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Thinking and Talking about Arts and Culture in Southeast Asia
Archive

Category: Performance

Review of “Every Brilliant Thing” by Bhumi Collective

By Akanksha Raja (870 words, 8-minute read) Every Brilliant Thing is a (primarily) one-person monologue of an unnamed narrator (Andrew Marko) coming to terms with his mother’s depression and suicidal tendencies. His effort to reconcile with his mother’s instability takes…

Who’s Normal Anyway?

By Akanksha Raja (920 words, 9-minute read) Normal opens with a dreary, dull morning assembly at Trinity Girls’ School, immersing the audience in a mise-en-scène that is all too familiar to anyone who has been through any part of public…

Freaks and Greeks: Electra by Cake Theatrical Productions

By Matthew Lyon (504 words, 6-minute read) Over the years, my reactions to Natalie Hennedige’s work for Cake Theatrical Productions have ranged from adulation (Nothing, 2007) to anger (Versus, 2015), with her recent productions tending towards the latter. How wonderful,…

Low Octane: SRT’s Disgraced

By Matt Lyon (482 words, 6-minute read) Ayad Akhtar’s Disgraced, a modern tragedy about the fall of an apostate Muslim-American lawyer, is a notable inheritor of the realist theatrical tradition. Sadly, it inherits the worst traits: Ibsen’s machine-cut-jigsaw plotting and…

Crisis of Masculinity: Best Of (His Story)

By Matthew Lyon (480 words, 6-minute read) The Necessary Stage’s Best Of (His Story) is a response to the company’s 2013 monologue, Best Of that detailed a day in the life of a young Malay-Muslim woman. The project of the original…

Necessary Nuance: Best Of (His Story)

 By Kathy Rowland (1010 words, 10-minute read)  Best of (His Story) is a monologue set on a crowded stage. A young man, alone in an apartment decorated by his wife, reflects on his marriage on the day his divorce is…