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X-WR-CALDESC:Events for ArtsEquator
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TZID:Asia/Shanghai
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DTSTART:20240101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240119
DTEND;VALUE=DATE:20250101
DTSTAMP:20260414T032624
CREATED:20240221T073213Z
LAST-MODIFIED:20240221T073213Z
UID:93652-1705622400-1735689599@artsequator.com
SUMMARY:Sound Plot: True/South\, A Collection of Audio Plays
DESCRIPTION:𝗦𝗼𝘂𝗻𝗱 𝗣𝗹𝗼𝘁: 𝗧𝗿𝘂𝗲/𝗦𝗼𝘂𝘁𝗵 is a collection of audio plays responding to the geographical area of Tanjong Pagar/Pasir Panjang where the Singapore Art Museum currently resides. With audio design by Artwave Studio\, the plays first premiered as part of Singapore Art Week\, each with an audio spot installation at the museum and now available online as well. \nThe three short audio plays (of which the latter 2 were selected through our Open Call) are: \nSea Song  \nAdvisory: Contains some coarse language \nLaurie and Scott settle into their new expatriate lives at Sentosa Cove only to discover that not all is as it seems. Beneath the ostentatious luxuries of modern Singapore lie the sea and the land seething in their grief; and as Laurie’s connection to them grows she discovers that this loss is collective and communal. \nPlaywright: Joel Tan\nDirector: Cherilyn Woo\nActors: Julie Wee\, Daniel Jenkins\, Ching Shu Yi\, Serene Chen\, Tysha Khan\, Irsyad Dawood\, Joel Tan \nGhazal of the Banana Tree’s Heart \n\n\nA solitary banana tree remains on the shore\, the sole survivor amongst its compatriots\, lost to the need for the space they occupied; a lone banana tree that is the last repository of the stories of those shores – of fishermen\, turtles and the sea itself. Alone it sings the same refrain – but who listens? \nPlaywright: Danial Matin\nDirector: Grace Kalaiselvi\nActors: Suhaili Safari & Shahid Nasheer \nFragments of a Singaporean Hainanese \nAt the opening of a new exhibition on the Hainanese community in Singapore\, memories are excavated through the stories of three Hainanese immigrants of different generations\, their connections to an island they left for another\, and the sea that connects them. \nPlaywright: Wang Liansheng\nDirector: Lim Shien Hian\nActors: Jalyn Han\, Hang Qian Chou\, Rino Junior John\, Mitchell Fang
URL:https://artsequator.com/event/sound-plot-true-south-a-collection-of-audio-plays/
LOCATION:Singapore Art Museum\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, Singapore\, 089065\, Singapore
CATEGORIES:Children/Family (Events),Other (Events),Theatre (Events)
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ORGANIZER;CN="Centre%2042":MAILTO:info@centre42.sg
GEO:1.2719533;103.836752
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240801
DTEND;VALUE=DATE:20240805
DTSTAMP:20260414T032624
CREATED:20240611T060930Z
LAST-MODIFIED:20240611T060930Z
UID:94824-1722470400-1722815999@artsequator.com
SUMMARY:All The World’s A Sea 《一切世界海》
DESCRIPTION:Synopsis \nSeeking anchor in a world buffeted by unrest\, All The World’s A Sea presents the journeys of the uprooted and displaced — where despair and oppression sit alongside hope and resistance. \nA captured nose. A body in limbo. A transplanted tongue.\nAberrant eyes. Ears lost in translation. Consciousness gone rogue. \nWho am I? What am I? \nInspired by the Buddhist philosophy of Ayatana (six senses)\, director Kuo Jian Hong builds upon her 2018 epic I came at last to the seas (commissioned for Huayi – Chinese Festival of Arts) for a bold new reimagination. Bringing together an international team from Singapore\, Malaysia\, Taiwan\, Hong Kong\, Nanjing and USA\, the interdisciplinary epic fuses evocative storytelling with ambitious scenographic design. \nAll The World’s A Sea is presented by The Theatre Practice\, in collaboration with Esplanade — Theatres on the Bay\, and features performers from Hong Kong Repertory Theatre\, Jiangsu Performing Arts Group (Kun Opera Theatre) and Sun Son Theatre. \n简介 \n徘徊在充满矛盾的世界里，我是苦难的旁观者，也是聚散离合的当事人\n寻根，是我寻找自己的过程。 \n没有鼻子的士兵 移植舌头的外地人 意图越狱的黑客\n充耳不闻的女子 不见了身躯的父亲 蓝眼珠的新生儿 \n在漂流中哼唱属于我们的歌 \n***\n实践剧场《一切世界海》创作原型来自2018华艺节委约作品《六根不宁》。