To Biennale or Not To Biennale (Part I)
By Sunitha Janamohanan (2900 words, eight-minute read) This is the first of a two-part essay on origins and rise of biennales within the context of Malaysia’s aspirations for a world-class international visual art mega-exhibition. Read Part II here. Part…
Faith in Tokyo: A review of ‘Nadirah’ and ‘Family’
by Mio Yachita (1,260 words, 10 minute read) 2016 was a busy year for theatregoers in Japan, and an especially fruitful one for those with an interest in Malaysia. The Kyoto Experiment 2016 (22 Oct – 13 Nov) featured the…
An Atlas of Biennales: International Art Festivals in Asia Pacific 2016
By Akanksha Raja (1200 words, 12-minute read) 2016 has seen a few biennales taking place in Southeast Asia. While we didn’t manage to attend each and every one of them, we’ve been reading all we could find about them. Here is…
Ownself Check: SWF 2016 Lecture, Unwritten Country
By Pavithra Raja (831 words, 5-minute read) On November 5th, acclaimed literary figures Gwee Li Sui and Boey Kim Cheng both spoke on the topic, Unwritten Country, as part of the Singapore Writers’ Festival Lecture series. The softly lit Chamber…
Sundance of Southeast Asia: Luang Prabang Film Festival 2 – 7 Dec 2016
If you’re in withdrawal now that the 27th Singapore International Film Festival 2016 has ended, you have two days left to catch the Luang Prabang Film Festival (LPFF). Founded in 2010 by Gabriel Kuperman, the Luang Prabang Film Festival has…
When Your Privates Become Public: From Synge to M1 Fringe
By Corrie Tan (2043 words, 15-minute read) It was January 26, 1907, a Saturday night in Dublin, Ireland. Audience members, rowdy and revolted, were pouring out of the Abbey Theatre after the premiere of playwright J. M. Synge’s The Playboy…