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DTSTART;VALUE=DATE:20230802
DTEND;VALUE=DATE:20260801
DTSTAMP:20260417T192058
CREATED:20230803T093827Z
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SUMMARY:Benchmarks
DESCRIPTION:Experience the Civic District afresh this August 2023 onwards\, with Benchmarks\, a new public art trail commissioned by the Civic District Alliance (CDA). Designed by six Singapore-based artists\, Lua Boon Kai\, Joyce Beetuan Koh\, Immanuel Koh\, Yang Jie\, Jeffrey Tan and Jason Wee\, the public art initiative features a series of six unconventional artwork benches inspired by punctuation marks dotted around the arts and culture precinct. Each art bench draws from the rich heritage of the district\, inviting visitors to have meaningful exchanges with themselves\, other visitors\, or even the surroundings while appreciating the beauty of the Civic District and its colourful stories. These art benches for Benchmarks are located at key areas of the Civic District\, such as the Asian Civilisations Museum\, The Arts House\, The Esplanade – Theatres on the Bay and along the Singapore River. \nFollow #CVDBenchmarks on:\nWebsite: https://artshouselimited.sg/civic-district\nFacebook: https://www.facebook.com/theartshouse\nInstagram: https://www.instagram.com/theartshouse
URL:https://artsequator.com/event/benchmarks/
LOCATION:The Arts House\, 1 Old Parliament Lane\, Singapore\, Singapore
CATEGORIES:Artist Opportunities,Visual Arts (Events)
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DTSTART;VALUE=DATE:20241006
DTEND;VALUE=DATE:20260101
DTSTAMP:20260417T192058
CREATED:20241009T061919Z
LAST-MODIFIED:20241009T061919Z
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SUMMARY:Rattan Eco Sprawl: Manifesting the Forest by Zen Teh
DESCRIPTION:Singapore Art Museum (SAM) presents Rattan Eco Sprawl: Manifesting the Forest\, a newly commissioned artwork by Singaporean artist Zen Teh. This installation is part of Port/raits of Tanjong Pagar\, a public art trail by The Everyday Museum that brings artistic perspectives into everyday spaces in the Tanjong Pagar neighbourhood. It joins other works on the trail by five other artists Aki Hassan\, Divaagar\, Space Objekt\, Grace Tan and Isabella Teng. \nNestled in a tranquil\, lush corner of Spottiswoode Park\, Rattan Eco Sprawl is crafted primarily from rattan\, with forms inspired by natural elements such as mountains and mounds where insects dwell — the same formations that have also influenced sacred structures like Cambodia’s Angkor Wat. Live plants encroach on the structure’s exterior\, while the interior of the work\, with its lowered ceilings and narrowed passageways resembles a space where the natural world can be contemplated and nurtured.  \nSet against the backdrop of Singapore’s rapidly changing urban landscape\, Rattan Eco Sprawl reflects on the entanglement of nature and urban development. Through collaborating with rattan and wood artisans\, an ecologist\, and study of the local environments\, Rattan Eco Sprawl highlights our fragile\, intertwined relationship with nature. \nIn conjunction with the launch of the work on 6 October 2024\, a special artist talk will take place on the same day at SAM at Tanjong Pagar Distripark. The programme features a short film screening on the making of the work and a talk by artist Zen Teh who will discuss her interdisciplinary approach. Also present are the key collaborators of the work — the rattan artisans from Cambodia. Participants will have a chance to learn from the artisans\, weaving techniques used to create the installation. Registration is free.  \nRattan Eco Sprawl: Manifesting the Forest is commissioned by The Everyday Museum\, a public art initiative by Singapore Art Museum.