从六根的概念出发，以被迫漂泊的灵魂贯穿整部作品，在压迫、愤怒、挣扎的荒原中，找寻自我的锚位，激起型态各异但层层闪亮的浪潮。 \n由实践剧场及滨海艺术中心合作呈现，《一切世界海》的表演／创作团队，集结来自香港话剧团、江苏省演艺集团昆剧院、马来西亚、台湾与本地多位专业剧场工作者，透过相似实而存在差异的文化语言，共同编织表演、形体、布景、灯光、服装、音乐、影像和文本皆能平等共存的戏剧景观。 \nProgramme Details\nDate: 01 – 04.08.2024\nTime: 2.30pm (Sat – Sun)\, 8pm (Thu – Sat)\nVenue: Singtel Waterfront Theatre at Esplanade\nLanguage: Performed in Mandarin (with English surtitles)\nDuration: 95 mins (No intermission)\nTicket Price: From $48 (+ $4 booking fees)\nShows on 3 Aug will be recorded for archival and future publicity purposes. \n节目资讯\n日期：01 – 04.08.2024\n时间：2.30pm（六～日）、8pm（四～六）\n地点：滨海艺术中心新电信水滨剧院\n语言：华语演出（附英文字幕）\n时长：95分钟（无中场休息）\n票价：$48起（＋$4订票手续费）\n8月3日的两场演出皆为录影场 \nTicket Prices\nCAT 1: $68 (+$4 booking fee)\nCAT 2: $58 (+$4 booking fee)\nPreview (01.08.2024) \nCAT 1: $58 (+$4 booking fee)\nCAT 2: $48 (+$4 booking fee) \n票价\nCAT 1: $68（＋$4订票手续费）\nCAT 2: $58（＋$4订票手续费） \n预演场 Preview (01.08.2024)\nCAT 1: $58（＋$4订票手续费）\nCAT 2: $48（＋$4订票手续费） \nPromotions\nDiscounts applicable to all shows (excluding preview) unless otherwise stated.\nLimited discounted tickets per show.\nEarly Bird: 15% Discount (ends 31.05.2024)\nEsplanade&Me Specials*\nEarly Bird (ends 31.05.2024) \n\nBlack: 20% discount\nWhite: 15% discount\nDiscover: 15% discount (min. 2 tickets)\n\nGeneral Sales (ends 31.07.2024) \n\nBlack: 15% discount\nWhite: 10% discount\nDiscover: 10% discount (min. 2 tickets)\n*Enter valid promo code\n\nMarketing Partners: 10% Discount (ends 31.07.2024) \n\nPAssion Card members enjoy discount with valid promo code\n\nStudent/Senior/NSF Concession: 10% Discount (ends 31.07.2024) \n优惠\n适用所有场次（预演场除外），除非另有说明。\n每场数量有限\n早鸟优惠：15%折扣（截至31.05.2024）\n滨海与我特惠*\n早鸟优惠（截至31.05.2024） \n\n黑卡：20%折扣\n白卡：15%折扣\n探索：15%折扣（两张或以上）\n\n一般优惠（截至31.07.2024） \n\n黑卡：15%折扣\n白卡：10%折扣\n探索：10%折扣（两张或以上）\n*需输入折扣码\n\n合作伙伴：10%折扣（截至31.07.2024） \n\n百盛卡会员凭折扣码即享优惠\n\n在籍学生、国民服役人员、乐龄人士：10%折扣（截至31.07.2024）
URL:https://artsequator.com/event/all-the-worlds-a-sea-%e3%80%8a%e4%b8%80%e5%88%87%e4%b8%96%e7%95%8c%e6%b5%b7%e3%80%8b/
LOCATION:Singtel Waterfront Theatre at The Esplanade\, 8 Raffles Ave.\, Singapore 039802\, Singapore\, Singapore\, 039802\, Singapore
CATEGORIES:Theatre (Events)
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GEO:1.2896585;103.8557631
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240805T080000
DTEND;TZID=Asia/Shanghai:20240815T120000
DTSTAMP:20260414T032624
CREATED:20240818T031511Z
LAST-MODIFIED:20240818T031511Z
UID:95198-1722844800-1723723200@artsequator.com
SUMMARY:Open Call for Writers – Sound Plot: ULU
DESCRIPTION:Sound Plot is Centre 42’s audio plays series\, each edition drawing on a certain geographic area in Singapore. This edition\, produced in collaboration with the NTU Museum\, zooms in on Jurong West and its surrounding area\, where the university is located. \nThis is an invitation for two writers to respond through audio drama to this fascinating area\, guided by the curatorial prompt “Ulu”. Selected writers will need to be available for an intensive 3-week script development phase in October 2024\, and will work with a director during the recording and production process in November & December 2024. Audio production will be done in collaboration with Artwave Studio\, and slated for release online in January 2025. \nThis is a paid opportunity\, and commissioned writers will receive $1\,000 each. \n\n\n\n\nTO APPLY\n\n\n\n\nApplication period runs from 5 August 2024 (12pm) to 15 September 2024 (12pm). Please complete this online form to submit the following: \n\nYour updated CV. Highlight your experience in writing for / working in the audio medium.\nA writing sample of no more than 10 pages. This should be from an existing stage play\, audio play\, or screenplay.\nYour proposal for a 15-minute audio play\, which must:\n\nrespond to the curatorial prompt below\ntell us about the curiosity\, fascination\, or other impulse that draws you to this work\, and how you imagine this play might delve into these ideas\ndescribe your ideas for the narrative\, characters\, and world that the play takes place in\nbe no more than 2 pages.