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DTSTART;TZID=Asia/Shanghai:20250207T193000
DTEND;TZID=Asia/Shanghai:20250207T212000
DTSTAMP:20260411T013512
CREATED:20241222T112222Z
LAST-MODIFIED:20241222T112222Z
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SUMMARY:Rickshaw Boy
DESCRIPTION:Rickshaw Boy narrates the life of Xiangzi\, a rickshaw puller in Beiping during the Republic of China era. A strong and ambitious young man from the countryside\, Xiangzi dreams of building an ideal life through his own efforts. However\, fate repeatedly thwarts his aspirations\, and despite his hard work and determination\, his circumstances remain unchanged. In the context of modern society\, Xiangzi’s helplessness and confusion reflect the struggles of modern workers caught in similar cycles of hardship. \nLao She is widely celebrated as a “Master of Language”\, with his works both entertaining and deeply rooted in the local culture of Beijing. Rickshaw Boy is among Lao She’s most renowned masterpieces. It presents a tragic story laced with humour\, using Beijing dialect and expressions to vividly portray the resilience\, pride\, and underlying pain of his characters. Director Fang Xu\, often regarded as a “Lao She specialist\,” has adapted Lao She’s works for the stage numerous times with his distinctive expressive and interpretative style. In this production\, Fang Xu reimagines the original text through a contemporary lens\, incorporating modern aesthetics into the stage design\, lighting\, music\, and visual composition. \nWhile the tragic struggles of the rickshaw pullers portrayed in Rickshaw Boy may seem distant to contemporary audiences\, the story also offers a compelling psychological portrait of Xiangzi himself. It delves into the conflict between his ideals and the harsh realities\, alongside the confusion\, frustration\, and helplessness that permeate his inner world – emotions that remain profoundly relatable even today. \nAnother standout feature of this adaptation is its all-male cast\, which boldly challenges traditional gender roles while employing a non-linear\, visually-driven narrative structure to depict Xiangzi’s tragic journey. This innovative approach departs from a straightforward retelling\, offering a rich and layered interpretation. \nOne of the female characters\, Tigress\, is portrayed by Zhao Zhen\, a nationally acclaimed Chinese actor with extensive theatre experience\, who brings the role of to life with a commanding portrayal of her domineering and sharp-tongued personality. Another female character\, Xiao Fu Zi\, is portrayed by Ren Yubin\, who is trained in traditional opera Dan roles. He delivers a poignant performance\, capturing the character’s sorrow and timidity with nuance. Siqin Gaowa\, an actress renowned for her iconic portrayal of Tigress in the film adaptation of Rickshaw Boy (1982)\, serves as the artistic advisor for this production. \nThis marks the firs-ever staging of Rickshaw Boy in Singapore and Fang Xu’s debut at the Esplanade. The critically acclaimed all-male cast\, which has captivated audiences in China\, will perform in this groundbreaking production\, making it a must-see event!
