Hemang has penned and directed a number of plays, including a modern Noh play All The Crazy People (Wisdom of Monkeys, 2010), Maya: Demon Architect (Esplanade Raga Series/RDG, 2014), the opera-based play Letter to Juliet (Bellapoque, 2014), site-specific plays for the annual Arts Walk Little India (RDG, 2017-2019) and Pongal (Late Nite Texting 2019, Dastak 2021). Dramatised reads of his plays Malavika and Shakuntala were presented by Theatreworks and Esplanade respectively. He is a member of the writers collective Brown Voices. He directed Anbudan Uppuma for Solo/Oray Aal and Love Etc as part of the Voilah French Festival in 2021. Hemang has played memorable roles like the Bhagavadha in Girish Karnad’s Hayavadhana (Experimental Theatre Company, 2006), Kent in Ho Tzu Nyen’s The Lear Universe (Singapore Arts Festival, 2008), Demetrius in Stageclub’s A Midsummer Night’s Dream, Godse in Elangovan’s Satyameva Jayate (Agni Koothu, 2009), Bhima in WeCanDoIt’s Trikon (performed in Bangalore, 2011), Patel in Mahesh Dattani’s Tara (RDG, 2015) and Pillay in the site-specific First Storeys (2019). He worked as a dramaturg for Saga Seed’s The Shape of a Bird, RDG’s Adukku Veettu Annasamy, Drama Box’s Chinatown Crossings and Bhaskar Arts’ Marabu 2. Hemang has been the festival director of the annual Tamil ten-minute play festival Pathay Nimidam, which brings together Tamil and non-Tamil theatre practitioners.
Contemporary Moves In Modern Singaporean Tamil Theatre
Hemang Yadav was involved in a recent development program, Tunjuk Arah/ Iyakkunar, for Malay and Indian theatre directors in Singapore. He shares his views and reflections on the current state of Singaporean Tamil theatre, and how the programme was an important platform, while also identifying some entrenched ideas underpinning the design of the masterclasses.