{"id":1364,"date":"2021-06-06T08:44:14","date_gmt":"2021-06-06T08:44:14","guid":{"rendered":"https:\/\/artsequator.com\/aamr\/?page_id=1364"},"modified":"2021-06-06T08:45:53","modified_gmt":"2021-06-06T08:45:53","slug":"criticslive-threesisters","status":"publish","type":"page","link":"https:\/\/artsequator.com\/aamr\/criticslive-threesisters\/","title":{"rendered":"Critics Live: Three Sisters"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1364\" class=\"elementor elementor-1364\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-36820c9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"36820c9\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0f1dc8f\" data-id=\"0f1dc8f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2daa722 elementor-widget elementor-widget-heading\" data-id=\"2daa722\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Critics Live!: A post-show response to Three Sisters<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-582fa70 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"582fa70\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b9ab942\" data-id=\"b9ab942\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-be16dcb elementor-widget elementor-widget-text-editor\" data-id=\"be16dcb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Date: 6 Jun 2021, Sunday<br \/>Time: 6.30pm (GMT+8)<br \/>Panelists:\u00a0Corrie Tan (SG), Elisabeth Vincentelli (US), Jose Sol\u00eds (US), Sharaad Kuttan (MY)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c58c7cb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c58c7cb\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-137087e\" data-id=\"137087e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e0e6ae6 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"e0e6ae6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1124\" height=\"1499\" src=\"https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/Corrie-Tan-low-res-credit-Elizabeth-Chan-1-1.jpg\" class=\"attachment-full size-full wp-image-1368\" alt=\"\" srcset=\"https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/Corrie-Tan-low-res-credit-Elizabeth-Chan-1-1.jpg 1124w, https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/Corrie-Tan-low-res-credit-Elizabeth-Chan-1-1-225x300.jpg 225w, https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/Corrie-Tan-low-res-credit-Elizabeth-Chan-1-1-768x1024.jpg 768w\" sizes=\"(max-width: 1124px) 100vw, 1124px\" \/><\/figure><div class=\"elementor-image-box-content\"><h3 class=\"elementor-image-box-title\">Corrie Tan (SG)<\/h3><p class=\"elementor-image-box-description\">Corrie Tan \u9673\u9716\u9748 (she\/her) is a writer and practitioner-researcher from Singapore. She is committed to radical shifts in performance criticism \u2013 redefining the critic as dramaturg, collaborator, archivist, facilitator and shapeshifter \u2013 with a practice centred around care, intimacy and generosity. She is resident critic and contributing editor at ArtsEquator, and has also written regularly about performance for The Guardian, Exeunt Magazine, and The Straits Times. Corrie is currently a President\u2019s Graduate Fellow in Theatre Studies on the joint PhD programme between King's College London and the National University of Singapore. www.corrie-tan.comRecently, he has been working to expand the possibility of visual arts crossing the borders of performing arts and contemporary arts. Engaging in collaboration projection mapping works with diverse artists or visual installations with a playwriter. It is also worth mentioning, he is well versed in working with research-based creations and providing professional directorial skills for site-specific art projects. In these types of projects, he focuses on placing the projects in common every-day locations, as opposed to housing it in theatres and museums.<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-941d5b4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"941d5b4\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3e86dbc\" data-id=\"3e86dbc\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a1111c1 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"a1111c1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img decoding=\"async\" width=\"640\" height=\"852\" src=\"https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/headshot-1.jpg\" class=\"attachment-large size-large wp-image-1369\" alt=\"\" srcset=\"https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/headshot-1.jpg 640w, https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/headshot-1-225x300.jpg 225w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure><div class=\"elementor-image-box-content\"><h3 class=\"elementor-image-box-title\">Elisabeth Vincentelli (US)<\/h3><p class=\"elementor-image-box-description\">Elisabeth Vincentelli is a regular contributor to The New York Times\u2019 culture pages and to The New Yorker\u2019s Goings On About Town section. She is a co-founder and co-host of the podcast \u201cThree on the Aisle,\u201d hosted by American Theatre Magazine. Originally from France, she lives in New York City.