. \nMore food for thought—how do you express your artistic values through theatre? Check out Jaha Koo’s masterclass on Valid Languages for the Intersection\, perfect for performance-makers\, arts students and practitioners. \nConcept\, Text\, Direction\, Music\, Sound & Video Jaha Koo\nPerformance Gona\, Haribo\, Eel\, Jaha Koo & Two Guests\nDramaturgy Dries Douibi\nScenography\, Research Collaboration & Media Operation Eunkyung Jeong\nArtistic Advice Pol Heyvaert\nTechnical Coordination Korneel Coessens\nTechnique Bart Huybrechts\, Babette Poncelet & Jasse Vergauwe\nProduction Coordination Wim Clapdorp\nEnglish Proofreading Jason Wrubell\nSnail Animation Vincent Lynen\nProduction CAMPO\nCo-production Kunstenfestivaldesarts (Brussels)\, Rideau De Bruxelles\, Theater Utrecht\, SPRING Festival (Utrecht)\, Festival d’Automne À Paris\, Théâtre De La Bastille (Paris)\, Tangente St. Pölten – Festival Für Gegenwartskultur\, &Espoo Theatre (Espoo)\, International Summer Festival Kampnagel (Hamburg)\, Sophiensaele (Berlin)\, Meet You Festival (Valladolid)\, Bunker (Ljubljana)\, National Theatre And Concert Hall Taipei\, The Divine Comedy International Theater Festival / Teatr Łaźnia Nowa (Kraków) & Perpodium \nWith the Support of The Taxshelter Of The Belgian Federal Government Via Cronos Invest & The Flemish Government \nThe prototype of the eel was developed as part of Innovation:Lab’s funnel in co-production with Theater Utrecht and creative technologists Adriaan Wormgoor & Willem Vooijs. 
URL:https://artsequator.com/event/the-studios-haribo-kimchi/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250806T200000
DTEND;TZID=Asia/Shanghai:20250806T213000
DTSTAMP:20260503T195110
CREATED:20250604T004825Z
LAST-MODIFIED:20250604T004825Z
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SUMMARY:The Studios: FOOD
DESCRIPTION:“But it is safe to say\, at this dinner party\, even though you won’t be eating much\, Sobelle will give you plenty to chew on.” – Playbill \n“For all its playfulness\, this brilliant show has the power to make you look with fresh eyes at a daily act that you probably take for granted — a surefire sign of its worth as a work of genuinely thought-provoking art.” – Theatermania \nDo we need what we eat? Do we eat what we need? What does it really cost? Chew on these questions in this theatrical gastronomy experience unlike any other. \nAt the centre of the performance space lies a comically large banquet table\, encircled by audience members. The host of the evening\, Geoff Sobelle\, conducts this multi-sensory experience with deft hands\, animated expressions and impressive physicality. Activating the senses through a myriad of sounds\, scents\, sights and textures\, this acclaimed theatremaker stitches together a conversation about personal memories\, consumption and the evolution of food production over generations. You are invited to be a guest at the dinner party—whether around the table or from the surrounding seats. \nConcocted and performed by American actor\, producer and innovator Geoff Sobelle\, FOOD features his signature flavour of theatricality\, combining rigorous design\, onstage magic and subtle humour to create a participatory experience. Connecting the universal to the personal and distilling the absurd from the seemingly mundane\, FOOD invites the audience to explore their place within this exploration of food and consumption. \nFOOD is the third part of a performance trilogy that explores the abnormal corners of ordinary topics. Each installment—The Object Lesson (2013)\, HOME (2017)\, and FOOD (2022)—encourages the audience to ponder their personal connections with objects\, spaces\, and food. Following its acclaimed selection as an invited work for the prestigious Edinburgh International Festival\, FOOD sold out performances in 2023 and went on to tour in countries like Australia\, Korea and now\, Singapore. \nIt will be a dinner party to remember: gather round and feast on questions and contemplations surrounding society’s relationship with food and sustenance.