URL:https://artsequator.com/event/rattan-eco-sprawl-manifesting-the-forest-by-zen-teh/
LOCATION:Spottiswoode Park (access path opposite Spottiswoode Residences)\, Spottiswoode Park (access path opposite Spottiswoode Residences)\, Singapore\, Singapore
CATEGORIES:Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250105
DTEND;VALUE=DATE:20251209
DTSTAMP:20260417T192058
CREATED:20250207T143225Z
LAST-MODIFIED:20250207T143225Z
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SUMMARY:Workshop: From Forum Theatre to Devising Theatre
DESCRIPTION:Are you a theatre maker who enjoys creating collaborative\, socio-politically charged works? Join us at an exciting new theatre workshop at The Necessary Stage (TNS) that will spark your creativity and sharpen your critical thinking skills via forum and devising theatre techniques!\n\nLed by TNS’ Artistic Director Alvin Tan\, and assisted by Associate Artist A Yagnya\, From Forum Theatre to Devising Theatre will see up to 20 emerging theatre-makers undergo an intensive training programme that journeys from the creative techniques of forum theatre to TNS’ unique devising methodology \nThis intensive program will also connect you with a range of theatre professionals—directors\, playwrights\, dramaturgs\, and designers—through enlightening guest lectures and hands-on clinics. Through this eight-month process\, you will collaborate with fellow participants to apply your newfound insights and devise new works that will be presented as public showcases of your works-in-progress at the Drama Centre Black Box. \n\nDon’t miss this chance to elevate your craft and make an impact through theatre!\n\nApply at: bit.ly/FTD-APPLY \nApplication deadline: Fri 14 Feb 2025
URL:https://artsequator.com/event/workshop-from-forum-theatre-to-devising-theatre/
LOCATION:The Necessary Stage\, 180 Paya Lebar Road\, #10-06 Yi Guang Building\, Singapore\, Singapore\, 409032\, Singapore
CATEGORIES:Workshop & Talks (Events)
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DTSTART;TZID=Asia/Shanghai:20250509T000000
DTEND;TZID=Asia/Shanghai:20251130T233000
DTSTAMP:20260417T192058
CREATED:20250617T061143Z
LAST-MODIFIED:20250617T061143Z
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SUMMARY:Fernando Zóbel: Order is Essential
DESCRIPTION:Step into the world of transcontinental artist Fernando Zóbel in Fernando Zóbel: Order is Essential\, National Gallery Singapore’s first-ever solo exhibition dedicated to the cosmopolitan artist\, patron\, collector\, and scholar.  \n  \nBorn in the Philippines to a prominent Spanish family\, discover the remarkable journey of his artistic practice spanning across the Philippines\, United States and Spain. Marvel at his iconic works including the Saeta series which features his signature method of using a syringe to control thin lines of paint. \n  \nThe exhibition features over 200 pieces — including paintings\, drawings\, prints\, photography and archival materials. It also introduces key international artists Zóbel engaged with throughout his career\, such as Mark Rothko\, Antoni Tàpies and Liu Kuo-sung\, whose original works will also be displayed alongside Zóbel’s. \n  \nFernando Zóbel: Order is Essential builds on Zóbel: The Future of the Past\, which opened at Museo Nacional del Prado (2022) in Spain and was later restaged at the Ayala Museum (2024) in the Philippines. Expanding on key narratives\, the Gallery’s distinct and fresh iteration introduces exclusive works and offers fresh insights into Zóbel’s artistic evolution and his profound influence on modernist movements worldwide. \nFor more information\, please visit: nationalgallery.sg/OrderIsEssential.