URL:https://artsequator.com/event/rickshaw-boy/
LOCATION:Esplanade Theatre\, 1 Esplanade Drive\, Singapore\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250208T193000
DTEND;TZID=Asia/Shanghai:20250208T212000
DTSTAMP:20260411T013512
CREATED:20241222T112222Z
LAST-MODIFIED:20241222T112222Z
UID:95936-1739043000-1739049600@artsequator.com
SUMMARY:Rickshaw Boy
DESCRIPTION:Rickshaw Boy narrates the life of Xiangzi\, a rickshaw puller in Beiping during the Republic of China era. A strong and ambitious young man from the countryside\, Xiangzi dreams of building an ideal life through his own efforts. However\, fate repeatedly thwarts his aspirations\, and despite his hard work and determination\, his circumstances remain unchanged. In the context of modern society\, Xiangzi’s helplessness and confusion reflect the struggles of modern workers caught in similar cycles of hardship. \nLao She is widely celebrated as a “Master of Language”\, with his works both entertaining and deeply rooted in the local culture of Beijing. Rickshaw Boy is among Lao She’s most renowned masterpieces. It presents a tragic story laced with humour\, using Beijing dialect and expressions to vividly portray the resilience\, pride\, and underlying pain of his characters. Director Fang Xu\, often regarded as a “Lao She specialist\,” has adapted Lao She’s works for the stage numerous times with his distinctive expressive and interpretative style. In this production\, Fang Xu reimagines the original text through a contemporary lens\, incorporating modern aesthetics into the stage design\, lighting\, music\, and visual composition. \nWhile the tragic struggles of the rickshaw pullers portrayed in Rickshaw Boy may seem distant to contemporary audiences\, the story also offers a compelling psychological portrait of Xiangzi himself. It delves into the conflict between his ideals and the harsh realities\, alongside the confusion\, frustration\, and helplessness that permeate his inner world – emotions that remain profoundly relatable even today. \nAnother standout feature of this adaptation is its all-male cast\, which boldly challenges traditional gender roles while employing a non-linear\, visually-driven narrative structure to depict Xiangzi’s tragic journey. This innovative approach departs from a straightforward retelling\, offering a rich and layered interpretation. \nOne of the female characters\, Tigress\, is portrayed by Zhao Zhen\, a nationally acclaimed Chinese actor with extensive theatre experience\, who brings the role of to life with a commanding portrayal of her domineering and sharp-tongued personality. Another female character\, Xiao Fu Zi\, is portrayed by Ren Yubin\, who is trained in traditional opera Dan roles. He delivers a poignant performance\, capturing the character’s sorrow and timidity with nuance. Siqin Gaowa\, an actress renowned for her iconic portrayal of Tigress in the film adaptation of Rickshaw Boy (1982)\, serves as the artistic advisor for this production. \nThis marks the firs-ever staging of Rickshaw Boy in Singapore and Fang Xu’s debut at the Esplanade. The critically acclaimed all-male cast\, which has captivated audiences in China\, will perform in this groundbreaking production\, making it a must-see event!
URL:https://artsequator.com/event/rickshaw-boy/2025-02-08/
LOCATION:Esplanade Theatre\, 1 Esplanade Drive\, Singapore\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
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GEO:1.289857;103.8552799
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250214T190000
DTEND;TZID=Asia/Shanghai:20250214T200000
DTSTAMP:20260411T013512
CREATED:20250207T142939Z
LAST-MODIFIED:20250207T142939Z
UID:96170-1739559600-1739563200@artsequator.com
SUMMARY:Kali- the timeless goddess
DESCRIPTION:This traditional Indian dance and theatre solo performance by Soumee De reimagines the origins of life through the lens of Mother Kali\, the goddess in Indian mythology who symbolizes transformation and governs time (known as kala in Sanskrit). It explores the journey from birth to death\, from earth to dust\, and from ignorance to wisdom. \nAccording to Kali-darshan (the philosophy of Kali)\, followers believe that life itself was conceived through the bodily functions of Mother Kali. The name Kali is derived from the feminine form of Kala (time)\, signifying the ever-changing nature of existence—where time births\, sustains\, and eventually dissolves all things. Kali embodies liberation (moksha)\, and her transformative energy dissolves injustice\, granting ultimate freedom.