\n\n\n\n\n\n\n\n\n\n\n\n\nCURATORIAL PROMPT\n\n\n\n\nULU \nJurong West tends to be the butt of our “ulu” jokes. After all\, it’s where we seem to tuck away things we’d rather not see: cemeteries\, a man-made island heaving with chemicals\, and secretive military bases. \nBut if we look beneath this industrial veneer – always building\, always reclaiming – what other stories might we find? Here thrum large swathes of undeveloped secondary forest\, rewilding over the memories of the gambier plantations that kickstarted Singapore’s endless development. Here\, the coast hugs the mouth of the Straits of Johor\, where we can still imagine our deep connections to ancient kingdoms. Here lies a large university town\, filled with utopian architecture that tells a story about a world that could be so much better and kinder to the earth. And here lie the hopes and dreams of new families looking to build lives in one of the fastest-growing residential zones on the island\, each built-to-order flat remaking the “ulu” face of the Western region. \nWe invite you to write a play that reckons in any way with these ideas. Whether you’re curious about the many layers of history in Jurong West; have a story to tell about the diverse range of people who live\, work\, and play here; or have a speculative tale about its future\, we want to hear your ideas! \n\n\n\n\n\n\n\n\n\nSCHEDULE\n\n\n\n\nThe turnaround for these audio plays will be quick and intensive. Selected writers will need to be available for the phases outlined below and commit to the duration of the project. \n5 August – 15 September: \n\nOpen Call for Proposals\nPrepare your documents and apply via this form\n\n20 September: \n\nSelected writers will be notified\n\n1 October – 21 October: \n\nScript development intensive\nWriters will need to be available to turn in drafts of their script\, engage in discussions with script dramaturg\, director\, sound designer and producer\n\n27 October – 10 December:\nAudio pre and production phase \n\nWriters will need to be ready for script edits\, rehearsals with voice actors and director\, and participate in the recording process\n\n6 January – 17 February: \n\nAudio post-production phase: reviewing of edits and final publishing\n\n20 January – 28 February \n\nLaunch of Audio Plays\, starting from 20 January 2025
URL:https://artsequator.com/event/open-call-for-writers-sound-plot-ulu/
LOCATION:Online\, Singapore
CATEGORIES:Artist Opportunities,Literary Events/Talks (Events),Theatre (Events)
ORGANIZER;CN="Centre%2042":MAILTO:info@centre42.sg
GEO:1.352083;103.819836
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240815T200000
DTEND;TZID=Asia/Shanghai:20240825T200000
DTSTAMP:20260414T032624
CREATED:20240611T060902Z
LAST-MODIFIED:20240611T060902Z
UID:94826-1723752000-1724616000@artsequator.com
SUMMARY:Playing With Fire by Checkpoint Theatre
DESCRIPTION:With climate catastrophe on the horizon\, why would anyone want to work in oil and gas? \nHaving secured interviews with several employees of the petrochemical industry\, this is the question a determined young writer expects to answer. Instead\, Sue Rozario finds herself uncovering a troubling web of connections between the oil and gas industry\, Singapore’s modern development\, and her own family history. As she delves deeper into her research\, she is forced to confront layers of hidden truths – not only of her interviewees’ personal and professional lives\, but also of her own. \nPlaying With Fire shares a profoundly human look into Singapore’s industrial past and present\, while placing the complexities of a just energy transition under a microscope. \nCheyenne Alexandria Phillips’ sharp\, sophisticated writing shines in this new play that interrogates the relationships between people and industry with empathy and nuance. Claire Wong’s skilful direction anchors an exceptional cast\, comprising Rebecca Ashley Dass\, Cheryl Lee\, Gosteloa Spancer\, Nora Samosir\, and Rafaat Haji Hamzah\, who bring the complexities and tensions of this thrilling work to life. \nTimely and compelling\, Playing With Fire examines how we have become implicated in the climate crisis\, and asks what it would take to break out of it. \n  \nDuration: Approximately 90 minutes \nRating: G