URL:https://artsequator.com/event/fernando-zobel-order-is-essential/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250510T110000
DTEND;TZID=Europe/Paris:20251123T210000
DTSTAMP:20260417T192058
CREATED:20250227T041046Z
LAST-MODIFIED:20250227T041046Z
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SUMMARY:Taiwan Collateral Event of Biennale Architettura 2025 “NON-Belief: Taiwan Intelligens of Precarity”
DESCRIPTION:The Taiwan Collateral Event of the 19th International Architecture Exhibition – La Biennale di Venezia is organized by the National Taiwan Museum of Fine Arts (NTMoFA)\, and NON-Belief: Taiwan Intelligens of Precarity\, a curatorial project by National Cheng Kung University (NCKU)\, will represent Taiwan at the Biennale held from May 10 to November 23\, 2025\, at Palazzo delle Prigioni in Venice\, Italy. A 1:1 assembly press conference took place at NCKU on 21 January\, revealing the content of the exhibition to the public for the first time. NTMoFA Director Kuang-Yi Chen (陳貺怡)\, jury members Chia-Chi Jason Wang (王嘉驥)\, Kwang-Tyng Wu (吳光庭)\, June-Hao Hou (侯君昊)\, Ming-Song Shyu (徐明松)\, Chi-Yi Chang (張基義)\, and Jr-Gang Chi (漆志剛)\, as well as NCKU Associate Vice President Ping-Sheng Wu (吳秉聲)\, curator Cheng-Luen Hsueh (薛丞倫)\, and co-curators Sung-Chang Leo Chiang (江松長) and Meng-Tsun Su (蘇孟宗)\, were all in attendance. \n  \nThe title of this year’s Biennale is “Intelligens. Natural. Artificial. Collective.” Curator Carlo Ratti uses the term “Intelligens\,” highlighting the last syllable\, “gens\,” which means “people” in Latin\, to discuss three types of intelligence—natural\, artificial\, and collective—and their role in architectural design amidst contemporary environmental and climate challenges. Inspired by the theme of the Biennale and Robert Smithson’s theory of ‘non-sites’\, “NON-Belief: Taiwan Intelligens of Precarity” examines Taiwan’s ‘non’-beliefs on TSMC chips\, high-speed\, and the relentless pursuit of efficiency and control—forces that are reshaping the world’s operations in a geopolitically precarious\, globalized landscape. Taiwan offers a model of embodied intelligens in its architecture\, showcasing how life adapts and transforms to create a resilient\, self-sustaining island republic in our collectively uncertain and fragile future. \n  \nTaiwan’s historical role as a contact zone is not only a region of political instability or ecological vulnerability created between two massive tectonic plates\, but also the geographical\, ecological\, and cultural spaces deeply reflect a state of tension between openness and closure. It is also a contact zone between various diasporic inhabitants\, nations\, and corporations\, generating layered and juxtaposed practices and intelligens. Featuring projects by teams of researchers\, architects\, designers\, and a documentary director\, the exhibition presents Taiwan’s built environment as comprising localized assemblages of digitally connected\, democratically paradoxical contact zones. “Taiwan Intelligens of Precarity” positions these assembled worlds as a frontline in planetary resistance against authoritarian autocracy and as an adaptive response to climate change at the Venice Biennale. \n  \n  \nBinary Dialectics on Three Main Topics: Efficiency\, Technology\, Control \nTaiwan’s spatial governance and development strategy are heavily influenced by belief and [non]- belief. Taiwanese people can turn anything into a belief\, yet we can also believe in nothing at all. The belief built upon fictional realities has enabled our societies to organize and collaborate throughout historical evolution. Under Taiwan’s rapid technological and urban development\, TSMC chips symbolize the contemporary “beliefs” upheld by Taiwan’s collective dedication\, prompting deep reflection on the environmental\, water resource\, and energy costs embedded within these beliefs. \n  \nThe exhibition seeks to identify and construct a gray area within the binary dialectic of “belief” and “non-belief” unique to Taiwan\, uncovering various expressions of “Intelligens” and its impact on spatial governance. The exploration will focus on three aspects: \n  \n\nEfficiency: NON-Belief in High-Speed explores the global trend of pursuing efficiency and high-speed development. Using Taiwan High Speed Rail as the case study\, the exhibition proposes a reflection on the urban ecology within the metropolitan areas constructed by the high-speed railway and amidst Taiwan’s rural-urban gap.\nTechnology: NON-Belief in Chips explores the beliefs in the two polarized and contradictory mythologies of the ‘tech island’ and the ‘eco island’\, as well as the hidden costs of green energy under the shade of solar panels\, reflecting on research into climate justice and new energy-driven typologies.\nControl: NON-Belief in Sensory-Motor explores the various subtle relationships in our everyday lives\, reviewing the different kinds of ecological\, cultural\, and social conflicts within the extended context\, encompassing non-belief in hegemonic empires\, and flourishing through tactics of the in-between\, based on understanding the city as a human sensori-motor system.