URL:https://artsequator.com/event/kali-the-timeless-goddess/
LOCATION:Goodman Arts Centre\, 90 Goodman Road\, Block O\, Singapore\, Singapore 439053\, Singapore
CATEGORIES:Dance (Events),Theatre (Events)
ATTACH;FMTTYPE=image/jpeg:https://artsequator.s3.ap-southeast-1.amazonaws.com/2025/02/f3223487-b547-4cad-945d-207979496142.jpeg
ORGANIZER;CN="Apsaras%20Arts%20Ltd":MAILTO:apsaras.arts@gmail.com
GEO:1.30444;103.885325
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Goodman Arts Centre 90 Goodman Road Block O Singapore Singapore 439053 Singapore;X-APPLE-RADIUS=500;X-TITLE=90 Goodman Road\, Block O:geo:103.885325,1.30444
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250214T200000
DTEND;TZID=Asia/Shanghai:20250214T212000
DTSTAMP:20260411T013512
CREATED:20241222T112119Z
LAST-MODIFIED:20241222T112119Z
UID:95942-1739563200-1739568000@artsequator.com
SUMMARY:Huayi 2025: The Heart of Jun: Memoirs of Zhaojun
DESCRIPTION:A tale of 20th-century voyagers seeking their destinies\, set against the elegant beauty of traditional Nanyin music. Co-produced with Siong Leng Musical Association\, The Heart of Jun: Memoirs of Zhaojun presents a musical experience of discovery\, courage and determination. \nThree women leave China and set sail for Southeast Asia in the early 20th century\, their voyage echoing the journey of Wang Zhaojun\, one of the legendary Four Beauties of ancient China. Finding themselves on a cargo ship\, they are inescapably embroiled in sinister struggles for power as a mysterious man reveals secrets they have yet to understand. What will their destinies hold? What connection exists between these three women braving a tumultuous sea and Wang Zhaojun\, who rode beyond the borders of Western Han into the Xiongnu empire? Do the fragments of loss and sorrow in Nanyin music symbolise the life stories of these modern women\, or do they inspire courage to explore new horizons? \n  \nThis fusion of traditional Nanyin music and contemporary theatre will delight both Nanyin purists and new audiences. Siong Leng breaks new ground in this collaboration with celebrated Taiwanese playwright Katherine Hui-ling Chou and Taiwanese director Lee Yi Hsiu\, who is known for his innovative direction of traditional music performances. \nThe Heart of Jun: Memoirs of Zhaojun features authentic traditional Nanyin music harking back half a millennium that narrates the legend of Wang Zhaojun\, with additional music composed by Siong Leng’s music director Ng Kang Kee. The production showcases the principal artists of Siong Leng\, and a skilled ensemble of Eastern and Western classical musicians performing together with Singapore actors Ang Xiao Ting\, Jodi Chan and Hang Qian Chou.
URL:https://artsequator.com/event/huayi-2025-the-heart-of-jun-memoirs-of-zhaojun/
LOCATION:Singtel Waterfront Theatre at The Esplanade\, 8 Raffles Ave.\, Singapore 039802\, Singapore\, Singapore\, 039802\, Singapore
CATEGORIES:Festival (Events),Music (Events),Theatre (Events)
ATTACH;FMTTYPE=image/jpeg:https://artsequator.s3.ap-southeast-1.amazonaws.com/2024/12/Heart-of-Jun-1920x1080-v1A.jpg
GEO:1.2896585;103.8557631
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Singtel Waterfront Theatre at The Esplanade 8 Raffles Ave. Singapore 039802 Singapore Singapore 039802 Singapore;X-APPLE-RADIUS=500;X-TITLE=8 Raffles Ave.\, Singapore 039802:geo:103.8557631,1.2896585
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250215T140000
DTEND;TZID=Asia/Shanghai:20250215T170000
DTSTAMP:20260411T013512
CREATED:20241222T112146Z
LAST-MODIFIED:20241222T112146Z
UID:95938-1739628000-1739638800@artsequator.com
SUMMARY:Huayi 2025: Human Condition VIII
DESCRIPTION:After a more than two-decade long domestic run\, celebrated Taiwanese arts icon Wu Nien-jen brings his acclaimed Human Condition theatre series to Huayi for its Singapore premiere. The well-loved series has been enjoyed by over half a million Taiwanese theatregoers so far\, and Human Condition VIII is the latest eagerly anticipated instalment. \nHuman Condition VIII tells the story of Mingcan\, a retiree who finds himself adrift and without a purpose in life. His status as a respected patriarch has long disappeared as his adult children have their own families and lives to deal with. Unable to contribute to the economy and unneeded by his family\, Mingcan questions his self-worth as his dignity slowly fades with each listless\, monotonous day. Just as he feels that he has struck rock-bottom\, he instead strikes the lottery jackpot\, and immediately finds himself to be of interest to his family once more. Mingcan feels respected\, needed\, wanted. But is this unexpected windfall a stroke of luck or a harbinger of misfortune? \nStarting in 2000\, the Human Condition series shines an empathetic spotlight on the day-to-day stories of everyday Taiwanese people who strive to make the best out of what they have in their lives. Presented by Greenray Theatre Company\, the series has continued to garner enthusiastic support and enjoy great appeal since its inception. It has become the first taste of theatre for many across Taiwan\, with each instalment of the series rapidly selling out within days of their launches. \nThe first comedy of the series\, Human Condition VIII is a humorous and poignant tale of masculine self-worth that features an acclaimed cast that includes theatre multi-hyphenate Chen Hsi-Cheng\, and Golden Bell Award winners Wang Juan and Yang Li-yin. \nPlaywright and director Wu Nien-jen is one of the most prolific and respected names in Taiwanese cinema. Debuting in 2001\, the Human Condition series is his blockbuster foray into theatre\, which had been seen and loved by over half a million Taiwanese theatergoers\, and earned him the prestigious National Cultural Award.
