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DTSTART;TZID=Europe/Paris:20250510T110000
DTEND;TZID=Europe/Paris:20251123T210000
DTSTAMP:20260420T043409
CREATED:20250227T041046Z
LAST-MODIFIED:20250227T041046Z
UID:96348-1746874800-1763931600@artsequator.com
SUMMARY:Taiwan Collateral Event of Biennale Architettura 2025 “NON-Belief: Taiwan Intelligens of Precarity”
DESCRIPTION:The Taiwan Collateral Event of the 19th International Architecture Exhibition – La Biennale di Venezia is organized by the National Taiwan Museum of Fine Arts (NTMoFA)\, and NON-Belief: Taiwan Intelligens of Precarity\, a curatorial project by National Cheng Kung University (NCKU)\, will represent Taiwan at the Biennale held from May 10 to November 23\, 2025\, at Palazzo delle Prigioni in Venice\, Italy. A 1:1 assembly press conference took place at NCKU on 21 January\, revealing the content of the exhibition to the public for the first time. NTMoFA Director Kuang-Yi Chen (陳貺怡)\, jury members Chia-Chi Jason Wang (王嘉驥)\, Kwang-Tyng Wu (吳光庭)\, June-Hao Hou (侯君昊)\, Ming-Song Shyu (徐明松)\, Chi-Yi Chang (張基義)\, and Jr-Gang Chi (漆志剛)\, as well as NCKU Associate Vice President Ping-Sheng Wu (吳秉聲)\, curator Cheng-Luen Hsueh (薛丞倫)\, and co-curators Sung-Chang Leo Chiang (江松長) and Meng-Tsun Su (蘇孟宗)\, were all in attendance. \n  \nThe title of this year’s Biennale is “Intelligens. Natural. Artificial. Collective.” Curator Carlo Ratti uses the term “Intelligens\,” highlighting the last syllable\, “gens\,” which means “people” in Latin\, to discuss three types of intelligence—natural\, artificial\, and collective—and their role in architectural design amidst contemporary environmental and climate challenges. Inspired by the theme of the Biennale and Robert Smithson’s theory of ‘non-sites’\, “NON-Belief: Taiwan Intelligens of Precarity” examines Taiwan’s ‘non’-beliefs on TSMC chips\, high-speed\, and the relentless pursuit of efficiency and control—forces that are reshaping the world’s operations in a geopolitically precarious\, globalized landscape. Taiwan offers a model of embodied intelligens in its architecture\, showcasing how life adapts and transforms to create a resilient\, self-sustaining island republic in our collectively uncertain and fragile future. \n  \nTaiwan’s historical role as a contact zone is not only a region of political instability or ecological vulnerability created between two massive tectonic plates\, but also the geographical\, ecological\, and cultural spaces deeply reflect a state of tension between openness and closure. It is also a contact zone between various diasporic inhabitants\, nations\, and corporations\, generating layered and juxtaposed practices and intelligens. Featuring projects by teams of researchers\, architects\, designers\, and a documentary director\, the exhibition presents Taiwan’s built environment as comprising localized assemblages of digitally connected\, democratically paradoxical contact zones. “Taiwan Intelligens of Precarity” positions these assembled worlds as a frontline in planetary resistance against authoritarian autocracy and as an adaptive response to climate change at the Venice Biennale. \n  \n  \nBinary Dialectics on Three Main Topics: Efficiency\, Technology\, Control \nTaiwan’s spatial governance and development strategy are heavily influenced by belief and [non]- belief. Taiwanese people can turn anything into a belief\, yet we can also believe in nothing at all. The belief built upon fictional realities has enabled our societies to organize and collaborate throughout historical evolution. Under Taiwan’s rapid technological and urban development\, TSMC chips symbolize the contemporary “beliefs” upheld by Taiwan’s collective dedication\, prompting deep reflection on the environmental\, water resource\, and energy costs embedded within these beliefs. \n  \nThe exhibition seeks to identify and construct a gray area within the binary dialectic of “belief” and “non-belief” unique to Taiwan\, uncovering various expressions of “Intelligens” and its impact on spatial governance. The exploration will focus on three aspects: \n  \n\nEfficiency: NON-Belief in High-Speed explores the global trend of pursuing efficiency and high-speed development. Using Taiwan High Speed Rail as the case study\, the exhibition proposes a reflection on the urban ecology within the metropolitan areas constructed by the high-speed railway and amidst Taiwan’s rural-urban gap.