\n\n  \nRoaming in the “Lagoon – Island – Archipelago – Peninsula” Exhibition Space \nThe concept of ‘Island’ is adopted for the design of the exhibition space\, presenting the tensions between ‘Belief’ and ‘Non-Belief’ through the relationship between ‘lagoon – island – archipelago – peninsula\,’ and reexamining the complex relationship between technology\, environment\, and social space. “Island” installation is at the center supported by metal stands adopted from the traditional banquet table as piles on the uneven sunken flooring. \n  \nMultiple orthographic sectional slices illustrate a compressed cross-section of Taiwan’s precarious geological conditions\, with coastal conurbations nestled in the mountainous shadow of the west-tilting fault block. Taiwan lies along a north-south fault line between the Japanese and Philippine archipelagos. The high-speed rail (HSR) line\, became an embodied sensorimotor extension\, cutting through these strata as a spatial/ temporal measuring tool of island landscape. \n  \nDim light filtering through the paper slowly flows over the terrain\, which is encircled by the ‘Tech Island\,’ continuously flashing images of Taiwan’s landscapes on fragments of electronic paper collectively. The contrast between lightness and the heaviness of the ancient Venice Prison Palace underscores the impact of the semiconductor industry on Taiwan’s landscapes\, shifting of urban heat island and environmental justice\, water and energy distribution\, and the tension between technology and ecology. Accompanied by 17 research projects\, the installation aims to generate awareness and foster discourse on the architecture of the resilient and self-sustaining island. \n  \nThe Taiwan exhibition also showcases 12 research and operative models arranged in an encircling archipelago configuration around the rooms. The research reflects contemporary architectural challenges and ideas\, inviting visitors to engage with Taiwan’s transformation in a precarious world. Upon entering the exhibition space\, an exterior-facing window frames a view of a Renaissance church across the Grand Canal\, while positioned perpendicular to the interactive and spiritual installation at the other end of the hall\, a large installation composed of densely packed circuit boards replicates a common ‘Votive Lamp Wall’ found in local Taiwanese temples\, serving as a visual and spiritual spectacle that reflects Taiwan’s unique non-belief intelligens. \n  \nNON-Belief: Taiwan Intelligens of Precarity is curated by a team from the NCKU Department of Architecture\, led by curator and department chairman Cheng-Luen Hsueh\, with co-curators Ping-Sheng Wu\, Sung-Chang Leo Chiang\, and Meng-Tsun Su. The team includes consulting expert Professor Wei Tseng(曾瑋)\, and international advisory expert and joint researcher\, Professor Brian McGrath\, from Parsons School of Design in New York. The installations are created in collaboration with and sponsored by E Ink Corporation and HongSen Intelligent Technology. \nThrough exhibition\, installation\, workshop\, and forum\, the exhibition explores and defines the expressions of “Intelligens”. For more information on related exhibitions and activities\, please visit the NTMoFA official website and the official Facebook and Instagram accounts.
URL:https://artsequator.com/event/taiwan-collateral-event-of-biennale-architettura-2025-non-belief-taiwan-intelligens-of-precarity/
LOCATION:Palazzo delle Prigioni\, Venice\, Taiwan
CATEGORIES:Other (Events)
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ORGANIZER;CN="National%20Taiwan%20Museum%20of%20Fine%20Arts%20%28NTMoFA%29":MAILTO:artnet@art.ntmofa.gov.tw
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DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20260330
DTSTAMP:20260417T192058
CREATED:20250617T054219Z
LAST-MODIFIED:20250617T054219Z
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SUMMARY:Gallery Children’s Biennale 2025: Tomorrow\, We’ll Be…
DESCRIPTION:The family-favourite Gallery Children’s Biennale 2025 is back with multi-sensory and immersive installations where art meets play! As National Gallery Singapore celebrates its 10th anniversary\, the fifth edition of the Biennale invites the young and young at heart to dream big\, express their creativity\, and explore a hopeful and inclusive future shaped by the core values of Joy\, Kindness\, Love\, and Dream. \n  \nThrough interactive installations by artists from Singapore and Asia\, children across ages – even from as young as babies – can express themselves freely and be immersed as active participants!  \n  \nHighlights include Dance Dance Chromatics by Singaporean artist Wyn-Lyn where a seamless canvas of digital ‘paintings’ are activated via movement; and Japanese artist Hiromi Tango’s series of large-scale colourful flowers with petals carrying words of kindness engraved in Braille.  \n  \nFor more information\, please visit: nationalgallery.sg/GalleryChildrensBiennale2025
URL:https://artsequator.com/event/gallery-childrens-biennale-2025-tomorrow-well-be/
LOCATION:National Gallery Singapore\, 1 St Andrew's Rd\, #01 – 01\,\, Singapore\, 178957\, Singapore
CATEGORIES:Children/Family (Events),Visual Arts (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250911T200000