URL:https://artsequator.com/event/huayi-2025-human-condition-viii/
LOCATION:Esplanade Theatre\, 1 Esplanade Drive\, Singapore\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
ATTACH;FMTTYPE=image/jpeg:https://artsequator.s3.ap-southeast-1.amazonaws.com/2024/12/HUMAN_1920x1080_SET-1_BRAND.jpg
GEO:1.289857;103.8552799
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Esplanade Theatre 1 Esplanade Drive Singapore Singapore 038981 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Esplanade Drive:geo:103.8552799,1.289857
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250215T193000
DTEND;TZID=Asia/Shanghai:20250215T223000
DTSTAMP:20260411T013512
CREATED:20241222T112147Z
LAST-MODIFIED:20241222T112147Z
UID:95939-1739647800-1739658600@artsequator.com
SUMMARY:Huayi 2025: Human Condition VIII
DESCRIPTION:After a more than two-decade long domestic run\, celebrated Taiwanese arts icon Wu Nien-jen brings his acclaimed Human Condition theatre series to Huayi for its Singapore premiere. The well-loved series has been enjoyed by over half a million Taiwanese theatregoers so far\, and Human Condition VIII is the latest eagerly anticipated instalment. \nHuman Condition VIII tells the story of Mingcan\, a retiree who finds himself adrift and without a purpose in life. His status as a respected patriarch has long disappeared as his adult children have their own families and lives to deal with. Unable to contribute to the economy and unneeded by his family\, Mingcan questions his self-worth as his dignity slowly fades with each listless\, monotonous day. Just as he feels that he has struck rock-bottom\, he instead strikes the lottery jackpot\, and immediately finds himself to be of interest to his family once more. Mingcan feels respected\, needed\, wanted. But is this unexpected windfall a stroke of luck or a harbinger of misfortune? \nStarting in 2000\, the Human Condition series shines an empathetic spotlight on the day-to-day stories of everyday Taiwanese people who strive to make the best out of what they have in their lives. Presented by Greenray Theatre Company\, the series has continued to garner enthusiastic support and enjoy great appeal since its inception. It has become the first taste of theatre for many across Taiwan\, with each instalment of the series rapidly selling out within days of their launches. \nThe first comedy of the series\, Human Condition VIII is a humorous and poignant tale of masculine self-worth that features an acclaimed cast that includes theatre multi-hyphenate Chen Hsi-Cheng\, and Golden Bell Award winners Wang Juan and Yang Li-yin. \nPlaywright and director Wu Nien-jen is one of the most prolific and respected names in Taiwanese cinema. Debuting in 2001\, the Human Condition series is his blockbuster foray into theatre\, which had been seen and loved by over half a million Taiwanese theatergoers\, and earned him the prestigious National Cultural Award.