\nTechnology: NON-Belief in Chips explores the beliefs in the two polarized and contradictory mythologies of the ‘tech island’ and the ‘eco island’\, as well as the hidden costs of green energy under the shade of solar panels\, reflecting on research into climate justice and new energy-driven typologies.\nControl: NON-Belief in Sensory-Motor explores the various subtle relationships in our everyday lives\, reviewing the different kinds of ecological\, cultural\, and social conflicts within the extended context\, encompassing non-belief in hegemonic empires\, and flourishing through tactics of the in-between\, based on understanding the city as a human sensori-motor system.\n\n  \nRoaming in the “Lagoon – Island – Archipelago – Peninsula” Exhibition Space \nThe concept of ‘Island’ is adopted for the design of the exhibition space\, presenting the tensions between ‘Belief’ and ‘Non-Belief’ through the relationship between ‘lagoon – island – archipelago – peninsula\,’ and reexamining the complex relationship between technology\, environment\, and social space. “Island” installation is at the center supported by metal stands adopted from the traditional banquet table as piles on the uneven sunken flooring. \n  \nMultiple orthographic sectional slices illustrate a compressed cross-section of Taiwan’s precarious geological conditions\, with coastal conurbations nestled in the mountainous shadow of the west-tilting fault block. Taiwan lies along a north-south fault line between the Japanese and Philippine archipelagos. The high-speed rail (HSR) line\, became an embodied sensorimotor extension\, cutting through these strata as a spatial/ temporal measuring tool of island landscape. \n  \nDim light filtering through the paper slowly flows over the terrain\, which is encircled by the ‘Tech Island\,’ continuously flashing images of Taiwan’s landscapes on fragments of electronic paper collectively. The contrast between lightness and the heaviness of the ancient Venice Prison Palace underscores the impact of the semiconductor industry on Taiwan’s landscapes\, shifting of urban heat island and environmental justice\, water and energy distribution\, and the tension between technology and ecology. Accompanied by 17 research projects\, the installation aims to generate awareness and foster discourse on the architecture of the resilient and self-sustaining island. \n  \nThe Taiwan exhibition also showcases 12 research and operative models arranged in an encircling archipelago configuration around the rooms. The research reflects contemporary architectural challenges and ideas\, inviting visitors to engage with Taiwan’s transformation in a precarious world. Upon entering the exhibition space\, an exterior-facing window frames a view of a Renaissance church across the Grand Canal\, while positioned perpendicular to the interactive and spiritual installation at the other end of the hall\, a large installation composed of densely packed circuit boards replicates a common ‘Votive Lamp Wall’ found in local Taiwanese temples\, serving as a visual and spiritual spectacle that reflects Taiwan’s unique non-belief intelligens. \n  \nNON-Belief: Taiwan Intelligens of Precarity is curated by a team from the NCKU Department of Architecture\, led by curator and department chairman Cheng-Luen Hsueh\, with co-curators Ping-Sheng Wu\, Sung-Chang Leo Chiang\, and Meng-Tsun Su. The team includes consulting expert Professor Wei Tseng(曾瑋)\, and international advisory expert and joint researcher\, Professor Brian McGrath\, from Parsons School of Design in New York. The installations are created in collaboration with and sponsored by E Ink Corporation and HongSen Intelligent Technology. \nThrough exhibition\, installation\, workshop\, and forum\, the exhibition explores and defines the expressions of “Intelligens”. For more information on related exhibitions and activities\, please visit the NTMoFA official website and the official Facebook and Instagram accounts.