DTEND;TZID=Asia/Shanghai:20250911T211500
DTSTAMP:20260417T192058
CREATED:20250604T004709Z
LAST-MODIFIED:20250604T004709Z
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SUMMARY:The Studios: Pickle Party
DESCRIPTION:“I enjoyed the ways it connects to the systems and limitations we all have to contend with as people who live in Singapore. I liked watching the ‘behind the scenes’ aspect\, the VJing was very fun and the live camera work too. The kitsch-ness worked well with a cyberpunk visual aesthetic!” \n— Shaw En\, Audience (Closed-door presentation\, 2023) \n“It challenged the typical usage and code of conduct of a typical theatrical space… and created a wonderful sense of community or intimacy. The text was also really powerful\, and the fear of being overly dependent on others really hit home. I hadn’t previously thought about this in relation to food sustainability and pickling before.” \n— Elle\, Audience (Closed-door presentation\, 2023) \n“My grandfather was a durian farmer\, back when they lived in a kampung. But in those 10 years\, most Singaporeans were forced to relocate to public housing. Even after he moved\, my grandfather was still trying to grow everything he could from a sixth floor concrete corridor. Everything he knew about growing durians was made obsolete so that knowledge was never passed down.” \nA show disguised as a pickling workshop\, Pickle Party is a multidisciplinary\, multi-species performance. Set against the backdrop of Singapore’s rapid development from farmland to modern city\, it dives into how humans\, microbes and food security are connected—where does our food come from? What will we be eating next? \nLed by directors Ang Xiao Ting (Extinction Feast\, ECOncert) and Kuo Jian Hong (All The World’s A Sea\, Four Horse Road)\, Pickle Party features award-winning livestream technology (XIMI)\, live VJ-ing\, live performance and community pickling. The production will be staged within a Singapore version of Tanja Beer’s critically-acclaimed The Living Stage\, which combines stage design\, permaculture and community engagement to create a recyclable\, biodegradable and edible performance space. \nExperience Pickle Party your way! For each performance\, participants can choose to be Picklers (get hands-on with pickling on stage\, limited slots) or be part of the General Audience (watch the performance from a different perspective). Kindly select your preferred audience experience at the point of ticket purchase. \nDiscover the power of edible hope.
URL:https://artsequator.com/event/the-studios-pickle-party/
LOCATION:Esplanade Annexe Studio\, 1 Esplanade Drive\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250912T200000
DTEND;TZID=Asia/Shanghai:20250912T211500
DTSTAMP:20260417T192058
CREATED:20250604T004710Z
LAST-MODIFIED:20250604T004710Z
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SUMMARY:The Studios: Pickle Party
DESCRIPTION:“I enjoyed the ways it connects to the systems and limitations we all have to contend with as people who live in Singapore. I liked watching the ‘behind the scenes’ aspect\, the VJing was very fun and the live camera work too. The kitsch-ness worked well with a cyberpunk visual aesthetic!” \n— Shaw En\, Audience (Closed-door presentation\, 2023) \n“It challenged the typical usage and code of conduct of a typical theatrical space… and created a wonderful sense of community or intimacy. The text was also really powerful\, and the fear of being overly dependent on others really hit home. I hadn’t previously thought about this in relation to food sustainability and pickling before.” \n— Elle\, Audience (Closed-door presentation\, 2023) \n“My grandfather was a durian farmer\, back when they lived in a kampung. But in those 10 years\, most Singaporeans were forced to relocate to public housing. Even after he moved\, my grandfather was still trying to grow everything he could from a sixth floor concrete corridor. Everything he knew about growing durians was made obsolete so that knowledge was never passed down.” \nA show disguised as a pickling workshop\, Pickle Party is a multidisciplinary\, multi-species performance. Set against the backdrop of Singapore’s rapid development from farmland to modern city\, it dives into how humans\, microbes and food security are connected—where does our food come from? What will we be eating next? \nLed by directors Ang Xiao Ting (Extinction Feast\, ECOncert) and Kuo Jian Hong (All The World’s A Sea\, Four Horse Road)\, Pickle Party features award-winning livestream technology (XIMI)\, live VJ-ing\, live performance and community pickling. The production will be staged within a Singapore version of Tanja Beer’s critically-acclaimed The Living Stage\, which combines stage design\, permaculture and community engagement to create a recyclable\, biodegradable and edible performance space. \nExperience Pickle Party your way! For each performance\, participants can choose to be Picklers (get hands-on with pickling on stage\, limited slots) or be part of the General Audience (watch the performance from a different perspective). Kindly select your preferred audience experience at the point of ticket purchase. \nDiscover the power of edible hope.