URL:https://artsequator.com/event/huayi-2025-human-condition-viii/2025-02-15/2/
LOCATION:Esplanade Theatre\, 1 Esplanade Drive\, Singapore\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
ATTACH;FMTTYPE=image/jpeg:https://artsequator.s3.ap-southeast-1.amazonaws.com/2024/12/HUMAN_1920x1080_SET-1_BRAND.jpg
GEO:1.289857;103.8552799
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Esplanade Theatre 1 Esplanade Drive Singapore Singapore 038981 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Esplanade Drive:geo:103.8552799,1.289857
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250215T200000
DTEND;TZID=Asia/Shanghai:20250215T212000
DTSTAMP:20260411T013512
CREATED:20241222T112120Z
LAST-MODIFIED:20241222T112120Z
UID:95943-1739649600-1739654400@artsequator.com
SUMMARY:Huayi 2025: The Heart of Jun: Memoirs of Zhaojun
DESCRIPTION:A tale of 20th-century voyagers seeking their destinies\, set against the elegant beauty of traditional Nanyin music. Co-produced with Siong Leng Musical Association\, The Heart of Jun: Memoirs of Zhaojun presents a musical experience of discovery\, courage and determination. \nThree women leave China and set sail for Southeast Asia in the early 20th century\, their voyage echoing the journey of Wang Zhaojun\, one of the legendary Four Beauties of ancient China. Finding themselves on a cargo ship\, they are inescapably embroiled in sinister struggles for power as a mysterious man reveals secrets they have yet to understand. What will their destinies hold? What connection exists between these three women braving a tumultuous sea and Wang Zhaojun\, who rode beyond the borders of Western Han into the Xiongnu empire? Do the fragments of loss and sorrow in Nanyin music symbolise the life stories of these modern women\, or do they inspire courage to explore new horizons? \n  \nThis fusion of traditional Nanyin music and contemporary theatre will delight both Nanyin purists and new audiences. Siong Leng breaks new ground in this collaboration with celebrated Taiwanese playwright Katherine Hui-ling Chou and Taiwanese director Lee Yi Hsiu\, who is known for his innovative direction of traditional music performances. \nThe Heart of Jun: Memoirs of Zhaojun features authentic traditional Nanyin music harking back half a millennium that narrates the legend of Wang Zhaojun\, with additional music composed by Siong Leng’s music director Ng Kang Kee. The production showcases the principal artists of Siong Leng\, and a skilled ensemble of Eastern and Western classical musicians performing together with Singapore actors Ang Xiao Ting\, Jodi Chan and Hang Qian Chou.
URL:https://artsequator.com/event/huayi-2025-the-heart-of-jun-memoirs-of-zhaojun/2025-02-15/
LOCATION:Singtel Waterfront Theatre at The Esplanade\, 8 Raffles Ave.\, Singapore 039802\, Singapore\, Singapore\, 039802\, Singapore
CATEGORIES:Festival (Events),Music (Events),Theatre (Events)
ATTACH;FMTTYPE=image/jpeg:https://artsequator.s3.ap-southeast-1.amazonaws.com/2024/12/Heart-of-Jun-1920x1080-v1A.jpg
GEO:1.2896585;103.8557631
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Singtel Waterfront Theatre at The Esplanade 8 Raffles Ave. Singapore 039802 Singapore Singapore 039802 Singapore;X-APPLE-RADIUS=500;X-TITLE=8 Raffles Ave.\, Singapore 039802:geo:103.8557631,1.2896585
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250216T193000
DTEND;TZID=Asia/Shanghai:20250216T223000
DTSTAMP:20260411T013512
CREATED:20241222T112148Z
LAST-MODIFIED:20241222T112148Z
UID:95940-1739734200-1739745000@artsequator.com
SUMMARY:Huayi 2025: Human Condition VIII
DESCRIPTION:After a more than two-decade long domestic run\, celebrated Taiwanese arts icon Wu Nien-jen brings his acclaimed Human Condition theatre series to Huayi for its Singapore premiere. The well-loved series has been enjoyed by over half a million Taiwanese theatregoers so far\, and Human Condition VIII is the latest eagerly anticipated instalment. \nHuman Condition VIII tells the story of Mingcan\, a retiree who finds himself adrift and without a purpose in life. His status as a respected patriarch has long disappeared as his adult children have their own families and lives to deal with. Unable to contribute to the economy and unneeded by his family\, Mingcan questions his self-worth as his dignity slowly fades with each listless\, monotonous day. Just as he feels that he has struck rock-bottom\, he instead strikes the lottery jackpot\, and immediately finds himself to be of interest to his family once more. Mingcan