URL:https://artsequator.com/event/the-studios-food/
LOCATION:Singtel Waterfront Theatre at The Esplanade\, 8 Raffles Ave.\, Singapore 039802\, Singapore\, Singapore\, 039802\, Singapore
CATEGORIES:Theatre (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250821T200000
DTEND;TZID=Asia/Shanghai:20250821T213000
DTSTAMP:20260503T195110
CREATED:20250604T004748Z
LAST-MODIFIED:20250604T004748Z
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SUMMARY:The Studios: Escape to Batam
DESCRIPTION:Two of Singapore theatre’s most formidable multi-hyphenates craft a lyrical spectacle of the past and present\, speaking to all who have known the harsh bitterness and gentle longing of awaiting a new normal. \nWhat do stories of war tell us about human resilience and how we care for those closest to us? How does telling these stories help us to comfort and to heal? \nCreated by Claire Wong and Huzir Sulaiman\, Escape to Batam is a delicate tapestry of the past and the present\, weaving the remarkable lived experiences of Ming\, who spent his boyhood on the rural island of Batam to escape the Japanese Occupation of Singapore\, with his daughter’s personal stories of family\, loss and grief felt in the years since her father’s passing. Drawing parallels from their different life journeys\, daughter Claire finds herself discovering what it means to live with the pain of loving those who have left us\, and how to carry on for those who are still with us. \nDirector-Playwright Claire leads a phenomenal ensemble cast of Adib Kosnan\, Chaney Chia\, Genevieve Tan\, Rebekah Sangeetha Dorai\, and Neo Swee Lin. Poignant and humorous by turns\, Escape to Batam draws deeply on Claire and Huzir’s mastery of the written word and the theatrical medium to create a powerful new play that transcends generations.
URL:https://artsequator.com/event/the-studios-escape-to-batam/
LOCATION:Singtel Waterfront Theatre at The Esplanade\, 8 Raffles Ave.\, Singapore 039802\, Singapore\, Singapore\, 039802\, Singapore
CATEGORIES:Theatre (Events)
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GEO:1.2896585;103.8557631
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250822
DTEND;VALUE=DATE:20250901
DTSTAMP:20260503T195110
CREATED:20250616T083155Z
LAST-MODIFIED:20250616T083155Z
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SUMMARY:Phinny & Wally: Echoes of Home《豚豚与鲸鲸：家的回声》
DESCRIPTION:Dive back into an underwater adventure with Phinny and Wally! \nWhen Phinny\, a gentle dolphin\, and Wally\, an enthusiastic whale\, meet Arlo\, a young bowhead whale lost in the vast Arctic Sea\, they set out to help in the search for Arlo’s family. Together\, they brave shifting ice\, passing ships\, and uncharted waters—facing danger with heart and hope. \nAlong the way\, they learn about courage\, friendship\, and discover that home is more than just a place. It’s the sounds\, the safety\, and the love we carry with us. \nPhinny & Wally: Echoes of Home is a heartwarming tale that inspires young hearts to care for the ocean—a place full of life\, love\, and stories worth protecting. \n一起跟随豚豚和鲸鲸，再次潜入神秘的海底世界吧！ \n在一次北冰洋探险中，温柔的小海豚“豚豚”和热情的小白鲸“鲸鲸”遇见了迷路的小弓头鲸 “阿乐”，并决定陪伴阿乐一同寻找回家的方向。途中，它们穿越浮冰，避开船只，勇敢面对未知的海域与危机。 \n随着旅程展开，豚豚、鲸鲸和阿乐学到了勇敢与友情的重要性，并渐渐明白：家不只是一处住所，而是那些熟悉的声音、温暖的守护，以及彼此之间的爱。 \n《豚豚与鲸鲸：家的回声》是一段温馨动人的旅程，带领孩子们感受友谊的力量，并唤起他们对海洋的珍惜与守护。让我们一起聆听大海的回响，守护这片充满生命与故事的蓝色家园。
URL:https://artsequator.com/event/phinny-wally-echoes-of-home%e3%80%8a%e8%b1%9a%e8%b1%9a%e4%b8%8e%e9%b2%b8%e9%b2%b8%ef%bc%9a%e5%ae%b6%e7%9a%84%e5%9b%9e%e5%a3%b0%e3%80%8b/
LOCATION:Drama Centre Black Box\, Singapore\, Select a Country:
CATEGORIES:Theatre (Events)
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ORGANIZER;CN="Nine%20Years%20Theatre%20%E4%B9%9D%E5%B9%B4%E5%89%A7%E5%9C%BA":MAILTO:comms@nineyearstheatre.com
GEO:1.2936759;103.8573371
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250823T193000
DTEND;TZID=Asia/Shanghai:20250823T210000
DTSTAMP:20260503T195110
CREATED:20250625T074616Z
LAST-MODIFIED:20250625T074616Z
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SUMMARY:A Date With Friends: Mel & Joe Ferdinands’ 55th Anniversary Party
DESCRIPTION:Mel & Joe\, beloved pillars of Singapore’s music scene\, have captivated hearts since their television debut in 1971. \nCelebrating 55 years of their musical journey\, this anniversary party will take you on an unforgettable journey through their remarkable career\, divided into three nostalgic chapter: their Talentime days and early beginnings\, the vibrant ’80s and ’90s with Gypsy and the journey from 2000 to today. \nEach chapter will be brought to life with visuals and photos that transport you through time. \nA heartfelt segment will also celebrate their incredible milestone with messages of love and admiration. \nWith a full band and backup singers\, their timeless passion for music shines brighter than ever.