<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6e337bc elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"6e337bc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img decoding=\"async\" width=\"596\" height=\"798\" src=\"https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/Jose-Solis-Credit-Dan-Fortune.jpg\" class=\"attachment-full size-full wp-image-1370\" alt=\"\" srcset=\"https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/Jose-Solis-Credit-Dan-Fortune.jpg 596w, https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/Jose-Solis-Credit-Dan-Fortune-224x300.jpg 224w\" sizes=\"(max-width: 596px) 100vw, 596px\" \/><\/figure><div class=\"elementor-image-box-content\"><h3 class=\"elementor-image-box-title\">Jose Sol\u00eds (US)<\/h3><p class=\"elementor-image-box-description\">Jose Sol\u00eds is a Honduran cultural critic based in NYC. His work appears in The New York Times, American Theatre, TDF Stages, Backstage, 3 Views, and America. He is the founder and director of the BIPOC Critics Lab the second installment of which was hosted by the Kennedy Center. He is also the creator and host of Token Theatre Friends, a web series\/podcast where he talks to some of the most influential theatre artists. <\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ed0de7a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ed0de7a\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1af1d70\" data-id=\"1af1d70\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8c29db5 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"8c29db5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/IMG_0198-e1622969124239-300x225.jpeg\" class=\"attachment-medium size-medium wp-image-1371\" alt=\"\" srcset=\"https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/IMG_0198-e1622969124239-300x225.jpeg 300w, https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/IMG_0198-e1622969124239-768x576.jpeg 768w, https:\/\/artsequator.com\/aamr\/wp-content\/uploads\/2021\/06\/IMG_0198-e1622969124239-1024x768.jpeg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"elementor-image-box-content\"><h3 class=\"elementor-image-box-title\">Sharaad Kuttan (MY)<\/h3><p class=\"elementor-image-box-description\">Sharaad Kuttan is a journalist who has worked in print and broadcast, currently hosting two talkshows on Astro AWANI - Let\u2019s Talk with Sharaad Kuttan and Consider This. While pursuing a postgrad degree in Sociology from the National University of Singapore, he was co-editor of the NUS Society\u2019s journal Commentary. One issue was published as a collection of essays on cultural politics in Singapore titled  \u201cLooking at Culture\u201d. He is a member of the Singapore branch of the International Association of Art Critics. In 2006 he was awarded the Nippon Foundation\u2019s Asian Public Intellectual fellowship. Apart from Art and Culture, he is a regular commentator on local politics and contributed a chapter to \u201cElections and Democracy in Malaysia\u201d, a scholarly study of the Malaysian electoral system.\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-97c4b3c elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"97c4b3c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-df92c85 elementor-widget elementor-widget-text-editor\" data-id=\"df92c85\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h4><b>ABOUT Critics Live!<\/b><\/h4><p><span style=\"font-size: 18px; font-style: normal; font-weight: 400; background-color: #fbfbfb;\">Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances. Through Critics Live!, critics will share their experiences watching the show either in-venue or digitally, and discuss how the artists\u2019 choices shape these respectively.\u00a0 \u00a0Critics Live! is open to public.\u00a0<\/span><b><br \/><\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Critics Live!: A post-show response to Three Sisters Date: 6 Jun 2021, SundayTime: 6.30pm (GMT+8)Panelists:\u00a0Corrie Tan (SG), Elisabeth Vincentelli (US), Jose Sol\u00eds (US), Sharaad Kuttan (MY) Corrie Tan (SG) Corrie Tan \u9673\u9716\u9748 (she\/her) is a writer and practitioner-researcher from Singapore. She is committed to radical shifts in performance criticism \u2013 redefining the critic as dramaturg, &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/artsequator.com\/aamr\/criticslive-threesisters\/\"> <span class=\"screen-reader-text\">Critics Live: Three Sisters<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1364","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artsequator.com\/aamr\/wp-json\/wp\/v2\/pages\/1364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsequator.com\/aamr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artsequator.com\/aamr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artsequator.com\/aamr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artsequator.com\/aamr\/wp-json\/wp\/v2\/comments?post=1364"}],"version-history":[{"count":5,"href":"https:\/\/artsequator.com\/aamr\/wp-json\/wp\/v2\/pages\/1364\/revisions"}],"predecessor-version":[{"id":1373,"href":"https:\/\/artsequator.com\/aamr\/wp-json\/wp\/v2\/pages\/1364\/revisions\/1373"}],"wp:attachment":[{"href":"https:\/\/artsequator.com\/aamr\/wp-json\/wp\/v2\/media?parent=1364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}