feels respected\, needed\, wanted. But is this unexpected windfall a stroke of luck or a harbinger of misfortune? \nStarting in 2000\, the Human Condition series shines an empathetic spotlight on the day-to-day stories of everyday Taiwanese people who strive to make the best out of what they have in their lives. Presented by Greenray Theatre Company\, the series has continued to garner enthusiastic support and enjoy great appeal since its inception. It has become the first taste of theatre for many across Taiwan\, with each instalment of the series rapidly selling out within days of their launches. \nThe first comedy of the series\, Human Condition VIII is a humorous and poignant tale of masculine self-worth that features an acclaimed cast that includes theatre multi-hyphenate Chen Hsi-Cheng\, and Golden Bell Award winners Wang Juan and Yang Li-yin. \nPlaywright and director Wu Nien-jen is one of the most prolific and respected names in Taiwanese cinema. Debuting in 2001\, the Human Condition series is his blockbuster foray into theatre\, which had been seen and loved by over half a million Taiwanese theatergoers\, and earned him the prestigious National Cultural Award.
URL:https://artsequator.com/event/huayi-2025-human-condition-viii/2025-02-16/
LOCATION:Esplanade Theatre\, 1 Esplanade Drive\, Singapore\, Singapore\, 038981\, Singapore
CATEGORIES:Festival (Events),Theatre (Events)
ATTACH;FMTTYPE=image/jpeg:https://artsequator.s3.ap-southeast-1.amazonaws.com/2024/12/HUMAN_1920x1080_SET-1_BRAND.jpg
GEO:1.289857;103.8552799
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Esplanade Theatre 1 Esplanade Drive Singapore Singapore 038981 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Esplanade Drive:geo:103.8552799,1.289857
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250222T130000
DTEND;TZID=Asia/Shanghai:20250222T160000
DTSTAMP:20260411T013512
CREATED:20250207T143418Z
LAST-MODIFIED:20250207T143418Z
UID:96155-1740229200-1740240000@artsequator.com
SUMMARY:TOOLS: A Workshop Series for Playwrights Exploring Theatricality - Magic Props
DESCRIPTION:This workshop investigates the remapping process\, where one thing stands in for another and real-world elements correspond with their stage-space equivalents. What happens when a stick becomes a gun or a house is described as an imaginary zone? We’ll examine the audience’s role in recognizing these substitutions and experiment with how to teach them to understand the play. \nThis is part of a workshop series by our visiting resident playwright Sean Dunnington. It invites playwrights to be curious about theatricality. Each session dives into a specific element of this conceptual spell\, blending discussion\, hands-on activities\, performance\, and experimentation.
URL:https://artsequator.com/event/tools-a-workshop-series-for-playwrights-exploring-theatricality-magic-props/
LOCATION:42WS Black Box\, 42 Waterloo Street S187951\, 42WS Black Box\, 42 Waterloo Street S187951\, Singapore\, Singapore\, S187951\, Singapore
CATEGORIES:Event of the Day,Literary Events/Talks (Events),Theatre (Events),Workshop & Talks (Events)
ATTACH;FMTTYPE=image/png:https://artsequator.s3.ap-southeast-1.amazonaws.com/2025/02/TOOLS_Magic-Props.png
ORGANIZER;CN="Centre%2042":MAILTO:info@centre42.sg
GEO:1.2982628;103.8509765
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=42WS Black Box 42 Waterloo Street S187951 42WS Black Box 42 Waterloo Street S187951 Singapore Singapore S187951 Singapore;X-APPLE-RADIUS=500;X-TITLE=42WS Black Box\, 42 Waterloo Street S187951:geo:103.8509765,1.2982628
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250226T193000
DTEND;TZID=Asia/Shanghai:20250226T210000
DTSTAMP:20260411T013512
CREATED:20250207T143346Z
LAST-MODIFIED:20250207T143346Z
UID:96157-1740598200-1740603600@artsequator.com
SUMMARY:Queering the Play: A Very Specific Timeline from One Gay Jew
DESCRIPTION:What makes a play queer? Must it feature primarily queer characters? Does it necessarily centre on timeless queer narratives— coming out\, oppression\, political change? Or is it enough that the play\, like all queers\, tries to find a new way of seeing and being in the world— a play that builds theatrical worlds that resist orthodoxy\, authority\, and received binaries? Join visiting Writer in Residence Sean Dunnington in conversation with playwright Joel Tan as they pry open these questions\, featuring readings from Sean’s plays that reflect the shifting sensibilities and approaches to queerness in his work over the years.