URL:https://artsequator.com/event/the-studios-pickle-party/2025-09-12/
LOCATION:Esplanade Annexe Studio\, 1 Esplanade Drive\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250913T150000
DTEND;TZID=Asia/Shanghai:20250913T161500
DTSTAMP:20260417T192058
CREATED:20250604T004711Z
LAST-MODIFIED:20250604T004711Z
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SUMMARY:The Studios: Pickle Party
DESCRIPTION:“I enjoyed the ways it connects to the systems and limitations we all have to contend with as people who live in Singapore. I liked watching the ‘behind the scenes’ aspect\, the VJing was very fun and the live camera work too. The kitsch-ness worked well with a cyberpunk visual aesthetic!” \n— Shaw En\, Audience (Closed-door presentation\, 2023) \n“It challenged the typical usage and code of conduct of a typical theatrical space… and created a wonderful sense of community or intimacy. The text was also really powerful\, and the fear of being overly dependent on others really hit home. I hadn’t previously thought about this in relation to food sustainability and pickling before.” \n— Elle\, Audience (Closed-door presentation\, 2023) \n“My grandfather was a durian farmer\, back when they lived in a kampung. But in those 10 years\, most Singaporeans were forced to relocate to public housing. Even after he moved\, my grandfather was still trying to grow everything he could from a sixth floor concrete corridor. Everything he knew about growing durians was made obsolete so that knowledge was never passed down.” \nA show disguised as a pickling workshop\, Pickle Party is a multidisciplinary\, multi-species performance. Set against the backdrop of Singapore’s rapid development from farmland to modern city\, it dives into how humans\, microbes and food security are connected—where does our food come from? What will we be eating next? \nLed by directors Ang Xiao Ting (Extinction Feast\, ECOncert) and Kuo Jian Hong (All The World’s A Sea\, Four Horse Road)\, Pickle Party features award-winning livestream technology (XIMI)\, live VJ-ing\, live performance and community pickling. The production will be staged within a Singapore version of Tanja Beer’s critically-acclaimed The Living Stage\, which combines stage design\, permaculture and community engagement to create a recyclable\, biodegradable and edible performance space. \nExperience Pickle Party your way! For each performance\, participants can choose to be Picklers (get hands-on with pickling on stage\, limited slots) or be part of the General Audience (watch the performance from a different perspective). Kindly select your preferred audience experience at the point of ticket purchase. \nDiscover the power of edible hope.