URL:https://artsequator.com/event/playing-with-fire-by-checkpoint-theatre/
LOCATION:Drama Centre Black Box\, Singapore\, Select a Country:
CATEGORIES:Theatre (Events)
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ORGANIZER;CN="Checkpoint%20Theatre":MAILTO:contact@checkpoint-theatre.org
GEO:1.2936759;103.8573371
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240822T200000
DTEND;TZID=Asia/Shanghai:20240825T163000
DTSTAMP:20260414T032624
CREATED:20240702T093614Z
LAST-MODIFIED:20240702T093614Z
UID:94929-1724356800-1724603400@artsequator.com
SUMMARY:Oleanna
DESCRIPTION:“You. Do. Not. Have. The. Power.” \nCarol\, a college student\, approaches her professor for help with her classwork. A seemingly innocuous consultation session explodes into a series of accusations and altercations about elitism\, education\, and sexual harassment. \nPresented by The Windland Collective and Major Minor Encounters\, David Mamet’s Oleanna remains as complex and controversial as ever as it challenges the present day notions of feminist ideology and political correctness. \nDirected by: Grace Kalaiselvi\nCast: Choy Chee Yew and Swathilakshmi Perumal \nVenue: 42 Waterloo Street Black Box\nTicket prices: $30\, $25.50 (Senior Citizens\, Full-time Students and NSFs)
URL:https://artsequator.com/event/oleanna/
LOCATION:42WS Black Box\, 42 Waterloo Street S187951\, 42WS Black Box\, 42 Waterloo Street S187951\, Singapore\, Singapore\, S187951\, Singapore
CATEGORIES:Theatre (Events)
GEO:1.2982628;103.8509765
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20240831T200000
DTEND;TZID=Asia/Shanghai:20240908T220000
DTSTAMP:20260414T032624
CREATED:20240826T110023Z
LAST-MODIFIED:20240826T110023Z
UID:95281-1725134400-1725832800@artsequator.com
SUMMARY:The Sisters Soong
DESCRIPTION:The Actors Studio unveils its biggest production of 2024. Written by Joe Hasham OAM and directed by Dato’ Dr Faridah Merican\, The Sisters Soong is a brand-new play that relates the story of the famous and somewhat infamous sisters; three of the most influential siblings of 20th century China. \nBorn in China and educated in America\, “Big Sister” Ai-ling married banker H.H. Kung\, who later became Finance Minister\, “Red Sister” Ching-ling married the Father of Modern China\, Sun Yat-sen\, and “Little Sister” Mei-ling married Chiang Kai-shek. \nIn this modern retelling that alternates between fact and fiction\, the playwright has taken some artistic license and cleverly woven this family saga that spans a century with the help of a narrator. \nThe Sisters Soong will be brought to life by an award-winning cast with choreography by Kenny Shim\, costuming by Beatrice Looi\, music and arrangement by Tan Zhi Yong against a set by Scenographer Yusman Mokhtar and live music under the baton of Maestro Lee Kok Leong. \nAbout TAS Seni Teater Rakyat\nSince its inception in 1989\, The Actors Studio has been presenting groundbreaking theatre in Malaysia. In 2006\, it created The Actors Studio Seni Teater Rakyat arm to bridge the gap between the arts and the people in line with the National Arts and Culture Department’s efforts to ‘merakyatkan seni’. The Actors Studio just celebrated its 30th anniversary in 2019. \nAbout klpac Connect\nklpac Connect is an access and development initiative supported by Yayasan Sime Darby aimed at improving access to the arts through various amenities and programmes for families with young children\, students / schools\, persons with disabilities\, talents and the general public. Find out more at bit.ly/klpacconnect. \nPost-Show Talk (part of klpac Connect)\nGain deeper insights into the creation process\, the talents involved and what it takes to make a production come to life.
URL:https://artsequator.com/event/the-sisters-soong/
LOCATION:KLPAC\, The Kuala Lumpur Performing Arts Centre\, Sentul Park\, Jalan Strachan off Jalan Sultan Azlan Shah\, Kuala Lumpur\, KL\, 51100\, Malaysia
CATEGORIES:Theatre (Events)
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GEO:3.1851701;101.6863923
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