URL:https://artsequator.com/event/queering-the-play-a-very-specific-timeline-from-one-gay-jew/
LOCATION:42WS Black Box\, 42 Waterloo Street S187951\, 42WS Black Box\, 42 Waterloo Street S187951\, Singapore\, Singapore\, S187951\, Singapore
CATEGORIES:Event of the Day,Theatre (Events),Workshop & Talks (Events)
ATTACH;FMTTYPE=image/png:https://artsequator.s3.ap-southeast-1.amazonaws.com/2025/02/Seans-SharingShowcase-Queering-2400-x-1350-px.png
ORGANIZER;CN="Centre%2042":MAILTO:info@centre42.sg
GEO:1.2982628;103.8509765
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=42WS Black Box 42 Waterloo Street S187951 42WS Black Box 42 Waterloo Street S187951 Singapore Singapore S187951 Singapore;X-APPLE-RADIUS=500;X-TITLE=42WS Black Box\, 42 Waterloo Street S187951:geo:103.8509765,1.2982628
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250228
DTEND;VALUE=DATE:20250317
DTSTAMP:20260411T013512
CREATED:20250227T042337Z
LAST-MODIFIED:20250227T042337Z
UID:96308-1740700800-1742169599@artsequator.com
SUMMARY:PLAYtime: The Bird Who Was Afraid of Heights
DESCRIPTION:Being afraid of heights isn’t such a big deal—unless you’re a bird! Meet Eddie\, a mynah\, who lives behind an abandoned old house with Matt the rat\, his best and only friend. One day\, Matt is captured by the big\, black crow! What does Eddie have to do to save his best friend? Will he have the courage to do it? \nFlutter\, flap and fly with Eddie as he attempts the bravest rescue ever in the history of bird-kind! Watch the magic of theatre and music unfold right before your eyes in this delightful performance. \nAdapted from the book The Bird Who Was Afraid of Heights by Farah Bagharib-Kaltz\, illustrated by Eeshaun\, published by Straits Times Press. \nA programme of 60 Connections – At Home and Afar\, a year-long season of Singapore stories and international collaborations in celebration of SG60. \nPIP Says \nThis is a text-based performance that encourages children to believe in themselves. Through Eddie’s journey\, children explore how understanding emotions builds confidence\, resilience and hope. \nProduction Credits \nDirector: Deonn Yang\nPlaywright: Zizi Majid\nComposer and Sound Designer: Stan\nSet Designer: Grace Lin\nLighting Designer: Emanorwatty Saleh\nCostume Designer: Theresa Chan\nPuppet maker and Consultant: Ang Hui Bin\nPerformers: Clement Yeo\, Dalifah Shahril\, Jodi Chan\, Marcus Cheong\nProduction Manager: Marilyn Chew\nStage Manager: Benjamin Lye\nAssistant Stage Manager: Jasmine Khaliesah
URL:https://artsequator.com/event/playtime-the-bird-who-was-afraid-of-heights/
LOCATION:Esplanade Theatre Studio\, 1 Esplanade Dr\, Singapore\, 038981\, Singapore
CATEGORIES:Theatre (Events)
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