URL:https://artsequator.com/event/the-studios-pickle-party/2025-09-13/
LOCATION:Esplanade Annexe Studio\, 1 Esplanade Drive\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250913T200000
DTEND;TZID=Asia/Shanghai:20250913T211500
DTSTAMP:20260417T192058
CREATED:20250604T004712Z
LAST-MODIFIED:20250604T004712Z
UID:97388-1757793600-1757798100@artsequator.com
SUMMARY:The Studios: Pickle Party
DESCRIPTION:“I enjoyed the ways it connects to the systems and limitations we all have to contend with as people who live in Singapore. I liked watching the ‘behind the scenes’ aspect\, the VJing was very fun and the live camera work too. The kitsch-ness worked well with a cyberpunk visual aesthetic!” \n— Shaw En\, Audience (Closed-door presentation\, 2023) \n“It challenged the typical usage and code of conduct of a typical theatrical space… and created a wonderful sense of community or intimacy. The text was also really powerful\, and the fear of being overly dependent on others really hit home. I hadn’t previously thought about this in relation to food sustainability and pickling before.” \n— Elle\, Audience (Closed-door presentation\, 2023) \n“My grandfather was a durian farmer\, back when they lived in a kampung. But in those 10 years\, most Singaporeans were forced to relocate to public housing. Even after he moved\, my grandfather was still trying to grow everything he could from a sixth floor concrete corridor. Everything he knew about growing durians was made obsolete so that knowledge was never passed down.” \nA show disguised as a pickling workshop\, Pickle Party is a multidisciplinary\, multi-species performance. Set against the backdrop of Singapore’s rapid development from farmland to modern city\, it dives into how humans\, microbes and food security are connected—where does our food come from? What will we be eating next? \nLed by directors Ang Xiao Ting (Extinction Feast\, ECOncert) and Kuo Jian Hong (All The World’s A Sea\, Four Horse Road)\, Pickle Party features award-winning livestream technology (XIMI)\, live VJ-ing\, live performance and community pickling. The production will be staged within a Singapore version of Tanja Beer’s critically-acclaimed The Living Stage\, which combines stage design\, permaculture and community engagement to create a recyclable\, biodegradable and edible performance space. \nExperience Pickle Party your way! For each performance\, participants can choose to be Picklers (get hands-on with pickling on stage\, limited slots) or be part of the General Audience (watch the performance from a different perspective). Kindly select your preferred audience experience at the point of ticket purchase. \nDiscover the power of edible hope.
URL:https://artsequator.com/event/the-studios-pickle-party/2025-09-13/2/
LOCATION:Esplanade Annexe Studio\, 1 Esplanade Drive\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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DTSTART;TZID=Asia/Shanghai:20250914T150000
DTEND;TZID=Asia/Shanghai:20250914T151500
DTSTAMP:20260417T192058
CREATED:20250604T004713Z
LAST-MODIFIED:20250604T004713Z
UID:97389-1757862000-1757862900@artsequator.com
SUMMARY:The Studios: Pickle Party
DESCRIPTION:“I enjoyed the ways it connects to the systems and limitations we all have to contend with as people who live in Singapore. I liked watching the ‘behind the scenes’ aspect\, the VJing was very fun and the live camera work too. The kitsch-ness worked well with a cyberpunk visual aesthetic!” \n— Shaw En\, Audience (Closed-door presentation\, 2023) \n“It challenged the typical usage and code of conduct of a typical theatrical space… and created a wonderful sense of community or intimacy. The text was also really powerful\, and the fear of being overly dependent on others really hit home. I hadn’t previously thought about this in relation to food sustainability and pickling before.” \n— Elle\, Audience (Closed-door presentation\, 2023) \n“My grandfather was a durian farmer\, back when they lived in a kampung. But in those 10 years\, most Singaporeans were forced to relocate to public housing. Even after he moved\, my grandfather was still trying to grow everything he could from a sixth floor concrete corridor. Everything he knew about growing durians was made obsolete so that knowledge was never passed down.” \nA show disguised as a pickling workshop\, Pickle Party is a multidisciplinary\, multi-species performance. Set against the backdrop of Singapore’s rapid development from farmland to modern city\, it dives into how humans\, microbes and food security are connected—where does our food come from? What will we be eating next? \nLed by directors Ang Xiao Ting (Extinction Feast\, ECOncert) and Kuo Jian Hong (All The World’s A Sea\, Four Horse Road)\, Pickle Party features award-winning livestream technology (XIMI)\, live VJ-ing\, live performance and community pickling. The production will be staged within a Singapore version of Tanja Beer’s critically-acclaimed The Living Stage\, which combines stage design\, permaculture and community engagement to create a recyclable\, biodegradable and edible performance space. \nExperience Pickle Party your way! For each performance\, participants can choose to be Picklers (get hands-on with pickling on stage\, limited slots) or be part of the General Audience (watch the performance from a different perspective). Kindly select your preferred audience experience at the point of ticket purchase. \nDiscover the power of edible hope.
URL:https://artsequator.com/event/the-studios-pickle-party/2025-09-14/
LOCATION:Esplanade Annexe Studio\, 1 Esplanade Drive\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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