URL:https://artsequator.com/event/taiwan-collateral-event-of-biennale-architettura-2025-non-belief-taiwan-intelligens-of-precarity/
LOCATION:Palazzo delle Prigioni\, Venice\, Taiwan
CATEGORIES:Other (Events)
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ORGANIZER;CN="National%20Taiwan%20Museum%20of%20Fine%20Arts%20%28NTMoFA%29":MAILTO:artnet@art.ntmofa.gov.tw
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250614T120000
DTEND;TZID=Asia/Shanghai:20250624T190000
DTSTAMP:20260420T043409
CREATED:20250604T004618Z
LAST-MODIFIED:20250604T004618Z
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SUMMARY:The 20th Ngee Ann Photographic Exhibition 2025
DESCRIPTION:See Singapore Through Fresh Eyes This June Holiday!  \nStep into a visual celebration of SG60 at the 20th Ngee Ann Photographic Exhibition (NAPE) 2025—a community arts exhibition that is completely FREE for all to attend! \n  \nRunning from 14-24 June 2025 at LASALLE College of the Arts\, this exciting exhibition features over 170 captivating works from local photographers. Visitors can also marvel at masterpieces by 29 artists\, including Cultural Medallion recipients Mr Foo Tee Jun and the late Mr Tan Lip Seng; and emerging artists such as street photographer Betty Goh and architecture photographer Darren Soh! \n  \nThemed “60 x 3: From Our Roots to Beyond”\, the exhibition celebrates 60 years of Singapore’s independence and the 180-year heritage of The Ngee Ann Kongsi through the eyes of our local photographers. From heartwarming everyday moments and familiar landmarks to stunning overseas adventures\, these photographs tell stories that will captivate visitors of all ages. \n  \nA special exhibition “Travel Memories Through the Lens” will feature 20 stunning travel photographs by Mr Lim Leong Kiat PBM\, Ngee Ann Photographer of the Year 2025\, whose work reflects decades of global adventures captured with a variety of tools from smartphones to drones! \n  \nWhether you’re a photography buff\, arts lover\, or simply looking for a pleasant way to spend time with family during the June holidays\, NAPE 2025 offers something special for everyone. \n  \nDon’t Miss the Opening Day Special: \nJoin Mr Lim Leong Kiat PBM\, Ngee Ann Photographer of the Year 2025\, for his free public talk “Through the Lens: The Art of Travel Photography” on 14 June at 2pm. \n \n\n\n\nThis is a perfect opportunity to hear from an acclaimed photographer about photographic techniques\, as well as his insights and reflections on how travel photography can shape the way we perceive and connect with the world. Interested parties can sign up via this Google form.
URL:https://artsequator.com/event/the-20th-ngee-ann-photographic-exhibition-2025/
LOCATION:Lasalle College of the Arts\, 1 McNally Street Singapore 187940\, Singapore\, Singapore\, 187940\, Singapore
CATEGORIES:Other (Events)
ORGANIZER;CN="Ngee%20Ann%20Cultural%20Centre":MAILTO:nacc@nak.org.sg
GEO:1.3029395;103.8515167
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BEGIN:VEVENT
DTSTART;TZID=Asia/Shanghai:20250614T160000
DTEND;TZID=Asia/Shanghai:20250615T210000
DTSTAMP:20260420T043409
CREATED:20250604T005231Z
LAST-MODIFIED:20250604T005231Z
UID:97345-1749916800-1750021200@artsequator.com
SUMMARY:The 25th Annual Putnam County Spelling Bee (by the Sing'theatre Academy Showstoppers)
DESCRIPTION:The 25th Annual Putnam County Spelling Bee\nPresented by “The Showstoppers” of  Sing’theatre Academy \nFollowing the roaring success of GREASE last year\, Sing’theatre Academy’s premier performance troupe\, The Showstoppers\, proudly returns to the stage with another musical theatre classic — The 25th Annual Putnam County Spelling Bee. Directed by Dr Caleb Goh and featuring musical direction by Joanne Ho (Dear Evan Hansen\, Into the Woods)\, The Showstoppers are set to bring the bold characters and their captivating stories to life with heart and flair. \nThis heartwarming and hilarious musical comedy follows a quirky group of middle school pupils (portrayed by adults) as they compete in a high-stakes spelling bee. Each contestant brings their own unique charm\, insecurities\, and aspirations to the spotlight\, weaving together a delightful tapestry of humour and sincerity.\nPacked with catchy songs\, laugh-out-loud moments\, and even a touch of audience participation\, Spelling Bee is a joyful celebration of individuality\, resilience\, and the bittersweet journey of growing up. This lively production guarantees fun for all ages! \nCast:\nThis production features our Showstoppers Students\, who will be performing the same show across all shows. \nStarring: Andre Tng / Chas Arevalo / Eugene Chow / Erika Goh / Gail Wong/ Lee Wen Li Ella / Marcus Lim / Marian Magturo / Maximilian Tan / Nataliya Kabakova / Rachel Linn Braberry / Roderick Howie / Russ Cheong / Shantel Leow / Shantel Neo / Sharad Ramachandra / Shivaane S / Sreya Sanyal / Timothy Yeo / Woo Zi Xin
URL:https://artsequator.com/event/the-25th-annual-putnam-county-spelling-bee-by-the-singtheatre-academy-showstoppers/
LOCATION:Goodman Arts Centre Black Box\, Singapore\, Singapore
CATEGORIES:Children/Family (Events),Event of the Day,Music (Events),Other (Events),Theatre (Events)
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ORGANIZER;CN="Sing%27theatre%20Academy":MAILTO:academy@singtheatre.com
GEO:1.352083;103.819836
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