URL:https://artsequator.com/event/a-date-with-friends-mel-joe-ferdinands-55th-anniversary-party/
LOCATION:Esplanade Concert Hall\, Esplanade Concert Hall\, 1 Esplanade Dr.\, Singapore\, 038981\, Singapore\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Music (Events)
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GEO:1.2894512;103.8548316
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Esplanade Concert Hall Esplanade Concert Hall 1 Esplanade Dr. Singapore 038981 Singapore Singapore 038981 Singapore;X-APPLE-RADIUS=500;X-TITLE=Esplanade Concert Hall\, 1 Esplanade Dr.\, Singapore\, 038981:geo:103.8548316,1.2894512
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250911T200000
DTEND;TZID=Asia/Shanghai:20250911T211500
DTSTAMP:20260503T195110
CREATED:20250604T004709Z
LAST-MODIFIED:20250604T004709Z
UID:97385-1757620800-1757625300@artsequator.com
SUMMARY:The Studios: Pickle Party
DESCRIPTION:“I enjoyed the ways it connects to the systems and limitations we all have to contend with as people who live in Singapore. I liked watching the ‘behind the scenes’ aspect\, the VJing was very fun and the live camera work too. The kitsch-ness worked well with a cyberpunk visual aesthetic!” \n— Shaw En\, Audience (Closed-door presentation\, 2023) \n“It challenged the typical usage and code of conduct of a typical theatrical space… and created a wonderful sense of community or intimacy. The text was also really powerful\, and the fear of being overly dependent on others really hit home. I hadn’t previously thought about this in relation to food sustainability and pickling before.” \n— Elle\, Audience (Closed-door presentation\, 2023) \n“My grandfather was a durian farmer\, back when they lived in a kampung. But in those 10 years\, most Singaporeans were forced to relocate to public housing. Even after he moved\, my grandfather was still trying to grow everything he could from a sixth floor concrete corridor. Everything he knew about growing durians was made obsolete so that knowledge was never passed down.” \nA show disguised as a pickling workshop\, Pickle Party is a multidisciplinary\, multi-species performance. Set against the backdrop of Singapore’s rapid development from farmland to modern city\, it dives into how humans\, microbes and food security are connected—where does our food come from? What will we be eating next? \nLed by directors Ang Xiao Ting (Extinction Feast\, ECOncert) and Kuo Jian Hong (All The World’s A Sea\, Four Horse Road)\, Pickle Party features award-winning livestream technology (XIMI)\, live VJ-ing\, live performance and community pickling. The production will be staged within a Singapore version of Tanja Beer’s critically-acclaimed The Living Stage\, which combines stage design\, permaculture and community engagement to create a recyclable\, biodegradable and edible performance space. \nExperience Pickle Party your way! For each performance\, participants can choose to be Picklers (get hands-on with pickling on stage\, limited slots) or be part of the General Audience (watch the performance from a different perspective). Kindly select your preferred audience experience at the point of ticket purchase. \nDiscover the power of edible hope.
URL:https://artsequator.com/event/the-studios-pickle-party/
LOCATION:Esplanade Annexe Studio\, 1 Esplanade Drive\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20251115T130000
DTEND;TZID=Asia/Shanghai:20251115T140000
DTSTAMP:20260503T195110
CREATED:20250616T083301Z
LAST-MODIFIED:20250616T083301Z
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SUMMARY:One @ the Ballet - Cinderella
DESCRIPTION:In the last session of the year\, we will focus on our production of Cinderella. This new production was first brought to our stage it featured a unique combination of Singaporean talents with costume designs\, stage settings and lighting design. What goes into staging a full-length ballet with costumes\, story telling through choreography of this ballet will be the highlight of this One @ the Ballet.
URL:https://artsequator.com/event/one-the-ballet-cinderella/
LOCATION:Bugis+ Mall\, 201 Victoria St\, Level 7\, Singapore 188067\, Bugis+ Mall\, 201 Victoria St\, Level 7\, Singapore 188067\, Singapore\, 188067\, Singapore
CATEGORIES:Dance (Events)
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ORGANIZER;CN="Singapore%20Ballet":MAILTO:qianping@singaporeballet.org
GEO:1.2997818;103.8541438
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END:VEVENT
END:VCALENDAR