Pico Iyer and Raffles Hotel, or the Nowhere Hotel
Celebrated writer Pico Iyer spent fifteen days in Singapore last August doing a residency at the newly reopened Raffles Hotel as its first official writer-in-residence. His new book, titled This Could Be Home: Raffles Hotel and the City of Tomorrow, published…
The architecture of patriarchy: The Professor by Faisal Tehrani
By Lily Jamaludin (1,650 words, 7-minute read) Trigger warning: Descriptions of sexual assault. This review contains spoilers for The Professor. I began Faisal Tehrani’s new novel, The Professor, with the hope that he might provide some new images for Malaysian…
5 Singapore poems not to quote out of context
By Nabilah Said (2,500 words, 7-minute read) In 1968, Lee Kuan Yew uttered the words “Poetry is a luxury we cannot afford” to a roomful of University of Singapore students. There have been some quibbling over, even mythologising of, what…
Masalah Sastera Di Malaysia Baharu
Oleh Faisal Tehrani (1, 175 patah kata, 9-minit bacaan) Click here to read this article in English. Klik di sini untuk baca rencana ini dalam Bahasa Inggeris. Saya harus berjujur, kita ada masalah dengan sastera kita, dan saya jujur sahaja; saya tidak tahu apakah…
The Problem with Literature in New Malaysia
By Faisal Tehrani (1, 350 words, 7-minute read) Click here to read this article in Bahasa Melayu. Klik di sini untuk baca rencana ini dalam Bahasa Melayu. I have to be honest: we have a problem with our literature, and frankly, I…
Art That Moves: Marc Nair
Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. Marc Nair, poet and photographer, is producer of Note for Note: #Skintones, an…
SIFA 2018: “OCD Love”‘s Dancing in the Face of Love
By Kathy Rowland (400 words, 3 minute read) “I asked her out six times in thirty seconds.” In 2013, a Youtube video by slam poet Neil Hilborn went viral. In the clip, Hilborn delivers an impassioned performance of OCD, a…
“Out of Print”: classic Singaporean texts get a contemporary makeover
By Corrie Tan (1,300 words, eight-minute read) We’ve all met the gaze of this pair of narrow, red-pupilled eyes – whether with a torchlight under the bedcovers, or in school, snuck into class beneath a desk. The predatory stare on…
ArtsEquator’s Picks: TEXTURES, A Weekend with Words
By Akanksha Raja Presented by The Arts House and co-commissioned by #BuySingLit, Textures – A Weekend With Words is an inaugural literary festival taking place from 9 – 11 March, chockablock with performances, workshops, book-themed exhibitions, and over 30 panel discussions,…
Faisal Tehrani: From Poster Boy to Pariah
Since he broke into the literary scene in his teens, Malaysian writer and academic, Dr Faizal Musa, better know by his pen name, Faisal Tehrani, has written several best selling and critically acclaimed novels and short stories. His articles on…
Same same but different: ASEAN 50 at the Singapore Writers Festival 2017
By Akanksha Raja (840 words, 8-minute read) “Language is born from imagination, and imagination is what makes language real. Without language, we have no memory: therefore, literacy (the mastery of language) is important. Our sense of language is the most…
Ownself Check: SWF 2016 Lecture, Unwritten Country
By Pavithra Raja (831 words, 5-minute read) On November 5th, acclaimed literary figures Gwee Li Sui and Boey Kim Cheng both spoke on the topic, Unwritten Country, as part of the Singapore Writers’ Festival Lecture series. The softly lit Chamber…
SWF 2016 Panel: Southeast Asian Speculative Fiction
By Akanksha Raja (608 words, 6-minute read) Speculative fiction (or spec-fic) is an umbrella term for a number of literary genres including science fiction, fantasy, alternate history, magical realism, and horror. It’s the term for all those movies and books…